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DTSTART;TZID=Australia/Sydney:20260523T080000
DTEND;TZID=Australia/Sydney:20260523T170000
DTSTAMP:20260604T064301
CREATED:20260520T061121Z
LAST-MODIFIED:20260520T061121Z
UID:10000024-1779523200-1779555600@posterfactory.com.au
SUMMARY:Kate Shaw: Divine Matrix
DESCRIPTION:In her latest exhibition\, Divine Matrix at Olsen Gallery (Sydney)\, Shaw expands her vision beyond landscape to articulate a concept rooted in unity and interconnection. The divine matrix — a metaphor for the unseen forces that connect all life — pulsates through her compositions\, expressing how nature’s patterns\, rhythms\, and energies mirror our own inner landscapes. Through luminous surfaces and swirling forms\, Shaw’s work gestures toward the sacred interconnectedness of ecosystems and the profound beauty that emerges when we recognise ourselves as part of a living\, evolving whole.
URL:https://posterfactory.com.au/art-event-and-opening/kate-shaw-divine-matrix/
LOCATION:Olsen Gallery\, 63 Jersey Rd\, Woollahra\, NSW Australia\, NSW\, Australia
ORGANIZER;CN="Olsen Gallery":MAILTO:info@olsengallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260507T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260604T064301
CREATED:20260521T051836Z
LAST-MODIFIED:20260521T051836Z
UID:10000048-1778140800-1780160400@posterfactory.com.au
SUMMARY:APYACC: New Ground
DESCRIPTION:New Ground brings together emerging First Nations artists connected to the APY Lands\, regional South Australia\, and Adelaide\, presenting a diverse range of contemporary practices across painting\, ceramics\, sculpture\, and mixed media. The exhibition highlights artists working within community art centres while expanding the material and conceptual boundaries of art centre practice today. \nThe exhibition is curated by Ngarrindjeri artist Tiarnie Edwards\, whose practice explores identity\, culture\, history\, and contemporary Aboriginal experience through storytelling and material engagement. Raised on Nauo Country and based on Kaurna Yarta\, Edwards brings a nuanced understanding of art centre practice and emerging contemporary approaches. \nPresented in collaboration with the APY Art Centre Collective\, New Ground features artists from Tjala Arts\, Collective Art Centre\, Port Augusta Aboriginal Arts Mob\, and Umoona Community Art Centre. Together\, the works reflect cultural continuity\, experimentation\, and the strength of emerging Aboriginal voices shaping new ground in contemporary art.
URL:https://posterfactory.com.au/art-event-and-opening/apyacc-new-ground/
LOCATION:Martin Browne Contemporary\, 15 Hampden St\, Paddington\, NSW\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Christine-Lennon-2-25PA-acrylic-on-linen-154-x-122-cm.-Photo-by-Andy-Francis-courtesy-of-APYACC-scaled-1.jpeg
ORGANIZER;CN="Martin Browne Contemporary":MAILTO:info@martinbrownecontemporary.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260507T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260604T064301
CREATED:20260521T051803Z
LAST-MODIFIED:20260521T051803Z
UID:10000050-1778140800-1780160400@posterfactory.com.au
SUMMARY:Suzie Idiens: Basel Series
DESCRIPTION:Void_Melbourne presents Basel Series\, the second solo exhibition by Sydney-based artist Suzie Idiens. Originating from a set of small sketches made after visiting the Kunstmuseum Basel\, the works pursue a precise idea: investigations into the formal consequences of a single intervention of a geometric form. One corner removed. A slice\, a soft incision\, cutting away at the edge. Each painting pursues this idea with precision and conviction: a dominant field of thinly veiled colour\, held against a restrained incursion of a second colour at the margin. The exacting line where the two colours meet marks a clear delineation of territory on the canvas. Paint continues around the exposed cotton canvas edges\, the work asserting itself as an object as much as an image.
URL:https://posterfactory.com.au/art-event-and-opening/suzie-idiens-basel-series/
LOCATION:Void_Melbourne\, Level 2/190 Bourke St\, Melbourne\, VIC\, 3000\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Suzie-idiens-Basel-Series-Void_Melbourne-web.jpg
ORGANIZER;CN="Void_Melbourne":MAILTO:info@voidmelbourne.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260506T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260604T064301
CREATED:20260521T051836Z
LAST-MODIFIED:20260521T051836Z
UID:10000045-1778054400-1780160400@posterfactory.com.au
SUMMARY:Teo Treloar: Tethered
DESCRIPTION:The photographs in Tethered centre on the concept of relational gravity: the pull between people\, places\, and materials. They carry grief and love\, and hold ideas of place and loss.\nTethered is made through analogue processes using expired medium-format film alongside out-of-date FP-100C and 3000B instant film. Fogging\, shifts in colour and density\, uneven development\, chemical marks\, and occasional failure are part of the material outcome\, carried on the photographic surface with what was in front of the camera.
URL:https://posterfactory.com.au/art-event-and-opening/teo-treloar-tethered/
LOCATION:Olsen Gallery\, 63 Jersey Rd\, Woollahra\, NSW Australia\, NSW\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Collage-Logic-II-scaled-1.jpg
ORGANIZER;CN="Olsen Gallery":MAILTO:info@olsengallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260501T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260604T064301
CREATED:20260521T051837Z
LAST-MODIFIED:20260521T051837Z
UID:10000042-1777622400-1780160400@posterfactory.com.au
SUMMARY:Caitlin Yardley: Relational Painting
DESCRIPTION:MOORE CONTEMPORARY presents ‘Relational Painting’\, a solo exhibition by CAITLIN YARDLEY and her first comprehensive showing in Perth since 2015 exhibitions presented at PICA and Moana. \nYardley’s practice is one of assembly – fragments brought into relation through alignment and misalignment. ‘Relational Painting’ is anchored by a work first exhibited at Maison Louis Carré in 2017 where Yardley ‘re-made’ Fritz Glarner’s absent Relational Painting No. 62 (1953) as one of a series of placeholders in quilted black goat leather. Retaining only the titles and scale of the original works to reconvene the now dispersed collection once housed there. Located just outside Paris\, Maison Louis Carré is the house (now museum) that Alvar Aalto designed for Paris art dealer Louis Carré. In her exhibition\, Yardley continues her work materially with quilted goat leather and constructs new propositions and assemblages with gridded steel fragments. Installed as a constellation\, the relational extends into display\, insisting that meaning forms between things rather than within them – held\, if only temporarily through structure and proximity. \n‘Across her practice—from archival re-stagings to recent video installations—Yardley treats meaning not as inherent to objects\, but as something produced through encounter. It accumulates through proximity\, movement and sustained attention\, emerging in the charged space where forms\, histories and perceptions converge.’ \n~ KATRINA SCHWARZ \nRead the article on Caitlin Yardley in the current issue of Art Collector.
URL:https://posterfactory.com.au/art-event-and-opening/caitlin-yardley-relational-painting/
LOCATION:Moore Contemporary\, Cathedral Square\, 1/565 Hay Street\, Perth\, WA\, 6004\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/image-17.jpeg
ORGANIZER;CN="Moore Contemporary":MAILTO:info@moorecontemporary.com
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260428T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260604T064301
CREATED:20260520T061122Z
LAST-MODIFIED:20260520T061122Z
UID:10000034-1777363200-1780160400@posterfactory.com.au
SUMMARY:Jeffrey Harris
DESCRIPTION:Jeffrey Harris stands as one of New Zealand’s most distinguished and original painters – an artist whose decades-long practice has shaped a deeply personal yet widely resonant visual language. Since he first exhibited in 1969\, Harris has created a body of work that draws on memory\, lived experience and the enduring weight of human emotion\, positioning him as a pivotal figure within New Zealand’s art history. \nHis works are built around simple but psychologically-charged scenes; places and moments that feel familiar\, yet slightly off. Rather than telling clear stories\, these settings become spaces to explore what it means to be human. Emotions like love and hate\, hope and despair sit side by side\, while rituals and recurring symbols invite further reflection – birds hint at the human spirit\, roads suggest journeys\, and the crucifix speaks to suffering and resilience.
URL:https://posterfactory.com.au/art-event-and-opening/jeffrey-harris/
LOCATION:Suite Gallery\, 189 Ponsonby Road\, Auckland\, 10111\, New Zealand
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Jeffrey-Harris_Nude-on-bed_1000px.jpg
ORGANIZER;CN="Suite Gallery":MAILTO:info@suite.co.nz
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260319T080000
DTEND;TZID=Australia/Sydney:20260523T170000
DTSTAMP:20260604T064301
CREATED:20260520T061123Z
LAST-MODIFIED:20260520T061123Z
UID:10000029-1773907200-1779555600@posterfactory.com.au
SUMMARY:Group Exhibition: 2026 Muswellbrook Art Prize
DESCRIPTION:Established in 1958\, the Muswellbrook Art Prize is a now $70\,000 acquisitive award spanning three categories: painting\, works on paper\, and ceramics. With medium as the sole thematic focus\, the Prize showcases the diverse subjects and practices of contemporary artists working throughout Australia. 
URL:https://posterfactory.com.au/art-event-and-opening/group-exhibition-2026-muswellbrook-art-prize/
LOCATION:Muswellbrook Regional Arts Centre\, Corner of Bridge & William St\, Muswellbrook\, NSW\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/20260321_MuswellbrookArtPrize_0142-crop-1-scaled-1.jpg
ORGANIZER;CN="Muswellbrook Regional Arts Centre":MAILTO:arts.centre@muswellbrook.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260212T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260604T064301
CREATED:20260520T061124Z
LAST-MODIFIED:20260520T061124Z
UID:10000025-1770883200-1780160400@posterfactory.com.au
SUMMARY:Frank Hurley: Between Peaks and Silence
DESCRIPTION:Between Peaks and Silence gathers works by Frank Hurley\, one of Australia’s most celebrated and controversial photographers and filmmakers. These photos are rare\, luminous studies of place—where land becomes theatre and stillness becomes sound. From the Warrumbungles’ ancient ridgelines to the Blue Mountains’ shadowed caves\, from the Derwent’s slow water to Urama Island’s village architecture\, Hurley frames each scene with a patient eye for scale\, texture and hush. In Antarctica\, crevasses open like chapters—beauty edged with risk—reminding us how quickly terrain can turn. Shown together for the first time in more than 30 years\, these photographs invite you to look longer: to follow the light\, listen for quiet\, and feel the world’s vastness in a single image.
URL:https://posterfactory.com.au/art-event-and-opening/frank-hurley-between-peaks-and-silence/
LOCATION:Bank Art Museum Moree\, 25 Frome St\, Moree\, NSW\, 2400\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Frank-Hurley.jpg
ORGANIZER;CN="Bank Art Museum Moree":MAILTO:info@bamm.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20251219T080000
DTEND;TZID=Australia/Sydney:20260517T170000
DTSTAMP:20260604T064301
CREATED:20260520T031000Z
LAST-MODIFIED:20260520T031000Z
UID:10000014-1766131200-1779037200@posterfactory.com.au
SUMMARY:Group Exhibition: The Hooligans
DESCRIPTION:Rabble-rousers\, riffraff\, scoundrels\, and criminals.\n\n\n\nTroublemakers\, wanderers\, deviants\, misfits. They’ve gone by many names—but to the Chinese state\, they were once known simply as The Hooligans. \nThe Mao-era crime of “hooliganism” (流氓罪) was notorious for its broad scope and arbitrary enforcement. It became a blunt tool used to silence dissent\, police morality\, and punish anyone seen as a threat to political or social order\, including sexual minorities and political dissidents. The last known person imprisoned under the charge was a protester in the 1989 Tiananmen Square democracy movement. \n\n\n\n\nWhen “hooliganism” was finally removed from the Criminal Code\, it didn’t vanish—it evolved. In its place came “picking quarrels and provoking trouble” (寻衅滋事)\, a catch-all offence capable of criminalising almost any act of resistance to the Party’s carefully curated image of civility. Feminists protesting sexual harassment\, and blank-paper demonstrators demanding human rights under censorship\, have all found themselves caught in its crosshairs. \nSweeping anti-corruption campaigns continue today under the slogan “hunting tigers and swatting flies\,” which promises to target both powerful elites and low-level officials. Yet\, as with earlier crackdowns\, the real target is not only corruption but also disobedience. \nFor as long as rules have existed\, people have found ways to break them. In the face of relentless restrictions\, Chinese artists have learned to think beyond imposed boundaries. Refusing to cooperate\, daring to defy\, and stirring up trouble\, the artists in this exhibition speak for those sacrificed to keep the peace. \nPhotography by Hamish McIntosh
URL:https://posterfactory.com.au/art-event-and-opening/group-exhibition-the-hooligans/
LOCATION:White Rabbit Gallery\, 30 Balfour St\, Chippendale\, NSW\, 2008\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/2018.001_Huang-Yongping_Les-Consoles-de-Jeu-Souveraines_0G5A3572.jpg
ORGANIZER;CN="White Rabbit Gallery":MAILTO:info@whiterabbitcollection.org
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