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TZID:Australia/Sydney
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260621T170000
DTEND;TZID=Australia/Sydney:20260621T230000
DTSTAMP:20260615T003552Z
CREATED:20260512T001246Z
LAST-MODIFIED:20260615T003552Z
UID:10000005-1782061200-1782082800@posterfactory.com.au
SUMMARY:Shedding
DESCRIPTION:After a long silence\, Nomads Collective returns with Shedding.\nA one-night art experience inside Machine Hall\, opening a conversation between tradition and contemporary art expressions. \nSet within a former power substation\, the event is amplified by the building itself: its history\, its industrial weight\, and the charge of a place once built to power the city. \nBuilt through performance\, music\, installation\, and visual work\, Shedding brings together artists drawn to experimentation\, enquiry\, transformation\, and release. \nAcross the night\, artists move through questions of exposure\, distortion\, memory and the surfaces we carry. At a time when the self is constantly watched\, performed\, and repeated\, Shedding looks toward what sits underneath. We circle the moment where something starts to give. \nLineup TBA.
URL:https://posterfactory.com.au/art-event-and-opening/shedding/
LOCATION:Machine Hall\, 185 clarence street\, Sydney\, NSW\, 2000\, Australia
CATEGORIES:Highlight
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/HUMANITIX_BANNER_2A-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260613
DTEND;VALUE=DATE:20260623
DTSTAMP:20260615T003136Z
CREATED:20260615T003135Z
LAST-MODIFIED:20260615T003136Z
UID:10000092-1781308800-1782172799@posterfactory.com.au
SUMMARY:Tomorrow’s Memory of Yesterday
DESCRIPTION:By Contemporary Surreal Artist. Fabian Artunduaga \nNow showing at Macchiarto The Room. \nThis exhibition presents a collection of works from the past\, present\, and a glimpse into the future of my practice. Bringing together photography\, digital collage\, and surreal visual narratives\, \nThe exhibition traces the evolution of ideas\, themes\, and recurring elements that have shaped my work over the years.\nI would love for you to join me for the opening reception and experience the exhibition in person. \nExhibition: 1 June – 22 June 2026\nOpening Reception: 13 June | 11am – 2pm\nMacchiarto The Room\n338 Pitt Street\, Sydney CBD \nI look forward to seeing you there.
URL:https://posterfactory.com.au/art-event-and-opening/tomorrows-memory-of-yesterday/
LOCATION:qld
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/06/Macciato-31-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260529T080000
DTEND;TZID=Australia/Sydney:20260620T170000
DTSTAMP:20260522T033300Z
CREATED:20260522T033300Z
LAST-MODIFIED:20260522T033300Z
UID:10000069-1780041600-1781974800@posterfactory.com.au
SUMMARY:Ara Dolatian: In Between Forms
DESCRIPTION:THIS IS NO FANTASY presents In Between Forms\, the first solo exhibition by Ara Dolatian since joining the gallery. The exhibition explores unstable states between human\, animal and the monstrous\, drawing on Mesopotamian female deities\, queens and poetic traditions — particularly the voice of Enheduanna and The Exaltation of Inanna. Through sculpture\, Dolatian reimagines ancient acts of invocation as contemporary forms of transformation. \nInfluenced by feminist and queer readings of Mesopotamian history\, the works consider the body as fluid\, relational and continually shifting across gender\, species and time. Horned figures\, inspired by ancient symbols of divinity\, emerge as sacred yet otherworldly presences\, resisting fixed identity and patriarchal systems of power. \nPresented in a restrained palette of white and gold\, the sculptures oscillate between archaeological relic and living body\, holding tension between ruin and elevation\, absence and presence\, while transformation remains ongoing and unresolved.
URL:https://posterfactory.com.au/art-event-and-opening/ara-dolatian-in-between-forms/
LOCATION:THIS IS NO FANTASY\, 108-110 Gertrude St\, Fitzroy\, VIC\, Australia\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Wind-2026-Ara-Dolatian-Earthenwareglaze-lustre-46cm-h-19cm-w-19cm-d-3000-Photography-Brigid-Cara-Photography-Brigid-Cara-Reid-1000px.jpg
ORGANIZER;CN="THIS IS NO FANTASY":MAILTO:info@thisisnofantasy.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260528T080000
DTEND;TZID=Australia/Sydney:20260620T170000
DTSTAMP:20260522T033300Z
CREATED:20260522T033300Z
LAST-MODIFIED:20260522T033300Z
UID:10000070-1779955200-1781974800@posterfactory.com.au
SUMMARY:Lottie Consalvo: Of the Night
DESCRIPTION:“Lottie Consalvo’s exhibition\, Of the Night\, is an invitation to cross between worlds. It is in the night\, where the air has a different texture\, one Consalvo says she can touch\, that the space between the world we inhabit day-to-day and the spiritual world blurs. Her paintings animate that precipice and what lives beyond it — the effigy you reach for in the dark\, the blurred image that disappears\, the sound you pretend you didn’t hear. These are Consalvo’s friends.” \n— Ariela Bard\, May 2026.
URL:https://posterfactory.com.au/art-event-and-opening/lottie-consalvo-of-the-night/
LOCATION:NandaHobbs\, 12-14 Meagher St\, Chippendale\, NSW\, 2008\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/I-held-you-up-to-the-moon-2026-200x140cm-acrylic-on-linen-ART-COLLECTOR-1.jpg
ORGANIZER;CN="NandaHobbs":MAILTO:info@nandahobbs.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260528T080000
DTEND;TZID=Australia/Sydney:20260614T170000
DTSTAMP:20260522T033301Z
CREATED:20260522T033301Z
LAST-MODIFIED:20260522T033301Z
UID:10000072-1779955200-1781456400@posterfactory.com.au
SUMMARY:Group Exhibition: At The Centre
DESCRIPTION:At The Centre brings together artists from Central and Western Desert Art Centres\, sharing stories both old and new from the heart of Central Australia. Drawing on their surroundings\, the works depict lush bush medicine plants\, vast desert landscapes\, playful scenes of contemporary Town Camp life\, and powerful Tjukurpa. Together\, they reflect enduring connections to Ngura—home\, place\, and Country. Even across great distances\, these works invite audiences to connect with Ngura\, at the centre of it all. \nAt The Centre highlights work from the artists of Artists of Ampilatwatja\, Bindi Mwerre Anthurre Artists\, Iwiri Arts\, Tangentyere Artists\, Tjala Arts\, Utopia Arts\, Warlukuralngu Artists\, presented in proud partnership with BSG Projects.
URL:https://posterfactory.com.au/art-event-and-opening/group-exhibition-at-the-centre/
LOCATION:qld
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/360-25-Margaret-Long-small.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260528T080000
DTEND;TZID=Australia/Sydney:20260614T170000
DTSTAMP:20260522T033301Z
CREATED:20260522T033301Z
LAST-MODIFIED:20260522T033301Z
UID:10000071-1779955200-1781456400@posterfactory.com.au
SUMMARY:Zory McGrath: Fragments of Urban Essence
DESCRIPTION:Explore ‘Fragments of Urban Essence’\, where the vibrant pulse of city life is revealed through a striking collection of works painted on repurposed plaster walls sourced from the artist’s urban explorations.\nTransforming discarded materials into textured surfaces\, this exhibition reflects the shifting nature of our urban environment\, inviting viewers to uncover layered histories in familiar streets and consider their connection to the evolving urban landscape.
URL:https://posterfactory.com.au/art-event-and-opening/zory-mcgrath-fragments-of-urban-essence/
LOCATION:Brunswick Street Gallery\, Level 1 and 2/322 Brunswick St\,\, Fitzroy\, VIC\, 3065\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/The-View-From-Here_Zory-McGrath-scaled-1.jpg
ORGANIZER;CN="Brunswick Street Gallery":MAILTO:info@brunswickstreetgallery.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260527T080000
DTEND;TZID=Australia/Sydney:20260620T170000
DTSTAMP:20260522T033301Z
CREATED:20260522T033301Z
LAST-MODIFIED:20260522T033301Z
UID:10000074-1779868800-1781974800@posterfactory.com.au
SUMMARY:Michelle Anderson: Kanpala
DESCRIPTION:Michelle Anderson‘s Kanpala\, presented in association with Spinifex Arts Project\, brings together a new suite of paintings that depict her grandmother’s Country at Kanpa. \n“The old people would walk from rockhole to rockhole\, collecting wild foods on the way. They knew the bush plants that were good to eat\, how to make flour by grinding the small millet seeds they collected and then baking bread on the fire. They knew the special plants for medicine. This country is good country.” — Michelle Anderson.
URL:https://posterfactory.com.au/art-event-and-opening/michelle-anderson-kanpala/
LOCATION:Vivien Anderson Gallery\, 284/290 St Kilda Rd\, St Kilda\, VIC\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/MA-25-325_HR-cmyk-1.jpg
ORGANIZER;CN="Vivien Anderson Gallery":MAILTO:vivien@vivienandersongallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260527T080000
DTEND;TZID=Australia/Sydney:20260620T170000
DTSTAMP:20260522T033301Z
CREATED:20260522T033301Z
LAST-MODIFIED:20260522T033301Z
UID:10000073-1779868800-1781974800@posterfactory.com.au
SUMMARY:Kent Morris: FLOWER POWER
DESCRIPTION:Barkindji artist\, Kent Morris\, creates a new series of works starring a very small yellow flower with an incredibly powerful story. \nFor thousands of years\, the tubers of the murnong (yam daisy) were a staple food for First Peoples throughout the southeast of Australia\, cultivated and harvested in the millions from abundant yellow fields. Following the forced introduction of European farming practices\, the murnong almost became extinct and remains critically endangered and rare in the wild. \nNow the plants flower symbolises survival\, resilience and cultural reclamation in the face of ongoing colonial impacts. FLOWER POWER features murnong flowers and cultural designs created from the wind on water\, both generated from photographs taken over many years. The source murnong photographs are of plants Morris has grown in his apartment car park. The photographs of the wind on water were taken at the Menindee Lakes on Barkindji Country. Murnongs grew along the banks of the Barka (Darling River) and prior to colonisation\, were a significant food source for Barkindji people. \nThe works act as portals for reflection and engagement with the significance of this plant and the ecologies of Country. FLOWER POWER reconsiders the fields of yellow that were once across this continent’s southeast\, and the murnongs ongoing importance to First Peoples’ knowledge—a symbol of the power of resistance and cultural continuance. Flowers are utilised to celebrate\, to congratulate\, to mourn\, to express love and care\, and also to express peaceful resistance to injustice. \nThe new photographic series coupled with an immersive walk thorough structure at Melbourne’s City Square commissioned for RISING 2O26\, represents First Peoples sustainable agricultural practices over thousands of years. The forms symbolise generations of connection to Country\, the impacts of colonisation and the survival and revival of Indigenous languages and native food sources.
URL:https://posterfactory.com.au/art-event-and-opening/kent-morris-flower-power/
LOCATION:Vivien Anderson Gallery\, 284/290 St Kilda Rd\, St Kilda\, VIC\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/26.CATALOGUE-LR.jpg
ORGANIZER;CN="Vivien Anderson Gallery":MAILTO:vivien@vivienandersongallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260527T080000
DTEND;TZID=Australia/Sydney:20260619T170000
DTSTAMP:20260522T033302Z
CREATED:20260522T033302Z
LAST-MODIFIED:20260522T033302Z
UID:10000075-1779868800-1781888400@posterfactory.com.au
SUMMARY:Timothy Cook: Parlingarri Jilamara
DESCRIPTION:Alcaston Gallery presents a significant private collection of paintings from 2003-2007 by the esteemed Tiwi artist Timothy Cook. \nThis collection of historical significance and provenance exemplifies a moment in time when the collector focused on the emerging artist and his career development at Jilamara Arts and Crafts in Milikapiti on Melville Island\, north of Darwin in the Arafura Sea. \nTimothy Cook’s art practice is now celebrated worldwide by his distinctive and highly contemporary interpretations of parlingarri jilamara (‘old Tiwi designs’). \nAlcaston Gallery has represented and exhibited many artists from Jilamara Art and Crafts since their inception.
URL:https://posterfactory.com.au/art-event-and-opening/timothy-cook-parlingarri-jilamara/
LOCATION:Alcaston Gallery\, Level 3\, 50 Market Street\, Melbourne\, VIC\, 3000\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/AK12051-scaled-1.jpg
ORGANIZER;CN="Alcaston Gallery":MAILTO:art@alcastongallery.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260523T080000
DTEND;TZID=Australia/Sydney:20260620T170000
DTSTAMP:20260522T033302Z
CREATED:20260522T033302Z
LAST-MODIFIED:20260522T033302Z
UID:10000076-1779523200-1781974800@posterfactory.com.au
SUMMARY:Jenny Topfer
DESCRIPTION:Jenny Topfer makes paintings that operate in a world of whispers and patient disclosure. Their communicative intent is held — undemonstrative. Such discretion remains rare but for Topfer\, consideration and judgement have quietly accumulated over a long arc of time. \nThere is simultaneously much more and much less at stake in these recent paintings. Made on either side of calamitous fires in Tasmania\, fire that took many of the works and very nearly her home\, these paintings can’t help but infer something of the risk and transience that accompanies making a painting. \nBeneath their tenacious surfaces lies a web of orienteering gestures\, looping calligraphies that are more about personal ceremony and establishing her own physiological cadence than being a dominant substrate to the paintings. They anchor the body of the painting philosophically more than architecturally. In a sense they become fugitive\, subsumed by a newer more robust approach to material. Vestiges of the earlier calligraphy occasionally remain visible as the edges of the canvas — as if the pigment has retreated in a seasonal thaw. \nLook closely at the surfaces and you can sense something of their construction as pigments rasp and abrade over an ever-developing body. You can almost hear the pigment\, feel its advance\, witness its progress as it colludes with the linen. This exchange between energy\, material and support is at the heart of Topfer’s work. My repeated analogies to weather systems\, to the hushed environment they inhabit is simply an attempt to apprehend them assisted by allegory. Truth is that all they ask of you to look as if you were listening — with a little patience and composure.
URL:https://posterfactory.com.au/art-event-and-opening/jenny-topfer/
LOCATION:Fox Jensen Gallery\, Cnr Brennan St & McEvoy St\, Alexandria\,\, NSW\, 2015\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/AC-topfer_in-the-middle-of-the-air-II-2022-211-x-183.jpg
ORGANIZER;CN="Fox Jensen Gallery":MAILTO:gallery@foxjensengallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260523T080000
DTEND;TZID=Australia/Sydney:20260620T170000
DTSTAMP:20260522T033302Z
CREATED:20260522T033302Z
LAST-MODIFIED:20260522T033302Z
UID:10000077-1779523200-1781974800@posterfactory.com.au
SUMMARY:Elle Wickens: Skin After Successive Skin
DESCRIPTION:Skin after Successive Skin is born of a story of feminine transformation\, rebirth and embodiment; a story that led Elle Wickens to imagine how they felt language of the body can be recorded through material\, how sensation can paint\, and how painting itself speaks of\, from and to the body. \nIn this exhibition\, Wickens creates an environment that echoes her own sensory tones\, a space where interpretation is embodied\, co-produced\, and where multiple possibilities occur at once. Here\, painting and installation are modes of communicating body to body. Through a considered material approach\, painting becomes a layered sensorial language that Wickens employs to both process and communicate her being to the world. \nSkin After Successive Skin explores the transference between artwork and audience; where the experience of an image or material can converge or depart from that of another\, and where both artist and audience can explore their sensory experiences of the world together.
URL:https://posterfactory.com.au/art-event-and-opening/elle-wickens-skin-after-successive-skin/
LOCATION:Ames Yavuz\, 114 Commonwealth Street\, Surry Hills\, NSW\, 2010\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/A-Tremendous-Throbbing.jpg
ORGANIZER;CN="Ames Yavuz":MAILTO:info@amesyavuz.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260523T080000
DTEND;TZID=Australia/Sydney:20260523T170000
DTSTAMP:20260520T061121Z
CREATED:20260520T061121Z
LAST-MODIFIED:20260520T061121Z
UID:10000024-1779523200-1779555600@posterfactory.com.au
SUMMARY:Kate Shaw: Divine Matrix
DESCRIPTION:In her latest exhibition\, Divine Matrix at Olsen Gallery (Sydney)\, Shaw expands her vision beyond landscape to articulate a concept rooted in unity and interconnection. The divine matrix — a metaphor for the unseen forces that connect all life — pulsates through her compositions\, expressing how nature’s patterns\, rhythms\, and energies mirror our own inner landscapes. Through luminous surfaces and swirling forms\, Shaw’s work gestures toward the sacred interconnectedness of ecosystems and the profound beauty that emerges when we recognise ourselves as part of a living\, evolving whole.
URL:https://posterfactory.com.au/art-event-and-opening/kate-shaw-divine-matrix/
LOCATION:Olsen Gallery\, 63 Jersey Rd\, Woollahra\, NSW Australia\, NSW\, Australia
ORGANIZER;CN="Olsen Gallery":MAILTO:info@olsengallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260521T080000
DTEND;TZID=Australia/Sydney:20260620T170000
DTSTAMP:20260522T033350Z
CREATED:20260522T033350Z
LAST-MODIFIED:20260522T033350Z
UID:10000083-1779350400-1781974800@posterfactory.com.au
SUMMARY:David Booth: Rearranging the Universe
DESCRIPTION:“The worlds are busy and carefully laid out\, take a look around\,” shares David Booth about the works in his latest exhibition Rearranging the Universe. Extending on his practice of world building\, Booth has created a library of stamps which reshape\, move and rearrange with each print and reconfiguration. About this new body of work\, he shares: “I’ve been building a new practice of play and experimentation in the studio; twisting the dials\, changing the filters and volumes on different things\, practicing turning away from ideas of scarcity and focusing on abundance.”
URL:https://posterfactory.com.au/art-event-and-opening/david-booth-rearranging-the-universe/
LOCATION:Hugo Michell Gallery\, 260 Portrush Rd\, Beulah Park\, SA\, Australia\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Blue-Window-Blue-Planet-Time-scaled-1.jpg
ORGANIZER;CN="Hugo Michell Gallery":MAILTO:mail@hugomichellgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260521T080000
DTEND;TZID=Australia/Sydney:20260620T170000
DTSTAMP:20260522T033350Z
CREATED:20260522T033350Z
LAST-MODIFIED:20260522T033350Z
UID:10000084-1779350400-1781974800@posterfactory.com.au
SUMMARY:Alfred Lowe: A GREAT AND WONDROUS SIGN
DESCRIPTION:We all have an instinct to seek guidance and ask questions of the future\, especially during periods of uncertainty. Throughout history\, people have looked upward\, outward\, and inward for signs of what lies ahead. A GREAT AND WONDROUS SIGN inhabits that same space of questioning. Searching for answers and holding tension between hope and apprehension\, faith and doubt. \nThis is mirrored in materiality\, combining the longevity and certainty of clay with the ephemeral freedom of raffia. These materials work in tandem to create works that stand confidently together while having an individual flare. \nWe are all searching for signals of the future\, forever looking up to the stars.
URL:https://posterfactory.com.au/art-event-and-opening/alfred-lowe-a-great-and-wondrous-sign/
LOCATION:Hugo Michell Gallery\, 260 Portrush Rd\, Beulah Park\, SA\, Australia\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/HMG_Alfie-Lowe-works-at-APY_May6-2026_9642_HiRes-scaled-1.jpg
ORGANIZER;CN="Hugo Michell Gallery":MAILTO:mail@hugomichellgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260521T080000
DTEND;TZID=Australia/Sydney:20260619T170000
DTSTAMP:20260522T033351Z
CREATED:20260522T033351Z
LAST-MODIFIED:20260522T033351Z
UID:10000085-1779350400-1781888400@posterfactory.com.au
SUMMARY:Chun Yin Rainbow Chan: Continuum
DESCRIPTION:MARS presents Chun Yin Rainbow Chan’s inaugural exhibition\, Continuum. \nContinuum brings together a selection of works that reimagine the bridal laments of Hong Kong’s 圍頭/Weitou women\, to whom Chan has deep ancestral ties. Through silk paintings\, experimental calligraphy and audiovisual works\, she translates these culturally endangered songs into contemporary forms that preserve their subversive feminist voices while reflecting on loss\, resilience and solidarity.
URL:https://posterfactory.com.au/art-event-and-opening/chun-yin-rainbow-chan-continuum/
LOCATION:MARS Gallery\, 7 James St\, Windsor\, VIC\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Opening-The-Mouth-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260515T080000
DTEND;TZID=Australia/Sydney:20260614T170000
DTSTAMP:20260521T051800Z
CREATED:20260521T051800Z
LAST-MODIFIED:20260521T051800Z
UID:10000059-1778832000-1781456400@posterfactory.com.au
SUMMARY:Central Belonging Art Award
DESCRIPTION:Central Belonging Art Award is an art prize exhibition that represents the rich diversity of the artistic communities around and within the Central West region. \nThe Award returns for its second year. It showcases established and emerging artists that are local to Cowra Shire and the surrounding areas. Artists from the following local government areas are part of the finalist exhibition: Bathurst\, Bland\, Blayney\, Cabonne\, Cowra\, Forbes\, Hilltops\, Lithgow\, Mid-Western Region\, Oberon\, Orange\, Parkes\, Upper Lachlan and Weddin. \nThe exhibition is an opportunity to explore the passions\, imagination and inspiration of the Central West creatives. It presents a range of disciplines and media\, including painting\, drawing\, photography\, sculpture\, ceramics\, textiles and printmaking. \nCentral Belonging Art Award celebrates what it means to be part of the vibrant “Cowra and beyond” artistic cohort.
URL:https://posterfactory.com.au/art-event-and-opening/central-belonging-art-award/
LOCATION:Cowra Regional Art Gallery\, 77 Darling St\, Cowra\, NSW\, 2794\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Nottingham-S.-While-all-the-worlds-asleep.-image-2-2026-assemblage.-45-x-80-x-45cm-1500x1135-1.jpg
ORGANIZER;CN="Cowra Regional Art Gallery":MAILTO:cowraartgallery@cowra.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260513T080000
DTEND;TZID=Australia/Sydney:20260606T170000
DTSTAMP:20260521T051800Z
CREATED:20260521T051800Z
LAST-MODIFIED:20260521T051800Z
UID:10000057-1778659200-1780765200@posterfactory.com.au
SUMMARY:Alberto Garcia-Alvarez: Nothing is Finished While I Am
DESCRIPTION:In the current issue of recently relaunched Art News magazine\, writer Dina Jezdic observes that “to write a preview of [Alberto Garcia-Alvarez’s] show is to confront the particularity of a practice that rejects the very idea of the preview. \nNo new body of work finished in preparation for exhibition. No theme declared in advance. Only this: 50 years in the same studio\, sunk into the slope of a garden\, light flooding in from high windows – and the continuous act of making that happens inside it.” \n“All my life is here”\, 98-year-old Alberto says\, when she asks about the way a work from the 1970s might appear alongside something made last week. \n“He means it structurally”\, Jezdic explains. \n“The experience of a life does not divide itself into periods\, does not respect the historian’s desire for chronology\, the collector’s desire for series\, the critic’s desire for development. A canvas begun in one decade may be taken up again in another because the thinking it holds has returned – changed\, deepened\, made strange by distance.”
URL:https://posterfactory.com.au/art-event-and-opening/alberto-garcia-alvarez-nothing-is-finished-while-i-am/
LOCATION:Tim Melville\, 4 Winchester Street\, Grey Lynn\, Auckland\, New Zealand
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Alberto_studio-2026.jpg
ORGANIZER;CN="Tim Melville":MAILTO:info@timmelville.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260509T080000
DTEND;TZID=Australia/Sydney:20260613T170000
DTSTAMP:20260521T051801Z
CREATED:20260521T051801Z
LAST-MODIFIED:20260521T051801Z
UID:10000052-1778313600-1781370000@posterfactory.com.au
SUMMARY:Fiona Longhurst: 5 7 3 Float Fall Petals 10 Trees
DESCRIPTION:For over three decades\, Fiona Longhurst has cultivated a distinctive visual language grounded in pattern\, repetition\, and colour. A longstanding artist in the Arts Project Australia (APA) studio since 1991\, her practice has evolved with quiet persistence\, producing a compelling body of work. \nHer intricate fields of mark-making are animated by recurring motifs – floral forms\, delicate compositional arrangements\, and text. Through intuitive layering and patterning\, Longhurst builds a personal visual lexicon. \nThis exhibition celebrates Longhurst’s enduring contribution to the APA studio and the broader contemporary art landscape\, offering insight into an artist whose evolving practice is defined by tenderness\, a nuanced use of colour\, and a quietly compelling sense of introspection. \nCurated by Jo Salt.
URL:https://posterfactory.com.au/art-event-and-opening/fiona-longhurst-5-7-3-float-fall-petals-10-trees/
LOCATION:Arts Project Australia\, Level 1\, Perry Street Building\, 35 Johnston St\, Collingwood\, Victoria\, 3066\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/AC_Fiona-Longhurst_Untitled_2017_FL17-0031-copy.jpg
ORGANIZER;CN="Arts Project Australia":MAILTO:gallery@artsproject.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260509T080000
DTEND;TZID=Australia/Sydney:20260606T170000
DTSTAMP:20260521T051905Z
CREATED:20260521T051905Z
LAST-MODIFIED:20260521T051905Z
UID:10000054-1778313600-1780765200@posterfactory.com.au
SUMMARY:Jenn Rowe and Jaimie Klum: Where Matter Breathes
DESCRIPTION:Where Matter Breathes brings together artists Jenn Rowe and Jaimie Klum in a powerful exploration of body\, land\, material\, and spirit. Through sculpture\, installation\, photography\, and wall-based works\, the exhibition traces how both inner and outer worlds are formed\, transformed\, and made visible through matter. \nDrawing on distinct yet complementary practices\, Rowe and Klum use material as a way of thinking through connection\, fragility\, adaptation\, and survival. Rowe\, informed by her Trawlwoolway heritage and deep relationship to Country\, works with found and reclaimed natural materials – driftwood\, shells\, feathers\, bones\, and reeds – to create sculptural forms that evoke ecological and spiritual interconnection. Klum responds through industrial and synthetic materials\, shaping abstract forms that give expression to psychological and embodied states that are often felt but unseen. \nTogether\, their works create a dialogue between landscape and psyche\, nature and self. Across the exhibition\, material becomes alive with memory\, tension\, and transformation – inviting viewers to consider how we are shaped by what we hold\, lose\, and become.
URL:https://posterfactory.com.au/art-event-and-opening/jenn-rowe-and-jaimie-klum-where-matter-breathes/
LOCATION:Lone Goat Gallery\, 28 Lawson Street\, Byron Bay\, NSW\, 2481\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Art-Collector.jpg
ORGANIZER;CN="Lone Goat Gallery":MAILTO:lonegoatgallery@byron.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260507T080000
DTEND;TZID=Australia/Sydney:20260606T170000
DTSTAMP:20260521T051802Z
CREATED:20260521T051802Z
LAST-MODIFIED:20260521T051802Z
UID:10000046-1778140800-1780765200@posterfactory.com.au
SUMMARY:Cobi Cockburn: Primary Lines
DESCRIPTION:Cobi Cockburn’s solo exhibition Primary Lines considers light as material\, reducing the visual language to two elemental forces: light and line. Shaped through encounter\, the works unfold as perceptual fields rather than fixed objects. \nLight operates as an active agent – revealing and erasing in equal measure – producing fleeting moments of clarity while dissolving stable form. Line\, traditionally a marker of direction and boundary\, becomes contingent\, shifting with light and the viewer’s position. Together\, they generate spatial conditions that resist resolution\, where meaning is not prescribed but discovered through experience.
URL:https://posterfactory.com.au/art-event-and-opening/cobi-cockburn-primary-lines/
LOCATION:Dominik Mersch Gallery\, 1/75 McLachlan Ave\, Rushcutters Bay\, NSW\, Australia
ATTACH;FMTTYPE=image/png:https://posterfactory.com.au/wp-content/uploads/2026/05/Screen-Shot-2026-04-08-at-1.53.43-pm-1.png
ORGANIZER;CN="Dominik Mersch Gallery":MAILTO:info@dominikmerschgallery.com
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260507T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260521T051836Z
CREATED:20260521T051836Z
LAST-MODIFIED:20260521T051836Z
UID:10000048-1778140800-1780160400@posterfactory.com.au
SUMMARY:APYACC: New Ground
DESCRIPTION:New Ground brings together emerging First Nations artists connected to the APY Lands\, regional South Australia\, and Adelaide\, presenting a diverse range of contemporary practices across painting\, ceramics\, sculpture\, and mixed media. The exhibition highlights artists working within community art centres while expanding the material and conceptual boundaries of art centre practice today. \nThe exhibition is curated by Ngarrindjeri artist Tiarnie Edwards\, whose practice explores identity\, culture\, history\, and contemporary Aboriginal experience through storytelling and material engagement. Raised on Nauo Country and based on Kaurna Yarta\, Edwards brings a nuanced understanding of art centre practice and emerging contemporary approaches. \nPresented in collaboration with the APY Art Centre Collective\, New Ground features artists from Tjala Arts\, Collective Art Centre\, Port Augusta Aboriginal Arts Mob\, and Umoona Community Art Centre. Together\, the works reflect cultural continuity\, experimentation\, and the strength of emerging Aboriginal voices shaping new ground in contemporary art.
URL:https://posterfactory.com.au/art-event-and-opening/apyacc-new-ground/
LOCATION:Martin Browne Contemporary\, 15 Hampden St\, Paddington\, NSW\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Christine-Lennon-2-25PA-acrylic-on-linen-154-x-122-cm.-Photo-by-Andy-Francis-courtesy-of-APYACC-scaled-1.jpeg
ORGANIZER;CN="Martin Browne Contemporary":MAILTO:info@martinbrownecontemporary.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260507T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260521T051803Z
CREATED:20260521T051803Z
LAST-MODIFIED:20260521T051803Z
UID:10000050-1778140800-1780160400@posterfactory.com.au
SUMMARY:Suzie Idiens: Basel Series
DESCRIPTION:Void_Melbourne presents Basel Series\, the second solo exhibition by Sydney-based artist Suzie Idiens. Originating from a set of small sketches made after visiting the Kunstmuseum Basel\, the works pursue a precise idea: investigations into the formal consequences of a single intervention of a geometric form. One corner removed. A slice\, a soft incision\, cutting away at the edge. Each painting pursues this idea with precision and conviction: a dominant field of thinly veiled colour\, held against a restrained incursion of a second colour at the margin. The exacting line where the two colours meet marks a clear delineation of territory on the canvas. Paint continues around the exposed cotton canvas edges\, the work asserting itself as an object as much as an image.
URL:https://posterfactory.com.au/art-event-and-opening/suzie-idiens-basel-series/
LOCATION:Void_Melbourne\, Level 2/190 Bourke St\, Melbourne\, VIC\, 3000\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Suzie-idiens-Basel-Series-Void_Melbourne-web.jpg
ORGANIZER;CN="Void_Melbourne":MAILTO:info@voidmelbourne.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260506T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260521T051836Z
CREATED:20260521T051836Z
LAST-MODIFIED:20260521T051836Z
UID:10000045-1778054400-1780160400@posterfactory.com.au
SUMMARY:Teo Treloar: Tethered
DESCRIPTION:The photographs in Tethered centre on the concept of relational gravity: the pull between people\, places\, and materials. They carry grief and love\, and hold ideas of place and loss.\nTethered is made through analogue processes using expired medium-format film alongside out-of-date FP-100C and 3000B instant film. Fogging\, shifts in colour and density\, uneven development\, chemical marks\, and occasional failure are part of the material outcome\, carried on the photographic surface with what was in front of the camera.
URL:https://posterfactory.com.au/art-event-and-opening/teo-treloar-tethered/
LOCATION:Olsen Gallery\, 63 Jersey Rd\, Woollahra\, NSW Australia\, NSW\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Collage-Logic-II-scaled-1.jpg
ORGANIZER;CN="Olsen Gallery":MAILTO:info@olsengallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260501T080000
DTEND;TZID=Australia/Sydney:20260623T170000
DTSTAMP:20260520T062440Z
CREATED:20260520T062440Z
LAST-MODIFIED:20260520T062440Z
UID:10000039-1777622400-1782234000@posterfactory.com.au
SUMMARY:Kate McKenzie Lewis: Ember
DESCRIPTION:Bett Gallery presents Kate McKenzie Lewis’s debut solo exhibition\, Ember. This series examines bushfire-affected landscapes\, capturing moments between destruction and renewal. The works reflect the dual nature of fire\, balancing loss and transformation while celebrating nature’s resilience and ability to recover. \nDrawing on experience\, observation\, and research\, Lewis weaves memories of smoke-filled skies\, glowing horizons\, and fire-impacted terrain with broader environmental themes\, exploring how we perceive\, remember\, and remain connected to place.
URL:https://posterfactory.com.au/art-event-and-opening/kate-mckenzie-lewis-ember/
LOCATION:Bett Gallery\, Level 1/65 Murray St\, Hobart\,\, TAS\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/3-Kate-Lewis-20.02.2026-055-1-1-scaled-1.jpg
ORGANIZER;CN="Bett Gallery":MAILTO:info@bettgallery.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260501T080000
DTEND;TZID=Australia/Sydney:20260607T170000
DTSTAMP:20260520T061121Z
CREATED:20260520T061121Z
LAST-MODIFIED:20260520T061121Z
UID:10000038-1777622400-1780851600@posterfactory.com.au
SUMMARY:Christine James: Habitat
DESCRIPTION:This body of work by Christine James explores the upland wetland of Little Llangothlin on Banbai Country\, tracing the artist’s encounters with its unique plant and bird life through intimate\, layered paintings that reflect the fragile biodiversity of Australian wetlands. Moving between flora and avifauna\, the series becomes a visual meditation on habitat\, ecological change and the quiet complexity of this Ramsar-listed landscape.
URL:https://posterfactory.com.au/art-event-and-opening/christine-james-habitat/
LOCATION:New England Regional Art Museum\, 106-114 Kentucky Street\, Armidale\, NSW\, 2350\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Community-Day-Swamp-Hens-and-Coots-Billy-Bung-Lagoon_oil-on-linen_705mm-x-500mm_2025-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260501T080000
DTEND;TZID=Australia/Sydney:20260607T170000
DTSTAMP:20260520T061121Z
CREATED:20260520T061121Z
LAST-MODIFIED:20260520T061121Z
UID:10000037-1777622400-1780851600@posterfactory.com.au
SUMMARY:A Journey in Miniature
DESCRIPTION:Inspired by an artistic practice that span centuries\, A Journey in Miniature celebrates the enduring allure of small-scale art—from the illuminated manuscripts of the medieval world to the intimate portrait miniatures of the Romantic era\, and into the vibrant diversity of contemporary practice. \nPresented by the Australian Society of Miniature Art\, this exhibition brings together an extraordinary range of works that demonstrate the precision\, skill and imagination demanded by the form. Working within the discipline of scale—where every detail is heightened and nothing can be overlooked\, artists explore subjects limited only by their imagination\, across painting\, drawing\, printmaking and mixed media. \nAbout the Australian Society of Miniature Art (AMSA) \nThe Australian Society of Miniature Art (NSW) Inc. was founded in 1985 when there was a growing worldwide renaissance of miniature art and interest in its contemporary expression. \nOne of the aims of the society is to introduce the viewing public to the background of the field and show the development of the miniature and its place in today’s world. Many of the artists are professionals of long-standing who reside Australia-wide. \nASMA has held an Annual National Awards exhibition for over 20 years\, which is open to any Australian artist working in miniature.
URL:https://posterfactory.com.au/art-event-and-opening/a-journey-in-miniature/
LOCATION:New England Regional Art Museum\, 106-114 Kentucky Street\, Armidale\, NSW\, 2350\, Australia
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260501T080000
DTEND;TZID=Australia/Sydney:20260606T170000
DTSTAMP:20260521T051837Z
CREATED:20260521T051837Z
LAST-MODIFIED:20260521T051837Z
UID:10000040-1777622400-1780765200@posterfactory.com.au
SUMMARY:A Long Thread of Attention
DESCRIPTION:Fox Jensen McCrory presents A Long Thread of Attention\, bringing together the work of New Zealand’s most acclaimed painter Colin McCahon alongside celebrated Australian painter Aida Tomescu. \n“Not in a million years could I have predicted a phenomenon like McCahon. In fact\, I went to the Ivan Dougherty show on its last day\, at the insistence of my friends. I went with zero expectations and that visit changed everything. Finally\, there was a painter\, a near contemporary\, (he passed two or so years earlier) who did everything I wanted painting to do\, aimed at profound content\, connected everything I was drawn to”. \nAida Tomescu will give a talk in the gallery on Saturday the 2nd May at 11am.
URL:https://posterfactory.com.au/art-event-and-opening/a-long-thread-of-attention/
LOCATION:Fox Jensen McCrory\, 10 Putiki St\, Grey Lynn\, Auckland\, New Zealand
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Aida-Tomescu-Angels-in-Bed-2026-scaled-1.jpg
ORGANIZER;CN="Fox Jensen McCrory":MAILTO:gallery@fjm.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260501T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260521T051837Z
CREATED:20260521T051837Z
LAST-MODIFIED:20260521T051837Z
UID:10000042-1777622400-1780160400@posterfactory.com.au
SUMMARY:Caitlin Yardley: Relational Painting
DESCRIPTION:MOORE CONTEMPORARY presents ‘Relational Painting’\, a solo exhibition by CAITLIN YARDLEY and her first comprehensive showing in Perth since 2015 exhibitions presented at PICA and Moana. \nYardley’s practice is one of assembly – fragments brought into relation through alignment and misalignment. ‘Relational Painting’ is anchored by a work first exhibited at Maison Louis Carré in 2017 where Yardley ‘re-made’ Fritz Glarner’s absent Relational Painting No. 62 (1953) as one of a series of placeholders in quilted black goat leather. Retaining only the titles and scale of the original works to reconvene the now dispersed collection once housed there. Located just outside Paris\, Maison Louis Carré is the house (now museum) that Alvar Aalto designed for Paris art dealer Louis Carré. In her exhibition\, Yardley continues her work materially with quilted goat leather and constructs new propositions and assemblages with gridded steel fragments. Installed as a constellation\, the relational extends into display\, insisting that meaning forms between things rather than within them – held\, if only temporarily through structure and proximity. \n‘Across her practice—from archival re-stagings to recent video installations—Yardley treats meaning not as inherent to objects\, but as something produced through encounter. It accumulates through proximity\, movement and sustained attention\, emerging in the charged space where forms\, histories and perceptions converge.’ \n~ KATRINA SCHWARZ \nRead the article on Caitlin Yardley in the current issue of Art Collector.
URL:https://posterfactory.com.au/art-event-and-opening/caitlin-yardley-relational-painting/
LOCATION:Moore Contemporary\, Cathedral Square\, 1/565 Hay Street\, Perth\, WA\, 6004\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/image-17.jpeg
ORGANIZER;CN="Moore Contemporary":MAILTO:info@moorecontemporary.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260428T080000
DTEND;TZID=Australia/Sydney:20260621T170000
DTSTAMP:20260520T061122Z
CREATED:20260520T061122Z
LAST-MODIFIED:20260520T061122Z
UID:10000035-1777363200-1782061200@posterfactory.com.au
SUMMARY:The ArtHITects (Gary Carsley and Ren Jie Teoh): C*Town Conservatory
DESCRIPTION:C*Town Conservatory reimagines the history and architecture of the conservatory — once a symbol of aristocratic prestige and colonial exploitation of the natural world — as a contemporary\, inclusive space for community\, reflection\, and creative exchange. \nConfabulated by The ArtHITects (Gary Carsley and Ren Jie Teoh)\, this immersive installation transforms the glass-walled foyer of Campbelltown Arts Centre into a fantastical\, illusionistic environment reflecting on its 20-year history of commissioning artwork. Linking the black box of the performance space to the white cube of the gallery spaces\, the C*Town Conservatory acknowledges the role of this unique nexus in the programming of Campbelltown Arts Centre ahead of its forthcoming capital expansion. \nDrawing on the conservatory’s traditions of wonder and contemplation\, the project embeds the history of the CAC’s diverse cross-media programming into ornamental QR codes\, evoking breeze-block patterns of Australian suburbia and global architectural traditions. \nAudiences are invited to scan the QR codes embedded in the artwork to discover and learn about the commissioned programs at Campbelltown Arts Centre dating back to 2005. \n\n\n\n\n Add to calendar
URL:https://posterfactory.com.au/art-event-and-opening/the-arthitects-gary-carsley-and-ren-jie-teoh-ctown-conservatory/
LOCATION:Campbelltown Arts Centre\, 1 Art Gallery Rd\, Campbelltown\, New South Wales\, 2560\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/c-town-conservatory-hero-image.jpg
ORGANIZER;CN="Campbelltown Arts Centre":MAILTO:artscentre@campbelltown.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260428T080000
DTEND;TZID=Australia/Sydney:20260614T170000
DTSTAMP:20260520T061122Z
CREATED:20260520T061122Z
LAST-MODIFIED:20260520T061122Z
UID:10000036-1777363200-1781456400@posterfactory.com.au
SUMMARY:Renae Saxby: Fire Scars
DESCRIPTION:Maitland Regional Art Gallery (MRAG) presents Fire Scars\, a powerful new solo exhibition by photographer Renae Saxby. Based on Wonnarua Country in Maitland\, New South Wales\, Saxby is an award-winning photographer recognised for her portraiture\, live performance photography and remote landscapes. Across her practice\, she maintains a sustained focus on the relationship between people\, culture and the environment. \nIn Fire Scars\, Saxby turns the camera inward\, drawing from deeply personal experiences to create an intimate body of work that reflects on grief and healing. Shot between her family’s property in Salisbury\, NSW\, and remote Arnhem Land in the Northern Territory\, the exhibition captures moments where destruction and renewal coexist.
URL:https://posterfactory.com.au/art-event-and-opening/renae-saxby-fire-scars/
LOCATION:Maitland Regional Art Gallery\, 230 High St\, Maitland\, NSW\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Fire-Scars_Renae-Saxby-Exhibition-1105-scaled-1.jpg
ORGANIZER;CN="Maitland Regional Art Gallery":MAILTO:artgallery@maitland.nsw.gov.au
END:VEVENT
END:VCALENDAR