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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260506T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260521T051836Z
CREATED:20260521T051836Z
LAST-MODIFIED:20260521T051836Z
UID:10000045-1778054400-1780160400@posterfactory.com.au
SUMMARY:Teo Treloar: Tethered
DESCRIPTION:The photographs in Tethered centre on the concept of relational gravity: the pull between people\, places\, and materials. They carry grief and love\, and hold ideas of place and loss.\nTethered is made through analogue processes using expired medium-format film alongside out-of-date FP-100C and 3000B instant film. Fogging\, shifts in colour and density\, uneven development\, chemical marks\, and occasional failure are part of the material outcome\, carried on the photographic surface with what was in front of the camera.
URL:https://posterfactory.com.au/art-event-and-opening/teo-treloar-tethered/
LOCATION:Olsen Gallery\, 63 Jersey Rd\, Woollahra\, NSW Australia\, NSW\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Collage-Logic-II-scaled-1.jpg
ORGANIZER;CN="Olsen Gallery":MAILTO:info@olsengallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260501T080000
DTEND;TZID=Australia/Sydney:20260607T170000
DTSTAMP:20260520T061121Z
CREATED:20260520T061121Z
LAST-MODIFIED:20260520T061121Z
UID:10000038-1777622400-1780851600@posterfactory.com.au
SUMMARY:Christine James: Habitat
DESCRIPTION:This body of work by Christine James explores the upland wetland of Little Llangothlin on Banbai Country\, tracing the artist’s encounters with its unique plant and bird life through intimate\, layered paintings that reflect the fragile biodiversity of Australian wetlands. Moving between flora and avifauna\, the series becomes a visual meditation on habitat\, ecological change and the quiet complexity of this Ramsar-listed landscape.
URL:https://posterfactory.com.au/art-event-and-opening/christine-james-habitat/
LOCATION:New England Regional Art Museum\, 106-114 Kentucky Street\, Armidale\, NSW\, 2350\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Community-Day-Swamp-Hens-and-Coots-Billy-Bung-Lagoon_oil-on-linen_705mm-x-500mm_2025-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260501T080000
DTEND;TZID=Australia/Sydney:20260607T170000
DTSTAMP:20260520T061121Z
CREATED:20260520T061121Z
LAST-MODIFIED:20260520T061121Z
UID:10000037-1777622400-1780851600@posterfactory.com.au
SUMMARY:A Journey in Miniature
DESCRIPTION:Inspired by an artistic practice that span centuries\, A Journey in Miniature celebrates the enduring allure of small-scale art—from the illuminated manuscripts of the medieval world to the intimate portrait miniatures of the Romantic era\, and into the vibrant diversity of contemporary practice. \nPresented by the Australian Society of Miniature Art\, this exhibition brings together an extraordinary range of works that demonstrate the precision\, skill and imagination demanded by the form. Working within the discipline of scale—where every detail is heightened and nothing can be overlooked\, artists explore subjects limited only by their imagination\, across painting\, drawing\, printmaking and mixed media. \nAbout the Australian Society of Miniature Art (AMSA) \nThe Australian Society of Miniature Art (NSW) Inc. was founded in 1985 when there was a growing worldwide renaissance of miniature art and interest in its contemporary expression. \nOne of the aims of the society is to introduce the viewing public to the background of the field and show the development of the miniature and its place in today’s world. Many of the artists are professionals of long-standing who reside Australia-wide. \nASMA has held an Annual National Awards exhibition for over 20 years\, which is open to any Australian artist working in miniature.
URL:https://posterfactory.com.au/art-event-and-opening/a-journey-in-miniature/
LOCATION:New England Regional Art Museum\, 106-114 Kentucky Street\, Armidale\, NSW\, 2350\, Australia
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260501T080000
DTEND;TZID=Australia/Sydney:20260606T170000
DTSTAMP:20260521T051837Z
CREATED:20260521T051837Z
LAST-MODIFIED:20260521T051837Z
UID:10000040-1777622400-1780765200@posterfactory.com.au
SUMMARY:A Long Thread of Attention
DESCRIPTION:Fox Jensen McCrory presents A Long Thread of Attention\, bringing together the work of New Zealand’s most acclaimed painter Colin McCahon alongside celebrated Australian painter Aida Tomescu. \n“Not in a million years could I have predicted a phenomenon like McCahon. In fact\, I went to the Ivan Dougherty show on its last day\, at the insistence of my friends. I went with zero expectations and that visit changed everything. Finally\, there was a painter\, a near contemporary\, (he passed two or so years earlier) who did everything I wanted painting to do\, aimed at profound content\, connected everything I was drawn to”. \nAida Tomescu will give a talk in the gallery on Saturday the 2nd May at 11am.
URL:https://posterfactory.com.au/art-event-and-opening/a-long-thread-of-attention/
LOCATION:Fox Jensen McCrory\, 10 Putiki St\, Grey Lynn\, Auckland\, New Zealand
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Aida-Tomescu-Angels-in-Bed-2026-scaled-1.jpg
ORGANIZER;CN="Fox Jensen McCrory":MAILTO:gallery@fjm.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260501T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260521T051837Z
CREATED:20260521T051837Z
LAST-MODIFIED:20260521T051837Z
UID:10000042-1777622400-1780160400@posterfactory.com.au
SUMMARY:Caitlin Yardley: Relational Painting
DESCRIPTION:MOORE CONTEMPORARY presents ‘Relational Painting’\, a solo exhibition by CAITLIN YARDLEY and her first comprehensive showing in Perth since 2015 exhibitions presented at PICA and Moana. \nYardley’s practice is one of assembly – fragments brought into relation through alignment and misalignment. ‘Relational Painting’ is anchored by a work first exhibited at Maison Louis Carré in 2017 where Yardley ‘re-made’ Fritz Glarner’s absent Relational Painting No. 62 (1953) as one of a series of placeholders in quilted black goat leather. Retaining only the titles and scale of the original works to reconvene the now dispersed collection once housed there. Located just outside Paris\, Maison Louis Carré is the house (now museum) that Alvar Aalto designed for Paris art dealer Louis Carré. In her exhibition\, Yardley continues her work materially with quilted goat leather and constructs new propositions and assemblages with gridded steel fragments. Installed as a constellation\, the relational extends into display\, insisting that meaning forms between things rather than within them – held\, if only temporarily through structure and proximity. \n‘Across her practice—from archival re-stagings to recent video installations—Yardley treats meaning not as inherent to objects\, but as something produced through encounter. It accumulates through proximity\, movement and sustained attention\, emerging in the charged space where forms\, histories and perceptions converge.’ \n~ KATRINA SCHWARZ \nRead the article on Caitlin Yardley in the current issue of Art Collector.
URL:https://posterfactory.com.au/art-event-and-opening/caitlin-yardley-relational-painting/
LOCATION:Moore Contemporary\, Cathedral Square\, 1/565 Hay Street\, Perth\, WA\, 6004\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/image-17.jpeg
ORGANIZER;CN="Moore Contemporary":MAILTO:info@moorecontemporary.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260428T080000
DTEND;TZID=Australia/Sydney:20260614T170000
DTSTAMP:20260520T061122Z
CREATED:20260520T061122Z
LAST-MODIFIED:20260520T061122Z
UID:10000036-1777363200-1781456400@posterfactory.com.au
SUMMARY:Renae Saxby: Fire Scars
DESCRIPTION:Maitland Regional Art Gallery (MRAG) presents Fire Scars\, a powerful new solo exhibition by photographer Renae Saxby. Based on Wonnarua Country in Maitland\, New South Wales\, Saxby is an award-winning photographer recognised for her portraiture\, live performance photography and remote landscapes. Across her practice\, she maintains a sustained focus on the relationship between people\, culture and the environment. \nIn Fire Scars\, Saxby turns the camera inward\, drawing from deeply personal experiences to create an intimate body of work that reflects on grief and healing. Shot between her family’s property in Salisbury\, NSW\, and remote Arnhem Land in the Northern Territory\, the exhibition captures moments where destruction and renewal coexist.
URL:https://posterfactory.com.au/art-event-and-opening/renae-saxby-fire-scars/
LOCATION:Maitland Regional Art Gallery\, 230 High St\, Maitland\, NSW\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Fire-Scars_Renae-Saxby-Exhibition-1105-scaled-1.jpg
ORGANIZER;CN="Maitland Regional Art Gallery":MAILTO:artgallery@maitland.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260428T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260520T061122Z
CREATED:20260520T061122Z
LAST-MODIFIED:20260520T061122Z
UID:10000034-1777363200-1780160400@posterfactory.com.au
SUMMARY:Jeffrey Harris
DESCRIPTION:Jeffrey Harris stands as one of New Zealand’s most distinguished and original painters – an artist whose decades-long practice has shaped a deeply personal yet widely resonant visual language. Since he first exhibited in 1969\, Harris has created a body of work that draws on memory\, lived experience and the enduring weight of human emotion\, positioning him as a pivotal figure within New Zealand’s art history. \nHis works are built around simple but psychologically-charged scenes; places and moments that feel familiar\, yet slightly off. Rather than telling clear stories\, these settings become spaces to explore what it means to be human. Emotions like love and hate\, hope and despair sit side by side\, while rituals and recurring symbols invite further reflection – birds hint at the human spirit\, roads suggest journeys\, and the crucifix speaks to suffering and resilience.
URL:https://posterfactory.com.au/art-event-and-opening/jeffrey-harris/
LOCATION:Suite Gallery\, 189 Ponsonby Road\, Auckland\, 10111\, New Zealand
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Jeffrey-Harris_Nude-on-bed_1000px.jpg
ORGANIZER;CN="Suite Gallery":MAILTO:info@suite.co.nz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260418T080000
DTEND;TZID=Australia/Sydney:20260614T170000
DTSTAMP:20260520T061122Z
CREATED:20260520T061122Z
LAST-MODIFIED:20260520T061122Z
UID:10000032-1776499200-1781456400@posterfactory.com.au
SUMMARY:Carly Fischer: Ruins in Reverse
DESCRIPTION:Ruins in Reverse is a sculptural and sound-based installation by Carly Fischer inspired by the former Beechworth Asylum and her great-grandmother’s 50-year life spent institutionalised for ‘talking to the furniture’. The work explores the idea of shifting between realities\, uncovering forgotten fragments that blur past and present.
URL:https://posterfactory.com.au/art-event-and-opening/carly-fischer-ruins-in-reverse/
LOCATION:Wangaratta Art Gallery\, 56 Ovens St\, Wangaratta\, VIC\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/1-Carly-Fischer_Going-round-the-bend_Ruins-In-Reverse-low-res.jpg
ORGANIZER;CN="Wangaratta Art Gallery":MAILTO:exhibitionsofficer@wangaratta.vic.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260321T080000
DTEND;TZID=Australia/Sydney:20260619T170000
DTSTAMP:20260520T061123Z
CREATED:20260520T061123Z
LAST-MODIFIED:20260520T061123Z
UID:10000030-1774080000-1781888400@posterfactory.com.au
SUMMARY:South West Biennial 2026: Tracework
DESCRIPTION:Bunbury Regional Art Gallery presents South West Biennial 2026: Tracework\, a landmark new exhibition that positions the South West as a vital centre for contemporary art. Anchored at BRAG and extending across six partner venues throughout the regions\, the Biennial invites audiences to move through a connected cultural landscape shaped by place\, memory and making. \nConceived as both a map and a meeting point\, Tracework brings together artists from across Australia’s south western regions alongside nationally and internationally recognised practitioners. The exhibition explores the idea of the trace — as mark\, imprint\, memory and connection — revealing how every creative gesture carries evidence of encounter: between artist and material\, people and place\, past and present. \nWith BRAG at its epicentre\, these connections ripple outward throughout the regions – between communities\, generations\, and their environments. Tracework encourages visitors to explore the visible and invisible threads that bind the region together. \nCurated by Dr Michael Bianco and Dionne Hooyberg\, the Biennial includes a major survey of works by 28 regional artists\, alongside solo and collaborative projects by Jacobus Capone\, Olga Cironis\, Amber Cronin and Tom Borgas\, Sharyn Egan\, and Andy Quilty.
URL:https://posterfactory.com.au/art-event-and-opening/south-west-biennial-2026-tracework/
LOCATION:Bunbury Regional Art Gallery\, 64 Wittenoom St\, Bunbury\, WA\, Australia
ATTACH;FMTTYPE=image/png:https://posterfactory.com.au/wp-content/uploads/2026/05/SWB26-image_1600x1200px.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260319T080000
DTEND;TZID=Australia/Sydney:20260523T170000
DTSTAMP:20260520T061123Z
CREATED:20260520T061123Z
LAST-MODIFIED:20260520T061123Z
UID:10000029-1773907200-1779555600@posterfactory.com.au
SUMMARY:Group Exhibition: 2026 Muswellbrook Art Prize
DESCRIPTION:Established in 1958\, the Muswellbrook Art Prize is a now $70\,000 acquisitive award spanning three categories: painting\, works on paper\, and ceramics. With medium as the sole thematic focus\, the Prize showcases the diverse subjects and practices of contemporary artists working throughout Australia. 
URL:https://posterfactory.com.au/art-event-and-opening/group-exhibition-2026-muswellbrook-art-prize/
LOCATION:Muswellbrook Regional Arts Centre\, Corner of Bridge & William St\, Muswellbrook\, NSW\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/20260321_MuswellbrookArtPrize_0142-crop-1-scaled-1.jpg
ORGANIZER;CN="Muswellbrook Regional Arts Centre":MAILTO:arts.centre@muswellbrook.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260314T080000
DTEND;TZID=Australia/Sydney:20260614T170000
DTSTAMP:20260520T061123Z
CREATED:20260520T061123Z
LAST-MODIFIED:20260520T061123Z
UID:10000028-1773475200-1781456400@posterfactory.com.au
SUMMARY:25th Biennale of Sydney: Rememory
DESCRIPTION:Campbelltown Arts Centre is an exhibition partner of the 25th Biennale of Sydney: Rememory\, curated by 25th edition Artistic Director Hoor Al Qasimi. \nA means of revisiting\, reconstructing\, and reclaiming histories that have been erased or repressed\, Rememory signifies the intersection of memory and history\, where recollection becomes an act of reassembling fragments of the past—whether personal\, familial\, or collective. The 25th edition of the Biennale connects the delicate space between remembering and forgetting. By engaging with Rememory\, artists will highlight marginalised narratives\, share untold stories\, and inspire audiences to rethink how memory shapes identity\, belonging\, and the creation and celebration of new communities and connections.
URL:https://posterfactory.com.au/art-event-and-opening/25th-biennale-of-sydney-rememory/
LOCATION:Campbelltown Arts Centre\, 1 Art Gallery Rd\, Campbelltown\, New South Wales\, 2560\, Australia
ATTACH;FMTTYPE=image/png:https://posterfactory.com.au/wp-content/uploads/2026/05/Biennale_2026_Web-Graphic_4125px-x-2506px-scaled-1.png
ORGANIZER;CN="Campbelltown Arts Centre":MAILTO:artscentre@campbelltown.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260225T080000
DTEND;TZID=Australia/Sydney:20260620T170000
DTSTAMP:20260520T061124Z
CREATED:20260520T061124Z
LAST-MODIFIED:20260520T061124Z
UID:10000026-1772006400-1781974800@posterfactory.com.au
SUMMARY:Darebin Art Prize 2026
DESCRIPTION:The Darebin Art Prize is back in 2026 celebrating the outstanding work of contemporary Australian artists. The Darebin Art Prize is a national multi-medium acquisitive art prize awarding excellence in contemporary visual art. \nThis leading exhibition brings together contemporary artwork across all media\, from painting\, drawing\, photography\, sculpture and craft\, through to video art and more. The finalists from across Australia are represented in this major exhibition which includes a $10\,000 acquisitive prize and $1\,000 People’s Choice Award.
URL:https://posterfactory.com.au/art-event-and-opening/darebin-art-prize-2026/
LOCATION:Bundoora Homestead Art\, 7 Prospect Hill Dr\, Bundoora\, VIC\, 3083\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/DAP2026-High-Res-36.jpg
ORGANIZER;CN="Bundoora Homestead Art":MAILTO:bundoorahomestead@darebin.vic.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260212T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260520T061124Z
CREATED:20260520T061124Z
LAST-MODIFIED:20260520T061124Z
UID:10000025-1770883200-1780160400@posterfactory.com.au
SUMMARY:Frank Hurley: Between Peaks and Silence
DESCRIPTION:Between Peaks and Silence gathers works by Frank Hurley\, one of Australia’s most celebrated and controversial photographers and filmmakers. These photos are rare\, luminous studies of place—where land becomes theatre and stillness becomes sound. From the Warrumbungles’ ancient ridgelines to the Blue Mountains’ shadowed caves\, from the Derwent’s slow water to Urama Island’s village architecture\, Hurley frames each scene with a patient eye for scale\, texture and hush. In Antarctica\, crevasses open like chapters—beauty edged with risk—reminding us how quickly terrain can turn. Shown together for the first time in more than 30 years\, these photographs invite you to look longer: to follow the light\, listen for quiet\, and feel the world’s vastness in a single image.
URL:https://posterfactory.com.au/art-event-and-opening/frank-hurley-between-peaks-and-silence/
LOCATION:Bank Art Museum Moree\, 25 Frome St\, Moree\, NSW\, 2400\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Frank-Hurley.jpg
ORGANIZER;CN="Bank Art Museum Moree":MAILTO:info@bamm.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20251219T080000
DTEND;TZID=Australia/Sydney:20260517T170000
DTSTAMP:20260520T031000Z
CREATED:20260520T031000Z
LAST-MODIFIED:20260520T031000Z
UID:10000014-1766131200-1779037200@posterfactory.com.au
SUMMARY:Group Exhibition: The Hooligans
DESCRIPTION:Rabble-rousers\, riffraff\, scoundrels\, and criminals.\n\n\n\nTroublemakers\, wanderers\, deviants\, misfits. They’ve gone by many names—but to the Chinese state\, they were once known simply as The Hooligans. \nThe Mao-era crime of “hooliganism” (流氓罪) was notorious for its broad scope and arbitrary enforcement. It became a blunt tool used to silence dissent\, police morality\, and punish anyone seen as a threat to political or social order\, including sexual minorities and political dissidents. The last known person imprisoned under the charge was a protester in the 1989 Tiananmen Square democracy movement. \n\n\n\n\nWhen “hooliganism” was finally removed from the Criminal Code\, it didn’t vanish—it evolved. In its place came “picking quarrels and provoking trouble” (寻衅滋事)\, a catch-all offence capable of criminalising almost any act of resistance to the Party’s carefully curated image of civility. Feminists protesting sexual harassment\, and blank-paper demonstrators demanding human rights under censorship\, have all found themselves caught in its crosshairs. \nSweeping anti-corruption campaigns continue today under the slogan “hunting tigers and swatting flies\,” which promises to target both powerful elites and low-level officials. Yet\, as with earlier crackdowns\, the real target is not only corruption but also disobedience. \nFor as long as rules have existed\, people have found ways to break them. In the face of relentless restrictions\, Chinese artists have learned to think beyond imposed boundaries. Refusing to cooperate\, daring to defy\, and stirring up trouble\, the artists in this exhibition speak for those sacrificed to keep the peace. \nPhotography by Hamish McIntosh
URL:https://posterfactory.com.au/art-event-and-opening/group-exhibition-the-hooligans/
LOCATION:White Rabbit Gallery\, 30 Balfour St\, Chippendale\, NSW\, 2008\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/2018.001_Huang-Yongping_Les-Consoles-de-Jeu-Souveraines_0G5A3572.jpg
ORGANIZER;CN="White Rabbit Gallery":MAILTO:info@whiterabbitcollection.org
END:VEVENT
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