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DTSTART;TZID=Australia/Sydney:20250815T080000
DTEND;TZID=Australia/Sydney:20261231T170000
DTSTAMP:20260514T030142Z
CREATED:20260514T030142Z
LAST-MODIFIED:20260514T030142Z
UID:10000008-1755244800-1798736400@posterfactory.com.au
SUMMARY:Gurindji Freedom Banners
DESCRIPTION:Mumkurla-nginyi-ma parrngalinyparla – from the darkness into the light. \nThe Gurindji freedom banners are a collection of 10 hand-painted banners created in 2000 by the Gurindji to share the community’s version of the historic 1966 Wave Hill walk-off. The walk-off\, or Gurindji strike\, led by Gurindji man Vincent Lingiari was an important event in Australia’s land rights movement. Many of the 35 Gurindji people involved in the banner-making project were participants in the walk-off. \nAt some stage\, banner eight\, Ngumpittu nguwula junypa wanyjarnana (Two young men dancing)\, went missing. In July 2025\, a banner-making workshop was held in Daguragu and Kalkarindji to reconstruct the missing banner and restore the collection.
URL:https://posterfactory.com.au/art-event-and-opening/gurindji-freedom-banners/
LOCATION:Museum of Australian Democracy at Old Parliament House\, 18 King George Terrace\, Parkes\, ACT\, 2600\, Australia
ATTACH;FMTTYPE=image/png:https://posterfactory.com.au/wp-content/uploads/2026/05/2-1.png
ORGANIZER;CN="Museum of Australian Democracy at Old Parliament House":MAILTO:info@moadoph.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260228T080000
DTEND;TZID=Australia/Sydney:20260630T170000
DTSTAMP:20260520T061124Z
CREATED:20260520T061124Z
LAST-MODIFIED:20260520T061124Z
UID:10000027-1772265600-1782838800@posterfactory.com.au
SUMMARY:Iconic Loved Unexpected
DESCRIPTION:Experience Newcastle Art Gallery’s icons\, loved favourites\, and unexpected gems in our inaugural exhibition\, Iconic Loved Unexpected. \nAcross every space in the expanded Gallery\, we celebrate our nationally renowned collection with a curated selection from more than 7\,000 works of art by local\, national and global artists. This multi-faceted display foregrounds First Nations art and traces the development of Australian art over more than 200 years\, as well as showcasing vibrant works by contemporary artists from across the globe. \nNewcastle Art Gallery is gearing up for our full reopening in late February! Our three-day celebration begins with a Street Party from 5pm on Friday 27 February\, followed by a vibrant program over Saturday 28 February and Sunday 1 March.
URL:https://posterfactory.com.au/art-event-and-opening/iconic-loved-unexpected/
LOCATION:Newcastle Art Gallery\, 1 Laman St\, Newcastle\, NSW\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/CHRISTIANO-2020010.jpg
ORGANIZER;CN="Newcastle Art Gallery":MAILTO:artgallery@ncc.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260501T080000
DTEND;TZID=Australia/Sydney:20260623T170000
DTSTAMP:20260520T062440Z
CREATED:20260520T062440Z
LAST-MODIFIED:20260520T062440Z
UID:10000039-1777622400-1782234000@posterfactory.com.au
SUMMARY:Kate McKenzie Lewis: Ember
DESCRIPTION:Bett Gallery presents Kate McKenzie Lewis’s debut solo exhibition\, Ember. This series examines bushfire-affected landscapes\, capturing moments between destruction and renewal. The works reflect the dual nature of fire\, balancing loss and transformation while celebrating nature’s resilience and ability to recover. \nDrawing on experience\, observation\, and research\, Lewis weaves memories of smoke-filled skies\, glowing horizons\, and fire-impacted terrain with broader environmental themes\, exploring how we perceive\, remember\, and remain connected to place.
URL:https://posterfactory.com.au/art-event-and-opening/kate-mckenzie-lewis-ember/
LOCATION:Bett Gallery\, Level 1/65 Murray St\, Hobart\,\, TAS\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/3-Kate-Lewis-20.02.2026-055-1-1-scaled-1.jpg
ORGANIZER;CN="Bett Gallery":MAILTO:info@bettgallery.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260502T080000
DTEND;TZID=Australia/Sydney:20260630T170000
DTSTAMP:20260521T051837Z
CREATED:20260521T051837Z
LAST-MODIFIED:20260521T051837Z
UID:10000044-1777708800-1782838800@posterfactory.com.au
SUMMARY:Group Exhibition: Stockmen
DESCRIPTION:It is with a view to capturing the totality of the pastoral influence upon remote Australia that Stockmen brings a range of visual ideas together\, from dot painting to visionary landscapes. It is often said that contemporary art charts ideas of the future\, while in this exhibition it is possible to envisage the fullness of the lived experience of a quickly receding past. These artists offer a sense of just how much remote Australia has changed\, while grounding these changes in Country that remains ever present and within view. They remind us that pastoralism did not destroy ancestral practices and perceptions but created new ways of embedding them in contemporary life.
URL:https://posterfactory.com.au/art-event-and-opening/group-exhibition-stockmen/
LOCATION:8 Hele Gallery\, 8 Hele Cres\, Ciccone\, NT\, 0870\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/MGM4333-scaled-1.jpg
ORGANIZER;CN="8 Hele Gallery":MAILTO:gallery@8-hele.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260502T080000
DTEND;TZID=Australia/Sydney:20260718T170000
DTSTAMP:20260521T051836Z
CREATED:20260521T051836Z
LAST-MODIFIED:20260521T051836Z
UID:10000043-1777708800-1784394000@posterfactory.com.au
SUMMARY:Natalya Hughes: The Interior
DESCRIPTION:Can we use the talking cure to solve society’s ‘problem’ with women? \nThe Interior invites audiences into an exaggerated consultation room\, playfully furnished for psychoanalysis. Natalya Hughes’s immersive installation—combining sculptural seating\, richly patterned soft furnishings\, and uncanny objets d’art\, nestled around a hand-painted mural—generates a stimulating space to unpack our collective and unconscious biases. \nInterested in the role of women and their historical absence from positions of power\, Hughes’s part-professional\, part-domestic setting plays with gendered power dynamics between public and private space. The bespoke couches that dot the gallery take their lush contours from the shapes of the female body\, while motifs of eyes\, rats\, and snakes from Freud’s patient case studies ripple over their detailed upholstery. \nAudiences are invited to recline and be enveloped\, soothed and held\, by the furniture’s womanly forms\, while taking turns playing analyst and patient. Throughout this bodily encounter\, The Interior offers a space where women can be reimagined on different terms in a post-# MeToo world. \nThe Interior is a travelling exhibition organised by the Institute of Modern Art (IMA) and toured by Museums & Galleries Queensland. \nThe Interior has been assisted by the Australian Government through the Australia Council\, its arts funding and advisory body; the Australia Council’s Contemporary Touring initiative; The Queensland Government through Arts Queensland; the Fini Artist Fellowship through the Sheila Foundation; Queensland College of Art\, Griffith University; Creative Art Research Institute\, Griffith University; and Porter’s Paints\, New Farm. \nNatalya Hughes is represented by Milani Gallery\, Brisbane\, and Sullivan+Strumpf\, Sydney.
URL:https://posterfactory.com.au/art-event-and-opening/natalya-hughes-the-interior/
LOCATION:University of the Sunshine Coast Art Gallery\, USC Sunshine Coast\, 90 Sippy Downs Dr\, Sippy Downs\, QLD\, 4556\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/NatalyaHughes_Press_0117.jpg
ORGANIZER;CN="University of the Sunshine Coast Art Gallery":MAILTO:uscartgallery@usc.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260502T080000
DTEND;TZID=Australia/Sydney:20260718T170000
DTSTAMP:20260521T051837Z
CREATED:20260521T051837Z
LAST-MODIFIED:20260521T051837Z
UID:10000041-1777708800-1784394000@posterfactory.com.au
SUMMARY:Amanda Bennetts: Fragmented\, divided—yet whole
DESCRIPTION:Fragmented\, divided—yet whole brings together recent works by Amanda Bennetts that use time as both material and metric for understanding the body. In Bennetts’ practice\, time is not linear but lived. It is stretched\, slowed\, ruptured\, and suspended by the realities of living in a body in flux that refuses normative rhythms and constantly requires new forms of understanding. \nAcross these works\, Bennetts moves between different geographies and states of being. These spaces and the temporalities that govern them rarely align neatly. Instead\, they accumulate as fragments of data\, sensory impressions and embodied memory. \nFragmented\, divided—yet whole considers the body as a site where multiple timelines converge and how these temporal overlaps shape what it means to inhabit a body.
URL:https://posterfactory.com.au/art-event-and-opening/amanda-bennetts-fragmented-divided-yet-whole/
LOCATION:University of the Sunshine Coast Art Gallery\, USC Sunshine Coast\, 90 Sippy Downs Dr\, Sippy Downs\, QLD\, 4556\, Australia
ATTACH;FMTTYPE=image/png:https://posterfactory.com.au/wp-content/uploads/2026/05/Amanda-Bennetts_The-Metallic-City-Hums-Under-Skin_2026_4-scaled-1.png
ORGANIZER;CN="University of the Sunshine Coast Art Gallery":MAILTO:uscartgallery@usc.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260507T080000
DTEND;TZID=Australia/Sydney:20260629T170000
DTSTAMP:20260521T051802Z
CREATED:20260521T051802Z
LAST-MODIFIED:20260521T051802Z
UID:10000047-1778140800-1782752400@posterfactory.com.au
SUMMARY:Jo Darvall: Changing States
DESCRIPTION:“Changing States builds on ideas developed during my 2024 Edith Cowan University and Western Australian Parliament Artist in Residence program\, as well as my recent group exhibition Paper Thin\, Skin Deep at Mundaring Arts Centre 2026 curated by Annette Peterson. The work explores what it means to inhabit a body—through material\, metaphorical\, and cultural layers of skin. \nWith over thirty years of experience across Australasia\, including a decade working in Singapore\, my practice examines my relationship to place within the Western Australian landscape. Originally from Melbourne\, where I studied at the Victorian College of the Arts and majored in Printmaking\, this exhibition marks a full-circle return—bringing together the journeys and experiences that have shaped my work internationally.” \n– Jo Darvall\, 2026
URL:https://posterfactory.com.au/art-event-and-opening/jo-darvall-changing-states/
LOCATION:Fox Galleries\, 63 Wellington Street\, Collingwood\, VIC\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Jo-Darvall-Brown-Stick-scaled-1.jpg
ORGANIZER;CN="Fox Galleries":MAILTO:admin@foxgalleries.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260507T080000
DTEND;TZID=Australia/Sydney:20260726T170000
DTSTAMP:20260521T051802Z
CREATED:20260521T051802Z
LAST-MODIFIED:20260521T051802Z
UID:10000049-1778140800-1785085200@posterfactory.com.au
SUMMARY:Group Exhibition: Through the Window
DESCRIPTION:This exhibition brings together the artists of Iltja Ntjarra Many Hands Art Centre\, Vanessa Inkamala\, Kathy Inkamala\, Dellina Inkamala and Raelene Inkamala (Western Arrernte)\, and Jordan Benson in a dialogue of tradition and innovation. \nFeaturing artists from Iltja Ntjarra Many Hands Art Centre in Mparntwe (Alice Springs\, NT)\, this exhibition celebrates the enduring watercolour legacy of Albert Namatjira alongside new works by Melbourne-based artist Jordan Benson\, who brings contemporary themes to traditional stained glass techniques. Together\, they explore light\, colour\, and transparency\, sharing skills and stories across mediums to offer fresh perspectives that honours culture while engaging with the present. Expanding on their collaboration for the National Indigenous Art Triennial at the National Gallery of Australia\, this exhibition deepens the dialogue between their practices. \nExhibition in partnership with Iltja Ntjarra Many Hands Art Centre and GLAAS Inc.
URL:https://posterfactory.com.au/art-event-and-opening/group-exhibition-through-the-window/
LOCATION:Canberra Glassworks\, 11 Wentworth Avenue\, Kingston\, ACT\, 2604
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/crash2-scaled-1.jpg
ORGANIZER;CN="Canberra Glassworks":MAILTO:contactus@canberraglassworks.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260508T080000
DTEND;TZID=Australia/Sydney:20260630T170000
DTSTAMP:20260521T051802Z
CREATED:20260521T051802Z
LAST-MODIFIED:20260521T051802Z
UID:10000051-1778227200-1782838800@posterfactory.com.au
SUMMARY:Juno Gemes and Robert Adamson on the Hawkesbury River
DESCRIPTION:Juno Gemes and Robert Adamson on the Hawkesbury River celebrates the powerful creative partnership of photographer Juno Gemes and poet Robert Adamson\, whose intertwined practices reveal a shared artistic\, intellectual\, and activist life shaped by collaboration and place.
URL:https://posterfactory.com.au/art-event-and-opening/juno-gemes-and-robert-adamson-on-the-hawkesbury-river/
LOCATION:Grace Cossington Smith Gallery\, 1666 Pacific Hwy\, Wahroonga\, NSW\, 2076\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Wordfly-image-Juno.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260509T080000
DTEND;TZID=Australia/Sydney:20260816T170000
DTSTAMP:20260512T002426Z
CREATED:20260512T002426Z
LAST-MODIFIED:20260512T002426Z
UID:10000003-1778313600-1786899600@posterfactory.com.au
SUMMARY:Archibald\, Wynne and Sulman Prizes 2026
DESCRIPTION:The Archibald\, Wynne and Sulman Prizes delight and surprise audiences every year with fresh presentations of contemporary Australian painting and sculpture. \nAt its heart\, the Archibald Prize is about storytelling. Who are the people our artists have chosen to paint and what do their portraits reveal to us? In this exhibition\, Australian and New Zealand artists use portraiture to share the beauty and complexity of our times. \nThe Wynne Prize celebrates two major categories of art: Australian landscape painting and figurative sculpture. Diverse representations of our country appear alongside the variety and ingenuity of contemporary sculpture. The Sulman Prize is for subject painting\, genre painting or a mural project. \nEach year\, the trustees of the Art Gallery of New South Wales judge the Archibald and Wynne Prizes and invite a guest artist to judge the Sulman. In 2026 the Sulman will be judged by renowned artist Del Kathryn Barton. \nThis must-see annual exhibition of finalists and winners has become a fixture in our artistic calendar. A single ticket gives you access to see all three of these prestigious awards. \nHave your say by voting for your favourite portrait in the ANZ People’s Choice award for the chance to win $2000. \nDon’t miss Young Archie\, a free display in the Kaldor Hall on the ground level\, showcasing art by the next generation of artists\, aged 5 to 18. Plus\, grab a free self-guided children’s trail in the Archibald\, Wynne and Sulman Prizes 2026 exhibition.
URL:https://posterfactory.com.au/art-event-and-opening/archibald-wynne-and-sulman-prizes-2026/
LOCATION:The Art Gallery\, Art Road\, Sydney\, NSW\, 2000\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/archibald.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260509T080000
DTEND;TZID=Australia/Sydney:20260816T170000
DTSTAMP:20260521T051801Z
CREATED:20260521T051801Z
LAST-MODIFIED:20260521T051801Z
UID:10000053-1778313600-1786899600@posterfactory.com.au
SUMMARY:Little Orange Studio x AGNSW: Pet Palace
DESCRIPTION:Presented alongside the Archibald\, Wynne and Sulman Prizes 2026 at the Art Gallery of NSW\, this salon-style wall features portraits of a different kind\, not of people\, but of other beings deserving of our affection – beloved pets\, spirit guides and creature friends. Created by the artists of Little Orange Studio in Campbelltown\, Pet Palace is a celebration of the unbreakable bonds (and knowing looks) between people and animals. \nFor the Little Orange Studio artists – and for many of us – these relationships are a source of daily care\, companionship and reciprocal support. The mural includes distinguished portraits of pets who have crossed the rainbow bridge\, eldritch beings and animals in everyday life. Campbelltown’s parks and rivers appear as meeting places for dogs and ducks alike. \nFramed by the Grand Courts’ classical archways and set against a painted backdrop of sea and garden-inspired shapes\, Pet Palace is both a playful twist on historical portrait displays and a characterful homage to all those who guide\, comfort and walk beside us.
URL:https://posterfactory.com.au/art-event-and-opening/little-orange-studio-x-agnsw-pet-palace/
LOCATION:Campbelltown Arts Centre\, 1 Art Gallery Rd\, Campbelltown\, New South Wales\, 2560\, Australia
ATTACH;FMTTYPE=image/png:https://posterfactory.com.au/wp-content/uploads/2026/05/TEMPLATE_ADTW-18.png
ORGANIZER;CN="Campbelltown Arts Centre":MAILTO:artscentre@campbelltown.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260509T080000
DTEND;TZID=Australia/Sydney:20261018T170000
DTSTAMP:20260521T051801Z
CREATED:20260521T051801Z
LAST-MODIFIED:20260521T051801Z
UID:10000055-1778313600-1792342800@posterfactory.com.au
SUMMARY:Wayne Youle: Back in Five
DESCRIPTION:Back in Five surveys twenty years of one of Aotearoa’s most bold and distinctive contemporary artists. \nWayne Youle’s sculptural practice charts the passage of time not just as a theme but as a material that shapes\, stretches\, and reframes meaning. With his trademark playfulness and wit and working across a broad range of media\, schoolboy pranks meet sharp cultural critique. Youle tackles big ideas—masculinity\, fatherhood\, colonial legacy\, and bicultural identity—while drawing on the humour and irreverence of his younger self. \nDeveloped in partnership with The Suter Art Gallery Te Aratoi o Whakatū.
URL:https://posterfactory.com.au/art-event-and-opening/wayne-youle-back-in-five/
LOCATION:The Dowse Art Museum\, 45 Laings Road\, Lower Hutt\, New Zealand
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/THEDOWSEARTMUSEUM-Wayne-Youle-Ill-be-the-one-wearing-the-pink-carnation-standing-in-the-corner-sweating-2017.-Courtesy-of-the-artist-and-SUITE-gallery.-Photo-by-Mark-Tantrum-2.jpg
ORGANIZER;CN="The Dowse Art Museum":MAILTO:enquiries@dowse.org.nz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260509T080000
DTEND;TZID=Australia/Sydney:20261018T170000
DTSTAMP:20260521T051801Z
CREATED:20260521T051801Z
LAST-MODIFIED:20260521T051801Z
UID:10000056-1778313600-1792342800@posterfactory.com.au
SUMMARY:Ans Westra: Jeetje
DESCRIPTION:Jeetje is an invitation to re-examine the work of Ans Westra (1936–2023)\, one of Aotearoa New Zealand’s most significant documentary photographers. Jeetje [pronounced YAY-chuh] is a Dutch expression of surprise — and\, in this case\, delight. It sets the tone for this selection drawn from Westra’s vast archive of funny\, tender\, and poignant photographs spanning the 1960s to the 1980s. From poetry readings in graveyards to spirited street protests\, from competitive dog shows to karate kids on skates\, these are scenes that feel as though they could have been captured yesterday. \nThe Dowse Art Museum shared a longstanding relationship with Westra\, from staging her first retrospective in 1972 to hosting her as an artist in residence. Jeetje extends this relationship\, revealing a side of Westra’s practice seldom seen by the public. Thanks to {Suite} Tirohanga and the Westra Estate.
URL:https://posterfactory.com.au/art-event-and-opening/ans-westra-jeetje/
LOCATION:The Dowse Art Museum\, 45 Laings Road\, Lower Hutt\, New Zealand
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Child-dressed-and-Donald-Duck-for-Art-Collector-listing.jpg
ORGANIZER;CN="The Dowse Art Museum":MAILTO:enquiries@dowse.org.nz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260514T080000
DTEND;TZID=Australia/Sydney:20260627T170000
DTSTAMP:20260521T051800Z
CREATED:20260521T051800Z
LAST-MODIFIED:20260521T051800Z
UID:10000058-1778745600-1782579600@posterfactory.com.au
SUMMARY:SIGNIFICANT
DESCRIPTION:Now in its second decade\, D Lan Galleries flagship annual exhibition opens simultaneously across all three galleries\, offering collectors rare access to historic and museum-quality paintings and sculpture by Australia’s most celebrated First Nations artists. \nAt the foundation of this year’s exhibition is a selection of early Papunya paintings from the seminal 1971–72 period\, including works by Kaapa Mbitjana Tjampitjinpa\, Johnny Warangula Tjupurrula and Uta Uta Tjangala. A second highlight is Djorra 2014–15\, a large-scale installation of 45 drawings and paintings by Nyapanyapa Yunupiŋu — the centrepiece of the artist’s 2020 survey at the Museum and Art Gallery of the Northern Territory. \nAlso on view: historic works by Rover Thomas\, Queenie McKenzie\, Albert Namatjira\, Emily Kam Kngwarray\, Shorty Lungkata Tjungurrayi\, Sally Gabori and Nonggirrnga Marawili.
URL:https://posterfactory.com.au/art-event-and-opening/significant/
LOCATION:D Lan Galleries\, 40 Exhibition Street\, Melbourne\, VIC\, 3000\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/73df8d9f-fff3-4245-a046-7fba61ff3b7a-l-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260516T080000
DTEND;TZID=Australia/Sydney:20260705T170000
DTSTAMP:20260521T051759Z
CREATED:20260521T051759Z
LAST-MODIFIED:20260521T051759Z
UID:10000061-1778918400-1783270800@posterfactory.com.au
SUMMARY:COLLECT 2026
DESCRIPTION:COLLECT returns to The Lock-Up for its ninth year\, this time bringing together 126 artists—from early career to established—in a bold\, energetic snapshot of Newcastle and the Hunter’s creative ecology. A much-loved annual fundraising exhibition\, COLLECT champions the region’s artistic talent while raising vital funds for The Lock-Up’s ongoing program as a not-for-profit\, independent contemporary art space. This year\, COLLECT includes nationally significant artists such as Michael Bell\, Lottie Consalvo\, James Drinkwater\, Locust Jones\, Fiona Lee\, Bernard Ollis\, Izabela Pluta\, Wendy Sharpe and Khaled Sabsabi.
URL:https://posterfactory.com.au/art-event-and-opening/collect-2026/
LOCATION:The Lock-Up\, 90 Hunter Street\, Newcastle\, NSW\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/COLLECT_Opening_2025_010.jpg
ORGANIZER;CN="The Lock-Up":MAILTO:info@thelockup.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260516T080000
DTEND;TZID=Australia/Sydney:20260809T170000
DTSTAMP:20260521T051759Z
CREATED:20260521T051759Z
LAST-MODIFIED:20260521T051759Z
UID:10000060-1778918400-1786294800@posterfactory.com.au
SUMMARY:Jasper Knight: collage\, prints and works on paper
DESCRIPTION:Jasper Knight: collage\, prints and works on paper celebrates over twenty years of artmaking using paper-based methods of image making. Jasper\, who grew up close to Mosman Art Gallery on Sydney’s North Shore\, has long documented local landscapes. He came to prominence with his use of found materials and enamel house paint\, imbuing his landscapes with industrial aesthetics. Deeper looking at these works reveals an affection and reverence for these scenes\, often documented as surety against rapid regentrification.
URL:https://posterfactory.com.au/art-event-and-opening/jasper-knight-collage-prints-and-works-on-paper/
LOCATION:Mosman Art Gallery\, 1 Art Gallery Way\, Mosman\, NSW\, Australia
ORGANIZER;CN="Mosman Art Gallery":MAILTO:gallery@mosman.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260516T080000
DTEND;TZID=Australia/Sydney:20260809T170000
DTSTAMP:20260521T051759Z
CREATED:20260521T051759Z
LAST-MODIFIED:20260521T051759Z
UID:10000062-1778918400-1786294800@posterfactory.com.au
SUMMARY:Shireen Taweel: the trig point
DESCRIPTION:the trig point is an imagining of local sacred architecture and of embodied space\, a work of speculation\, participation\, and a vision of future making. Celestial and terrestrial spectral forms shimmer in their magnitude\, transitioning in space and time. Skeletal geometry draped in silk orbits Alpha Centauri A; the trig point is a house of seven circles\, filled with reverence for environment and perception of place\, and a sonic performance of celestial navigation\, migration and faith. \nThis project is supported by Creative Australia’s Visual Arts and Crafts Strategy (VACS) Major Commissioning Projects fund. the trig point is an iterative exhibition presented with pacing seven circles at Gertrude Contemporary (2026) and Dunedin Public Art Gallery (2027).
URL:https://posterfactory.com.au/art-event-and-opening/shireen-taweel-the-trig-point/
LOCATION:Mosman Art Gallery\, 1 Art Gallery Way\, Mosman\, NSW\, Australia
ORGANIZER;CN="Mosman Art Gallery":MAILTO:gallery@mosman.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260516T080000
DTEND;TZID=Australia/Sydney:20260816T170000
DTSTAMP:20260522T033351Z
CREATED:20260522T033351Z
LAST-MODIFIED:20260522T033351Z
UID:10000063-1778918400-1786899600@posterfactory.com.au
SUMMARY:Elizabeth Day: The Fragility of Goodness: The Prison on the Landscape and Other Stories
DESCRIPTION:Elizabeth Day’s survey exhibition at BRAG examines the legacy of Empire and the colonisation of Australia and its First Nations peoples. The exhibition focuses on the lasting impact of colonial prison systems and how these institutions reshaped both landscape and society. \nThe project connects closely to Bathurst’s history as part of a network of colonial prison towns established west of the Blue Mountains. Day has explored these themes in earlier works: in 2023\, she presented The Flow of Form: There’s a Reason Beyond a Reason. Beyond That There’s a Reason (1797 Parramatta Gaol) at The National 4 at Carriageworks\, Redfern. This large-scale textile installation was made from unravelled second-hand garments and referenced early colonial prison architecture. Through the slow process of unravelling fabric\, the work suggested the possibility of undoing the prison’s imprint on the landscape. \nElizabeth Day’s survey exhibition at BRAG examines the legacy of Empire and the colonisation of Australia and its First Nations peoples. The exhibition focuses on the lasting impact of colonial prison systems and how these institutions reshaped both landscape and society. \nThe project connects closely to Bathurst’s history as part of a network of colonial prison towns established west of the Blue Mountains. Day has explored these themes in earlier works: in 2023\, she presented The Flow of Form: There’s a Reason Beyond a Reason. Beyond That There’s a Reason (1797 Parramatta Gaol) at The National 4 at Carriageworks\, Redfern. This large-scale textile installation was made from unravelled second-hand garments and referenced early colonial prison architecture. Through the slow process of unravelling fabric\, the work suggested the possibility of undoing the prison’s imprint on the landscape. \nThe Fragility of Goodness: The Prison on the Landscape and Other Stories continues this investigation. The exhibition considers how the histories of colonial prisons continue to shape contemporary Australia. Day draws connections between historical penal sites including Parramatta and Tasmania\, engaging with ideas of layered colonial\, geographical and social histories. Her practice is informed by both historical research and personal experience within institutional systems. \nA key work in the exhibition\, The Law Is Not Always Just\, forms part of a new series of grass-grown texts mapping prisons across the Central West. This floor installation sits among several significant works including There’s a Reason Beyond a Reason\, Notes on the Castle\, the sculptural recreation of Bathurst Gaol’s Lion Gate\, Invisible Words Invisible Worlds\, and the collaborative community project MYCO LOGIC. \nTogether\, this exhibition invites reflection on systems of justice\, power and repair.
URL:https://posterfactory.com.au/art-event-and-opening/elizabeth-day-the-fragility-of-goodness-the-prison-on-the-landscape-and-other-stories/
LOCATION:Bathurst Regional Art Gallery\, 70-78 Keppel St\, Bathurst\,\, NSW\, Australia
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260520T080000
DTEND;TZID=Australia/Sydney:20260809T170000
DTSTAMP:20260522T033351Z
CREATED:20260522T033351Z
LAST-MODIFIED:20260522T033351Z
UID:10000087-1779264000-1786294800@posterfactory.com.au
SUMMARY:Group Exhibition: My Blood Sings Old Songs
DESCRIPTION:‘Some memory cannot be documented. Some memory lives in the body.’\n— Dr Natalie Harkin\, Archival-Poetics (Vagabond Press\, 2019) \nMy Blood Sings Old Songs gathers artists who capture what is not always said—but deeply felt. The works in this exhibition resonate over time\, unraveling layers of the body and the quiet weight of being seen\, where movement becomes a vessel for remembrance. \nHovering between an ending and a beginning\, each gesture holds the knowledge that there’s a certain sadness of memories that cannot be shared with those who were never there. Yet what ties us together is a shared understanding that ripples across cultures and communities\, through performance and the spaces between what is known and shadowed. \nThrough new commissions and existing works\, artists Atong Atem\, Leyla Stevens\, Jahkarli Felicitas Romanis (Pitta Pitta)\, Jenna Lee (Gulumerridjin (Larrakia)\, Wardaman\, and KarraJarri)\, Sonja Hodge (Lardil)\, wani toaishara\, and Tracey Moffatt\, consider how memory is embodied and passed on to honour echoes of legacy\, entangled with grief and joy\, and cultural storytelling unfolds in gestures and resonance—held within our bloodlines. \nCurated by Maya Hodge.
URL:https://posterfactory.com.au/art-event-and-opening/group-exhibition-my-blood-sings-old-songs/
LOCATION:La Trobe Art Institute\, 121 View St\, Bendigo\, VIC\, 3550
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Kidung_central_06.25.15.jpg
ORGANIZER;CN="La Trobe Art Institute":MAILTO:lai@latrobe.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260520T080000
DTEND;TZID=Australia/Sydney:20260829T170000
DTSTAMP:20260522T033351Z
CREATED:20260522T033351Z
LAST-MODIFIED:20260522T033351Z
UID:10000086-1779264000-1788022800@posterfactory.com.au
SUMMARY:Group Exhibition: what we share
DESCRIPTION:Positioning themselves within the frame\, these artists craft memories and autobiographical narratives to explore truth\, identity\, culture\, ancestry\, and politics. Through deeply personal cultural and familial histories\, the works reflect on lived experience while highlighting the ongoing impacts of Australia’s colonial past on First Nations peoples. \nFeatured artists include Hayley Millar Baker\, Michael Cook\, Jahkarli Felicitas Romanis\, Damien Shen\, Dr Christian Thompson AO\, and Keemon Willams.
URL:https://posterfactory.com.au/art-event-and-opening/group-exhibition-what-we-share/
LOCATION:Manningham Art Gallery\, 687 Doncaster Road\, Doncaster\, VIC\, 3108\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Damien-Damien-Shen-2025-Image-by-Piri-Eddy-edit-1000x1500-1.jpg
ORGANIZER;CN="Manningham Art Gallery":MAILTO:gallery@manningham.vic.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260522T080000
DTEND;TZID=Australia/Sydney:20260703T170000
DTSTAMP:20260522T033350Z
CREATED:20260522T033350Z
LAST-MODIFIED:20260522T033350Z
UID:10000080-1779436800-1783098000@posterfactory.com.au
SUMMARY:Kerry McInnis & Mike MacGregor: Of Ravens and Rivers
DESCRIPTION:Kerry McInnis has been painting and drawing the River for many decades. The focus of her renditions of a waterway\, wet or dry\, has always been to represent the interconnectedness between the river and the earth that shapes it – to investigate the rhythms of liquid and solid form\, to layer in paint the inconstancy of the river in both its power and vulnerability. Moving away from direct representation\, Kerry’s recent work explores the idea of the river as a conduit of life\, a metaphor of survival. \nMike MacGregor’s sculptural oeuvre has had\, as its primary theme\, the interaction of man and nature. In his recent work\, Mike has juxtaposed the forms of Man and the Raven\, illustrating what is\, between the two\, a remarkable connection\, both physical and spiritual. In this exhibition\, Mike’s drawings and sculptures take a deeper look into the Raven’s being. Years of observation of the movements\, antics\, and posture of this bird will become the reference material for this sculptor’s work at the forge.
URL:https://posterfactory.com.au/art-event-and-opening/kerry-mcinnis-mike-macgregor-of-ravens-and-rivers/
LOCATION:Belconnen Arts Centre\, 118 Emu Bank\, Belconnen\, ACT\, 2617\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/MacGregor-Mike_Remeniscence_Found-Steel_40cmsdiam_2025-REDUX.jpg
ORGANIZER;CN="Belconnen Arts Centre":MAILTO:hello@belcoarts.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260522T080000
DTEND;TZID=Australia/Sydney:20260705T170000
DTSTAMP:20260522T033302Z
CREATED:20260522T033302Z
LAST-MODIFIED:20260522T033302Z
UID:10000081-1779436800-1783270800@posterfactory.com.au
SUMMARY:Open exhibition: Dear earth…
DESCRIPTION:Artists from throughout Australia bring a lens on the concept of ‘earth’: our home\, the environment\, soil\, land\, fragility\, strength or purpose; the need for its safe keeping and preservation\, inclusive of all that lives within. \nThis open exhibition has invited works to provoke awareness\, dialogue\, political activism\, experimentation\, thoughtfulness\, playfulness\, or deep contemplation.
URL:https://posterfactory.com.au/art-event-and-opening/open-exhibition-dear-earth/
LOCATION:Belconnen Arts Centre\, 118 Emu Bank\, Belconnen\, ACT\, 2617\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Merry-Robertson_Red-Alert-Baudins-Black-Cockatoo-Disappearing-REDUX.jpg
ORGANIZER;CN="Belconnen Arts Centre":MAILTO:hello@belcoarts.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260522T080000
DTEND;TZID=Australia/Sydney:20260705T170000
DTSTAMP:20260522T033302Z
CREATED:20260522T033302Z
LAST-MODIFIED:20260522T033302Z
UID:10000082-1779436800-1783270800@posterfactory.com.au
SUMMARY:Barbara Dawson: Becoming Now
DESCRIPTION:Barbara Dawson’s work is a contemplation of senescence — ageing seen not as decline\, but as a layered experience shaped by growth\, memory\, and renewal. Using the life cycles of plants as metaphor\, she explores the human journey: its fragility\, quiet strength\, and continual transformation. These works trace the parallel landscapes of inner and outer worlds\, finding beauty in both blossoming and fading\, in change\, endurance\, and lived experience. \nThis body of work includes large charcoal drawings of plant forms\, embellished with stitched lines and suspended threads\, alongside A3 stitched photographs on silk. Some capture the soft radiance of full bloom; others\, the quiet grace of wilting forms. Textile hangings created with rice paper\, reclaimed fabrics\, printing\, and hand stitching extend these themes—exploring senescence\, regeneration\, and the emotional textures of time. \nWorking within a limited colour palette\, Dawson explores subtle tonal shifts that evoke both quietude and richness. Through layering\, drawing\, and stitching\, she seeks to express the tactile and emotional fabric of a life deeply felt and continually renewed. \nBecoming Now suggests that ageing is not an ending\, but an ongoing state of becoming — presence shaped by time\, holding both what has passed and what is still possible.
URL:https://posterfactory.com.au/art-event-and-opening/barbara-dawson-becoming-now/
LOCATION:Belconnen Arts Centre\, 118 Emu Bank\, Belconnen\, ACT\, 2617\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Faded-Memory_BD-REDUX.jpg
ORGANIZER;CN="Belconnen Arts Centre":MAILTO:hello@belcoarts.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260522T080000
DTEND;TZID=Australia/Sydney:20260705T170000
DTSTAMP:20260522T033303Z
CREATED:20260522T033303Z
LAST-MODIFIED:20260522T033303Z
UID:10000079-1779436800-1783270800@posterfactory.com.au
SUMMARY:Brian Hincksman: Abstract Connotations
DESCRIPTION:In Abstract Connotations\, Hincksman explores human nature and our interactions with the natural environment.\, in the face of rapid changes due to the advancement of technology and social change. \nHicksman’s practice allows the simplicity of everyday thoughts and experiences to inspire the paintings. The process can be quite dynamic between contemplation and the use of colour\, form and tone\, along with the fluidity of paint with various forms of mark making. \nThe intent of the exhibition is to inspire respect for our common humanity and further explore our capacity to relate to one another. Secondly\, to explore the beauty and the power of our natural environment. Hicksman’s vivid canvasses imagine ways of living harmoniously with each other\, amongst our own creations\, in the awe-inspiring natural environment we inhabit.
URL:https://posterfactory.com.au/art-event-and-opening/brian-hincksman-abstract-connotations/
LOCATION:Belconnen Arts Centre\, 118 Emu Bank\, Belconnen\, ACT\, 2617\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/PBhx6F32hzGv-DSCN0072.jpg
ORGANIZER;CN="Belconnen Arts Centre":MAILTO:hello@belcoarts.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260522T080000
DTEND;TZID=Australia/Sydney:20260705T170000
DTSTAMP:20260522T033350Z
CREATED:20260522T033350Z
LAST-MODIFIED:20260522T033350Z
UID:10000078-1779436800-1783270800@posterfactory.com.au
SUMMARY:Steve Roper: Works
DESCRIPTION:Focussing on line rather than tone\, this exhibition features drawings on paper in a variety of media including pencil\, crayons\, ink\, and watercolour. These are not necessarily drawings of things; they are abstract works but may evoke subjects. As clay dries\, it hardens\, and each stage creates a different engagement with the drawing process. \nRoper says\, “Line drawing has been much on my mind of late as it is likely to be affected by Parkinson’s\, which I have had for some time. It’s a shrinking condition. You keep making smaller movements\, but they look perfectly fine to you. \nIn painting\, line gives way to masses of colour. At school\, I was drawn to Matisse’s colour and De Kooning’s techniques. There is a directness that I find very appealing. My take on that is to build up layers of colour and line. Of course\, if you keep building up lines\, they start to disintegrate into shapes. \nFor me\, the appeal of abstract art\, when it works\, is that it gives anyone the opportunity to experience it and work out what they make of it.”
URL:https://posterfactory.com.au/art-event-and-opening/steve-roper-works/
LOCATION:Belconnen Arts Centre\, 118 Emu Bank\, Belconnen\, ACT\, 2617\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Set-the-controls-for-the-heart-of-the-sun-REDUX.jpg
ORGANIZER;CN="Belconnen Arts Centre":MAILTO:hello@belcoarts.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260529T080000
DTEND;TZID=Australia/Sydney:20260726T170000
DTSTAMP:20260522T033300Z
CREATED:20260522T033300Z
LAST-MODIFIED:20260522T033300Z
UID:10000068-1780041600-1785085200@posterfactory.com.au
SUMMARY:The Neighbour at the Gate
DESCRIPTION:The National Art School (NAS) presents a major exhibition\, The Neighbour at the Gate\, curated by a guest curatorium led by Clothilde Bullen OAM (Wardandi Noongar and Badimaya Yamatji)\, with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar). \nBringing together newly commissioned works by leading Australian artists Jacky Cheng\, Elham Eshraghian-Haakansson\, Dennis Golding (Kamilaroi/Gamilaraay)\, Jenna Mayilema Lee (Gulumerridjin (Larrakia)\, Wardaman\, KarraJarri)\, James Nguyen and James Tylor (Kaurna\, Thura-Yura language region)\, the exhibition reckons with the echoes of immigration policies and the legacies of colonialism in Australia\, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships. \nThe Neighbour at the Gate is a commissioned exhibition project for the National Art School\, proudly supported by the NSW Government through the Blockbusters Funding initiative. The exhibition will be accompanied by a publication\, learning and education framework and public programs.
URL:https://posterfactory.com.au/art-event-and-opening/the-neighbour-at-the-gate/
LOCATION:New England Regional Art Museum\, 106-114 Kentucky Street\, Armidale\, NSW\, 2350\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/100725_NATG-install_James-Nguyen_03_Peter-Morgan-small-file-size-2-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260530T080000
DTEND;TZID=Australia/Sydney:20260627T170000
DTSTAMP:20260522T033300Z
CREATED:20260522T033300Z
LAST-MODIFIED:20260522T033300Z
UID:10000067-1780128000-1782579600@posterfactory.com.au
SUMMARY:Grace Wood: Petal as Pixel
DESCRIPTION:Petal as Pixel draws on an enduring fascination with Lawrence Alma-Tadema’s The Roses of Heliogabalus (1888)\, reimagining its themes of seduction\, excess\, and latent violence through a contemporary lens. Comprising over 80 works\, the exhibition centres on a large suspended mobile of mirrored surfaces\, chains\, and collaged imagery\, precariously assembled in situ. As elements shift\, reflections fragment and multiply\, enveloping the viewer in a disorienting visual field.
URL:https://posterfactory.com.au/art-event-and-opening/grace-wood-petal-as-pixel/
LOCATION:LON Gallery\, 136a Bridge Road\, RICHMOND\, VIC\, 3121\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Faustina-Grace-Wood-2026-scaled-1.jpg
ORGANIZER;CN="LON Gallery":MAILTO:Adam@longallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260530T080000
DTEND;TZID=Australia/Sydney:20260704T170000
DTSTAMP:20260522T033300Z
CREATED:20260522T033259Z
LAST-MODIFIED:20260522T033300Z
UID:10000066-1780128000-1783184400@posterfactory.com.au
SUMMARY:Group exhibition: Stormy Weather
DESCRIPTION:A group exhibition that invites us to look toward the soaring skies above. \nWhile Western Australia is well known for its vast blue horizons\, this exhibition turns to the darker moments – luminous clouds thickening\, rain pending\, storms breaking without warning. Across painting\, drawing\, sculpture\, photography and video\, the artists consider the unfolding drama of shifting weather patterns and the moods they carry with them.
URL:https://posterfactory.com.au/art-event-and-opening/group-exhibition-stormy-weather/
LOCATION:Art Collective WA\, 565 Hay St\, Perth\, WA\, 6000\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Jeremy-Kirwan-Ward-On-a-Few-Fronts-1-2025-acrylic-on-canvas-95-x-90cm-scaled-1.jpg
ORGANIZER;CN="Art Collective WA":MAILTO:art@artcollectivewa.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260611T080000
DTEND;TZID=Australia/Sydney:20260814T170000
DTSTAMP:20260619T003056Z
CREATED:20260619T003056Z
LAST-MODIFIED:20260619T003056Z
UID:10000094-1781164800-1786726800@posterfactory.com.au
SUMMARY:BLOOM
DESCRIPTION:BLOOM is a striking photographic series exploring the symbolic\, historical and environmental significance of flowers\, their beauty and biodiversity.
URL:https://posterfactory.com.au/art-event-and-opening/bloom/
LOCATION:RAG\, The Mezz at RPAC\, Cleveland\, 2-16 Middle Street\, Cleveland\, qld\, 4157\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/06/Les-Fleurs-du-Mal--scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260613
DTEND;VALUE=DATE:20260623
DTSTAMP:20260615T003136Z
CREATED:20260615T003135Z
LAST-MODIFIED:20260615T003136Z
UID:10000092-1781308800-1782172799@posterfactory.com.au
SUMMARY:Tomorrow’s Memory of Yesterday
DESCRIPTION:By Contemporary Surreal Artist. Fabian Artunduaga \nNow showing at Macchiarto The Room. \nThis exhibition presents a collection of works from the past\, present\, and a glimpse into the future of my practice. Bringing together photography\, digital collage\, and surreal visual narratives\, \nThe exhibition traces the evolution of ideas\, themes\, and recurring elements that have shaped my work over the years.\nI would love for you to join me for the opening reception and experience the exhibition in person. \nExhibition: 1 June – 22 June 2026\nOpening Reception: 13 June | 11am – 2pm\nMacchiarto The Room\n338 Pitt Street\, Sydney CBD \nI look forward to seeing you there.
URL:https://posterfactory.com.au/art-event-and-opening/tomorrows-memory-of-yesterday/
LOCATION:qld
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/06/Macciato-31-scaled.jpeg
END:VEVENT
END:VCALENDAR