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DTSTART;TZID=Australia/Sydney:20260321T080000
DTEND;TZID=Australia/Sydney:20260619T170000
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CREATED:20260520T061123Z
LAST-MODIFIED:20260520T061123Z
UID:10000030-1774080000-1781888400@posterfactory.com.au
SUMMARY:South West Biennial 2026: Tracework
DESCRIPTION:Bunbury Regional Art Gallery presents South West Biennial 2026: Tracework\, a landmark new exhibition that positions the South West as a vital centre for contemporary art. Anchored at BRAG and extending across six partner venues throughout the regions\, the Biennial invites audiences to move through a connected cultural landscape shaped by place\, memory and making. \nConceived as both a map and a meeting point\, Tracework brings together artists from across Australia’s south western regions alongside nationally and internationally recognised practitioners. The exhibition explores the idea of the trace — as mark\, imprint\, memory and connection — revealing how every creative gesture carries evidence of encounter: between artist and material\, people and place\, past and present. \nWith BRAG at its epicentre\, these connections ripple outward throughout the regions – between communities\, generations\, and their environments. Tracework encourages visitors to explore the visible and invisible threads that bind the region together. \nCurated by Dr Michael Bianco and Dionne Hooyberg\, the Biennial includes a major survey of works by 28 regional artists\, alongside solo and collaborative projects by Jacobus Capone\, Olga Cironis\, Amber Cronin and Tom Borgas\, Sharyn Egan\, and Andy Quilty.
URL:https://posterfactory.com.au/art-event-and-opening/south-west-biennial-2026-tracework/
LOCATION:Bunbury Regional Art Gallery\, 64 Wittenoom St\, Bunbury\, WA\, Australia
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260319T080000
DTEND;TZID=Australia/Sydney:20260523T170000
DTSTAMP:20260520T061123Z
CREATED:20260520T061123Z
LAST-MODIFIED:20260520T061123Z
UID:10000029-1773907200-1779555600@posterfactory.com.au
SUMMARY:Group Exhibition: 2026 Muswellbrook Art Prize
DESCRIPTION:Established in 1958\, the Muswellbrook Art Prize is a now $70\,000 acquisitive award spanning three categories: painting\, works on paper\, and ceramics. With medium as the sole thematic focus\, the Prize showcases the diverse subjects and practices of contemporary artists working throughout Australia. 
URL:https://posterfactory.com.au/art-event-and-opening/group-exhibition-2026-muswellbrook-art-prize/
LOCATION:Muswellbrook Regional Arts Centre\, Corner of Bridge & William St\, Muswellbrook\, NSW\, Australia
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ORGANIZER;CN="Muswellbrook Regional Arts Centre":MAILTO:arts.centre@muswellbrook.nsw.gov.au
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260314T080000
DTEND;TZID=Australia/Sydney:20260614T170000
DTSTAMP:20260520T061123Z
CREATED:20260520T061123Z
LAST-MODIFIED:20260520T061123Z
UID:10000028-1773475200-1781456400@posterfactory.com.au
SUMMARY:25th Biennale of Sydney: Rememory
DESCRIPTION:Campbelltown Arts Centre is an exhibition partner of the 25th Biennale of Sydney: Rememory\, curated by 25th edition Artistic Director Hoor Al Qasimi. \nA means of revisiting\, reconstructing\, and reclaiming histories that have been erased or repressed\, Rememory signifies the intersection of memory and history\, where recollection becomes an act of reassembling fragments of the past—whether personal\, familial\, or collective. The 25th edition of the Biennale connects the delicate space between remembering and forgetting. By engaging with Rememory\, artists will highlight marginalised narratives\, share untold stories\, and inspire audiences to rethink how memory shapes identity\, belonging\, and the creation and celebration of new communities and connections.
URL:https://posterfactory.com.au/art-event-and-opening/25th-biennale-of-sydney-rememory/
LOCATION:Campbelltown Arts Centre\, 1 Art Gallery Rd\, Campbelltown\, New South Wales\, 2560\, Australia
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ORGANIZER;CN="Campbelltown Arts Centre":MAILTO:artscentre@campbelltown.nsw.gov.au
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DTSTART;TZID=Australia/Sydney:20260212T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260520T061124Z
CREATED:20260520T061124Z
LAST-MODIFIED:20260520T061124Z
UID:10000025-1770883200-1780160400@posterfactory.com.au
SUMMARY:Frank Hurley: Between Peaks and Silence
DESCRIPTION:Between Peaks and Silence gathers works by Frank Hurley\, one of Australia’s most celebrated and controversial photographers and filmmakers. These photos are rare\, luminous studies of place—where land becomes theatre and stillness becomes sound. From the Warrumbungles’ ancient ridgelines to the Blue Mountains’ shadowed caves\, from the Derwent’s slow water to Urama Island’s village architecture\, Hurley frames each scene with a patient eye for scale\, texture and hush. In Antarctica\, crevasses open like chapters—beauty edged with risk—reminding us how quickly terrain can turn. Shown together for the first time in more than 30 years\, these photographs invite you to look longer: to follow the light\, listen for quiet\, and feel the world’s vastness in a single image.
URL:https://posterfactory.com.au/art-event-and-opening/frank-hurley-between-peaks-and-silence/
LOCATION:Bank Art Museum Moree\, 25 Frome St\, Moree\, NSW\, 2400\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Frank-Hurley.jpg
ORGANIZER;CN="Bank Art Museum Moree":MAILTO:info@bamm.org.au
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20251219T080000
DTEND;TZID=Australia/Sydney:20260517T170000
DTSTAMP:20260520T031000Z
CREATED:20260520T031000Z
LAST-MODIFIED:20260520T031000Z
UID:10000014-1766131200-1779037200@posterfactory.com.au
SUMMARY:Group Exhibition: The Hooligans
DESCRIPTION:Rabble-rousers\, riffraff\, scoundrels\, and criminals.\n\n\n\nTroublemakers\, wanderers\, deviants\, misfits. They’ve gone by many names—but to the Chinese state\, they were once known simply as The Hooligans. \nThe Mao-era crime of “hooliganism” (流氓罪) was notorious for its broad scope and arbitrary enforcement. It became a blunt tool used to silence dissent\, police morality\, and punish anyone seen as a threat to political or social order\, including sexual minorities and political dissidents. The last known person imprisoned under the charge was a protester in the 1989 Tiananmen Square democracy movement. \n\n\n\n\nWhen “hooliganism” was finally removed from the Criminal Code\, it didn’t vanish—it evolved. In its place came “picking quarrels and provoking trouble” (寻衅滋事)\, a catch-all offence capable of criminalising almost any act of resistance to the Party’s carefully curated image of civility. Feminists protesting sexual harassment\, and blank-paper demonstrators demanding human rights under censorship\, have all found themselves caught in its crosshairs. \nSweeping anti-corruption campaigns continue today under the slogan “hunting tigers and swatting flies\,” which promises to target both powerful elites and low-level officials. Yet\, as with earlier crackdowns\, the real target is not only corruption but also disobedience. \nFor as long as rules have existed\, people have found ways to break them. In the face of relentless restrictions\, Chinese artists have learned to think beyond imposed boundaries. Refusing to cooperate\, daring to defy\, and stirring up trouble\, the artists in this exhibition speak for those sacrificed to keep the peace. \nPhotography by Hamish McIntosh
URL:https://posterfactory.com.au/art-event-and-opening/group-exhibition-the-hooligans/
LOCATION:White Rabbit Gallery\, 30 Balfour St\, Chippendale\, NSW\, 2008\, Australia
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ORGANIZER;CN="White Rabbit Gallery":MAILTO:info@whiterabbitcollection.org
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