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DTSTART;TZID=Australia/Sydney:20260502T080000
DTEND;TZID=Australia/Sydney:20260718T170000
DTSTAMP:20260525T113314
CREATED:20260521T051836Z
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UID:10000043-1777708800-1784394000@posterfactory.com.au
SUMMARY:Natalya Hughes: The Interior
DESCRIPTION:Can we use the talking cure to solve society’s ‘problem’ with women? \nThe Interior invites audiences into an exaggerated consultation room\, playfully furnished for psychoanalysis. Natalya Hughes’s immersive installation—combining sculptural seating\, richly patterned soft furnishings\, and uncanny objets d’art\, nestled around a hand-painted mural—generates a stimulating space to unpack our collective and unconscious biases. \nInterested in the role of women and their historical absence from positions of power\, Hughes’s part-professional\, part-domestic setting plays with gendered power dynamics between public and private space. The bespoke couches that dot the gallery take their lush contours from the shapes of the female body\, while motifs of eyes\, rats\, and snakes from Freud’s patient case studies ripple over their detailed upholstery. \nAudiences are invited to recline and be enveloped\, soothed and held\, by the furniture’s womanly forms\, while taking turns playing analyst and patient. Throughout this bodily encounter\, The Interior offers a space where women can be reimagined on different terms in a post-# MeToo world. \nThe Interior is a travelling exhibition organised by the Institute of Modern Art (IMA) and toured by Museums & Galleries Queensland. \nThe Interior has been assisted by the Australian Government through the Australia Council\, its arts funding and advisory body; the Australia Council’s Contemporary Touring initiative; The Queensland Government through Arts Queensland; the Fini Artist Fellowship through the Sheila Foundation; Queensland College of Art\, Griffith University; Creative Art Research Institute\, Griffith University; and Porter’s Paints\, New Farm. \nNatalya Hughes is represented by Milani Gallery\, Brisbane\, and Sullivan+Strumpf\, Sydney.
URL:https://posterfactory.com.au/art-event-and-opening/natalya-hughes-the-interior/
LOCATION:University of the Sunshine Coast Art Gallery\, USC Sunshine Coast\, 90 Sippy Downs Dr\, Sippy Downs\, QLD\, 4556\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/NatalyaHughes_Press_0117.jpg
ORGANIZER;CN="University of the Sunshine Coast Art Gallery":MAILTO:uscartgallery@usc.edu.au
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DTSTART;TZID=Australia/Sydney:20260502T080000
DTEND;TZID=Australia/Sydney:20260718T170000
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CREATED:20260521T051837Z
LAST-MODIFIED:20260521T051837Z
UID:10000041-1777708800-1784394000@posterfactory.com.au
SUMMARY:Amanda Bennetts: Fragmented\, divided—yet whole
DESCRIPTION:Fragmented\, divided—yet whole brings together recent works by Amanda Bennetts that use time as both material and metric for understanding the body. In Bennetts’ practice\, time is not linear but lived. It is stretched\, slowed\, ruptured\, and suspended by the realities of living in a body in flux that refuses normative rhythms and constantly requires new forms of understanding. \nAcross these works\, Bennetts moves between different geographies and states of being. These spaces and the temporalities that govern them rarely align neatly. Instead\, they accumulate as fragments of data\, sensory impressions and embodied memory. \nFragmented\, divided—yet whole considers the body as a site where multiple timelines converge and how these temporal overlaps shape what it means to inhabit a body.
URL:https://posterfactory.com.au/art-event-and-opening/amanda-bennetts-fragmented-divided-yet-whole/
LOCATION:University of the Sunshine Coast Art Gallery\, USC Sunshine Coast\, 90 Sippy Downs Dr\, Sippy Downs\, QLD\, 4556\, Australia
ATTACH;FMTTYPE=image/png:https://posterfactory.com.au/wp-content/uploads/2026/05/Amanda-Bennetts_The-Metallic-City-Hums-Under-Skin_2026_4-scaled-1.png
ORGANIZER;CN="University of the Sunshine Coast Art Gallery":MAILTO:uscartgallery@usc.edu.au
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