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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260428T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260610T091804
CREATED:20260520T061122Z
LAST-MODIFIED:20260520T061122Z
UID:10000034-1777363200-1780160400@posterfactory.com.au
SUMMARY:Jeffrey Harris
DESCRIPTION:Jeffrey Harris stands as one of New Zealand’s most distinguished and original painters – an artist whose decades-long practice has shaped a deeply personal yet widely resonant visual language. Since he first exhibited in 1969\, Harris has created a body of work that draws on memory\, lived experience and the enduring weight of human emotion\, positioning him as a pivotal figure within New Zealand’s art history. \nHis works are built around simple but psychologically-charged scenes; places and moments that feel familiar\, yet slightly off. Rather than telling clear stories\, these settings become spaces to explore what it means to be human. Emotions like love and hate\, hope and despair sit side by side\, while rituals and recurring symbols invite further reflection – birds hint at the human spirit\, roads suggest journeys\, and the crucifix speaks to suffering and resilience.
URL:https://posterfactory.com.au/art-event-and-opening/jeffrey-harris/
LOCATION:Suite Gallery\, 189 Ponsonby Road\, Auckland\, 10111\, New Zealand
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Jeffrey-Harris_Nude-on-bed_1000px.jpg
ORGANIZER;CN="Suite Gallery":MAILTO:info@suite.co.nz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260428T080000
DTEND;TZID=Australia/Sydney:20260614T170000
DTSTAMP:20260610T091804
CREATED:20260520T061122Z
LAST-MODIFIED:20260520T061122Z
UID:10000036-1777363200-1781456400@posterfactory.com.au
SUMMARY:Renae Saxby: Fire Scars
DESCRIPTION:Maitland Regional Art Gallery (MRAG) presents Fire Scars\, a powerful new solo exhibition by photographer Renae Saxby. Based on Wonnarua Country in Maitland\, New South Wales\, Saxby is an award-winning photographer recognised for her portraiture\, live performance photography and remote landscapes. Across her practice\, she maintains a sustained focus on the relationship between people\, culture and the environment. \nIn Fire Scars\, Saxby turns the camera inward\, drawing from deeply personal experiences to create an intimate body of work that reflects on grief and healing. Shot between her family’s property in Salisbury\, NSW\, and remote Arnhem Land in the Northern Territory\, the exhibition captures moments where destruction and renewal coexist.
URL:https://posterfactory.com.au/art-event-and-opening/renae-saxby-fire-scars/
LOCATION:Maitland Regional Art Gallery\, 230 High St\, Maitland\, NSW\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Fire-Scars_Renae-Saxby-Exhibition-1105-scaled-1.jpg
ORGANIZER;CN="Maitland Regional Art Gallery":MAILTO:artgallery@maitland.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260428T080000
DTEND;TZID=Australia/Sydney:20260621T170000
DTSTAMP:20260610T091804
CREATED:20260520T061122Z
LAST-MODIFIED:20260520T061122Z
UID:10000035-1777363200-1782061200@posterfactory.com.au
SUMMARY:The ArtHITects (Gary Carsley and Ren Jie Teoh): C*Town Conservatory
DESCRIPTION:C*Town Conservatory reimagines the history and architecture of the conservatory — once a symbol of aristocratic prestige and colonial exploitation of the natural world — as a contemporary\, inclusive space for community\, reflection\, and creative exchange. \nConfabulated by The ArtHITects (Gary Carsley and Ren Jie Teoh)\, this immersive installation transforms the glass-walled foyer of Campbelltown Arts Centre into a fantastical\, illusionistic environment reflecting on its 20-year history of commissioning artwork. Linking the black box of the performance space to the white cube of the gallery spaces\, the C*Town Conservatory acknowledges the role of this unique nexus in the programming of Campbelltown Arts Centre ahead of its forthcoming capital expansion. \nDrawing on the conservatory’s traditions of wonder and contemplation\, the project embeds the history of the CAC’s diverse cross-media programming into ornamental QR codes\, evoking breeze-block patterns of Australian suburbia and global architectural traditions. \nAudiences are invited to scan the QR codes embedded in the artwork to discover and learn about the commissioned programs at Campbelltown Arts Centre dating back to 2005. \n\n\n\n\n Add to calendar
URL:https://posterfactory.com.au/art-event-and-opening/the-arthitects-gary-carsley-and-ren-jie-teoh-ctown-conservatory/
LOCATION:Campbelltown Arts Centre\, 1 Art Gallery Rd\, Campbelltown\, New South Wales\, 2560\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/c-town-conservatory-hero-image.jpg
ORGANIZER;CN="Campbelltown Arts Centre":MAILTO:artscentre@campbelltown.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260501T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260610T091804
CREATED:20260521T051837Z
LAST-MODIFIED:20260521T051837Z
UID:10000042-1777622400-1780160400@posterfactory.com.au
SUMMARY:Caitlin Yardley: Relational Painting
DESCRIPTION:MOORE CONTEMPORARY presents ‘Relational Painting’\, a solo exhibition by CAITLIN YARDLEY and her first comprehensive showing in Perth since 2015 exhibitions presented at PICA and Moana. \nYardley’s practice is one of assembly – fragments brought into relation through alignment and misalignment. ‘Relational Painting’ is anchored by a work first exhibited at Maison Louis Carré in 2017 where Yardley ‘re-made’ Fritz Glarner’s absent Relational Painting No. 62 (1953) as one of a series of placeholders in quilted black goat leather. Retaining only the titles and scale of the original works to reconvene the now dispersed collection once housed there. Located just outside Paris\, Maison Louis Carré is the house (now museum) that Alvar Aalto designed for Paris art dealer Louis Carré. In her exhibition\, Yardley continues her work materially with quilted goat leather and constructs new propositions and assemblages with gridded steel fragments. Installed as a constellation\, the relational extends into display\, insisting that meaning forms between things rather than within them – held\, if only temporarily through structure and proximity. \n‘Across her practice—from archival re-stagings to recent video installations—Yardley treats meaning not as inherent to objects\, but as something produced through encounter. It accumulates through proximity\, movement and sustained attention\, emerging in the charged space where forms\, histories and perceptions converge.’ \n~ KATRINA SCHWARZ \nRead the article on Caitlin Yardley in the current issue of Art Collector.
URL:https://posterfactory.com.au/art-event-and-opening/caitlin-yardley-relational-painting/
LOCATION:Moore Contemporary\, Cathedral Square\, 1/565 Hay Street\, Perth\, WA\, 6004\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/image-17.jpeg
ORGANIZER;CN="Moore Contemporary":MAILTO:info@moorecontemporary.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260501T080000
DTEND;TZID=Australia/Sydney:20260606T170000
DTSTAMP:20260610T091804
CREATED:20260521T051837Z
LAST-MODIFIED:20260521T051837Z
UID:10000040-1777622400-1780765200@posterfactory.com.au
SUMMARY:A Long Thread of Attention
DESCRIPTION:Fox Jensen McCrory presents A Long Thread of Attention\, bringing together the work of New Zealand’s most acclaimed painter Colin McCahon alongside celebrated Australian painter Aida Tomescu. \n“Not in a million years could I have predicted a phenomenon like McCahon. In fact\, I went to the Ivan Dougherty show on its last day\, at the insistence of my friends. I went with zero expectations and that visit changed everything. Finally\, there was a painter\, a near contemporary\, (he passed two or so years earlier) who did everything I wanted painting to do\, aimed at profound content\, connected everything I was drawn to”. \nAida Tomescu will give a talk in the gallery on Saturday the 2nd May at 11am.
URL:https://posterfactory.com.au/art-event-and-opening/a-long-thread-of-attention/
LOCATION:Fox Jensen McCrory\, 10 Putiki St\, Grey Lynn\, Auckland\, New Zealand
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Aida-Tomescu-Angels-in-Bed-2026-scaled-1.jpg
ORGANIZER;CN="Fox Jensen McCrory":MAILTO:gallery@fjm.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260501T080000
DTEND;TZID=Australia/Sydney:20260607T170000
DTSTAMP:20260610T091804
CREATED:20260520T061121Z
LAST-MODIFIED:20260520T061121Z
UID:10000037-1777622400-1780851600@posterfactory.com.au
SUMMARY:A Journey in Miniature
DESCRIPTION:Inspired by an artistic practice that span centuries\, A Journey in Miniature celebrates the enduring allure of small-scale art—from the illuminated manuscripts of the medieval world to the intimate portrait miniatures of the Romantic era\, and into the vibrant diversity of contemporary practice. \nPresented by the Australian Society of Miniature Art\, this exhibition brings together an extraordinary range of works that demonstrate the precision\, skill and imagination demanded by the form. Working within the discipline of scale—where every detail is heightened and nothing can be overlooked\, artists explore subjects limited only by their imagination\, across painting\, drawing\, printmaking and mixed media. \nAbout the Australian Society of Miniature Art (AMSA) \nThe Australian Society of Miniature Art (NSW) Inc. was founded in 1985 when there was a growing worldwide renaissance of miniature art and interest in its contemporary expression. \nOne of the aims of the society is to introduce the viewing public to the background of the field and show the development of the miniature and its place in today’s world. Many of the artists are professionals of long-standing who reside Australia-wide. \nASMA has held an Annual National Awards exhibition for over 20 years\, which is open to any Australian artist working in miniature.
URL:https://posterfactory.com.au/art-event-and-opening/a-journey-in-miniature/
LOCATION:New England Regional Art Museum\, 106-114 Kentucky Street\, Armidale\, NSW\, 2350\, Australia
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260501T080000
DTEND;TZID=Australia/Sydney:20260607T170000
DTSTAMP:20260610T091804
CREATED:20260520T061121Z
LAST-MODIFIED:20260520T061121Z
UID:10000038-1777622400-1780851600@posterfactory.com.au
SUMMARY:Christine James: Habitat
DESCRIPTION:This body of work by Christine James explores the upland wetland of Little Llangothlin on Banbai Country\, tracing the artist’s encounters with its unique plant and bird life through intimate\, layered paintings that reflect the fragile biodiversity of Australian wetlands. Moving between flora and avifauna\, the series becomes a visual meditation on habitat\, ecological change and the quiet complexity of this Ramsar-listed landscape.
URL:https://posterfactory.com.au/art-event-and-opening/christine-james-habitat/
LOCATION:New England Regional Art Museum\, 106-114 Kentucky Street\, Armidale\, NSW\, 2350\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Community-Day-Swamp-Hens-and-Coots-Billy-Bung-Lagoon_oil-on-linen_705mm-x-500mm_2025-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260501T080000
DTEND;TZID=Australia/Sydney:20260623T170000
DTSTAMP:20260610T091804
CREATED:20260520T062440Z
LAST-MODIFIED:20260520T062440Z
UID:10000039-1777622400-1782234000@posterfactory.com.au
SUMMARY:Kate McKenzie Lewis: Ember
DESCRIPTION:Bett Gallery presents Kate McKenzie Lewis’s debut solo exhibition\, Ember. This series examines bushfire-affected landscapes\, capturing moments between destruction and renewal. The works reflect the dual nature of fire\, balancing loss and transformation while celebrating nature’s resilience and ability to recover. \nDrawing on experience\, observation\, and research\, Lewis weaves memories of smoke-filled skies\, glowing horizons\, and fire-impacted terrain with broader environmental themes\, exploring how we perceive\, remember\, and remain connected to place.
URL:https://posterfactory.com.au/art-event-and-opening/kate-mckenzie-lewis-ember/
LOCATION:Bett Gallery\, Level 1/65 Murray St\, Hobart\,\, TAS\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/3-Kate-Lewis-20.02.2026-055-1-1-scaled-1.jpg
ORGANIZER;CN="Bett Gallery":MAILTO:info@bettgallery.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260502T080000
DTEND;TZID=Australia/Sydney:20260630T170000
DTSTAMP:20260610T091804
CREATED:20260521T051837Z
LAST-MODIFIED:20260521T051837Z
UID:10000044-1777708800-1782838800@posterfactory.com.au
SUMMARY:Group Exhibition: Stockmen
DESCRIPTION:It is with a view to capturing the totality of the pastoral influence upon remote Australia that Stockmen brings a range of visual ideas together\, from dot painting to visionary landscapes. It is often said that contemporary art charts ideas of the future\, while in this exhibition it is possible to envisage the fullness of the lived experience of a quickly receding past. These artists offer a sense of just how much remote Australia has changed\, while grounding these changes in Country that remains ever present and within view. They remind us that pastoralism did not destroy ancestral practices and perceptions but created new ways of embedding them in contemporary life.
URL:https://posterfactory.com.au/art-event-and-opening/group-exhibition-stockmen/
LOCATION:8 Hele Gallery\, 8 Hele Cres\, Ciccone\, NT\, 0870\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/MGM4333-scaled-1.jpg
ORGANIZER;CN="8 Hele Gallery":MAILTO:gallery@8-hele.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260502T080000
DTEND;TZID=Australia/Sydney:20260718T170000
DTSTAMP:20260610T091804
CREATED:20260521T051836Z
LAST-MODIFIED:20260521T051836Z
UID:10000043-1777708800-1784394000@posterfactory.com.au
SUMMARY:Natalya Hughes: The Interior
DESCRIPTION:Can we use the talking cure to solve society’s ‘problem’ with women? \nThe Interior invites audiences into an exaggerated consultation room\, playfully furnished for psychoanalysis. Natalya Hughes’s immersive installation—combining sculptural seating\, richly patterned soft furnishings\, and uncanny objets d’art\, nestled around a hand-painted mural—generates a stimulating space to unpack our collective and unconscious biases. \nInterested in the role of women and their historical absence from positions of power\, Hughes’s part-professional\, part-domestic setting plays with gendered power dynamics between public and private space. The bespoke couches that dot the gallery take their lush contours from the shapes of the female body\, while motifs of eyes\, rats\, and snakes from Freud’s patient case studies ripple over their detailed upholstery. \nAudiences are invited to recline and be enveloped\, soothed and held\, by the furniture’s womanly forms\, while taking turns playing analyst and patient. Throughout this bodily encounter\, The Interior offers a space where women can be reimagined on different terms in a post-# MeToo world. \nThe Interior is a travelling exhibition organised by the Institute of Modern Art (IMA) and toured by Museums & Galleries Queensland. \nThe Interior has been assisted by the Australian Government through the Australia Council\, its arts funding and advisory body; the Australia Council’s Contemporary Touring initiative; The Queensland Government through Arts Queensland; the Fini Artist Fellowship through the Sheila Foundation; Queensland College of Art\, Griffith University; Creative Art Research Institute\, Griffith University; and Porter’s Paints\, New Farm. \nNatalya Hughes is represented by Milani Gallery\, Brisbane\, and Sullivan+Strumpf\, Sydney.
URL:https://posterfactory.com.au/art-event-and-opening/natalya-hughes-the-interior/
LOCATION:University of the Sunshine Coast Art Gallery\, USC Sunshine Coast\, 90 Sippy Downs Dr\, Sippy Downs\, QLD\, 4556\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/NatalyaHughes_Press_0117.jpg
ORGANIZER;CN="University of the Sunshine Coast Art Gallery":MAILTO:uscartgallery@usc.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260502T080000
DTEND;TZID=Australia/Sydney:20260718T170000
DTSTAMP:20260610T091804
CREATED:20260521T051837Z
LAST-MODIFIED:20260521T051837Z
UID:10000041-1777708800-1784394000@posterfactory.com.au
SUMMARY:Amanda Bennetts: Fragmented\, divided—yet whole
DESCRIPTION:Fragmented\, divided—yet whole brings together recent works by Amanda Bennetts that use time as both material and metric for understanding the body. In Bennetts’ practice\, time is not linear but lived. It is stretched\, slowed\, ruptured\, and suspended by the realities of living in a body in flux that refuses normative rhythms and constantly requires new forms of understanding. \nAcross these works\, Bennetts moves between different geographies and states of being. These spaces and the temporalities that govern them rarely align neatly. Instead\, they accumulate as fragments of data\, sensory impressions and embodied memory. \nFragmented\, divided—yet whole considers the body as a site where multiple timelines converge and how these temporal overlaps shape what it means to inhabit a body.
URL:https://posterfactory.com.au/art-event-and-opening/amanda-bennetts-fragmented-divided-yet-whole/
LOCATION:University of the Sunshine Coast Art Gallery\, USC Sunshine Coast\, 90 Sippy Downs Dr\, Sippy Downs\, QLD\, 4556\, Australia
ATTACH;FMTTYPE=image/png:https://posterfactory.com.au/wp-content/uploads/2026/05/Amanda-Bennetts_The-Metallic-City-Hums-Under-Skin_2026_4-scaled-1.png
ORGANIZER;CN="University of the Sunshine Coast Art Gallery":MAILTO:uscartgallery@usc.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260506T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260610T091804
CREATED:20260521T051836Z
LAST-MODIFIED:20260521T051836Z
UID:10000045-1778054400-1780160400@posterfactory.com.au
SUMMARY:Teo Treloar: Tethered
DESCRIPTION:The photographs in Tethered centre on the concept of relational gravity: the pull between people\, places\, and materials. They carry grief and love\, and hold ideas of place and loss.\nTethered is made through analogue processes using expired medium-format film alongside out-of-date FP-100C and 3000B instant film. Fogging\, shifts in colour and density\, uneven development\, chemical marks\, and occasional failure are part of the material outcome\, carried on the photographic surface with what was in front of the camera.
URL:https://posterfactory.com.au/art-event-and-opening/teo-treloar-tethered/
LOCATION:Olsen Gallery\, 63 Jersey Rd\, Woollahra\, NSW Australia\, NSW\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Collage-Logic-II-scaled-1.jpg
ORGANIZER;CN="Olsen Gallery":MAILTO:info@olsengallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260507T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260610T091804
CREATED:20260521T051803Z
LAST-MODIFIED:20260521T051803Z
UID:10000050-1778140800-1780160400@posterfactory.com.au
SUMMARY:Suzie Idiens: Basel Series
DESCRIPTION:Void_Melbourne presents Basel Series\, the second solo exhibition by Sydney-based artist Suzie Idiens. Originating from a set of small sketches made after visiting the Kunstmuseum Basel\, the works pursue a precise idea: investigations into the formal consequences of a single intervention of a geometric form. One corner removed. A slice\, a soft incision\, cutting away at the edge. Each painting pursues this idea with precision and conviction: a dominant field of thinly veiled colour\, held against a restrained incursion of a second colour at the margin. The exacting line where the two colours meet marks a clear delineation of territory on the canvas. Paint continues around the exposed cotton canvas edges\, the work asserting itself as an object as much as an image.
URL:https://posterfactory.com.au/art-event-and-opening/suzie-idiens-basel-series/
LOCATION:Void_Melbourne\, Level 2/190 Bourke St\, Melbourne\, VIC\, 3000\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Suzie-idiens-Basel-Series-Void_Melbourne-web.jpg
ORGANIZER;CN="Void_Melbourne":MAILTO:info@voidmelbourne.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260507T080000
DTEND;TZID=Australia/Sydney:20260530T170000
DTSTAMP:20260610T091804
CREATED:20260521T051836Z
LAST-MODIFIED:20260521T051836Z
UID:10000048-1778140800-1780160400@posterfactory.com.au
SUMMARY:APYACC: New Ground
DESCRIPTION:New Ground brings together emerging First Nations artists connected to the APY Lands\, regional South Australia\, and Adelaide\, presenting a diverse range of contemporary practices across painting\, ceramics\, sculpture\, and mixed media. The exhibition highlights artists working within community art centres while expanding the material and conceptual boundaries of art centre practice today. \nThe exhibition is curated by Ngarrindjeri artist Tiarnie Edwards\, whose practice explores identity\, culture\, history\, and contemporary Aboriginal experience through storytelling and material engagement. Raised on Nauo Country and based on Kaurna Yarta\, Edwards brings a nuanced understanding of art centre practice and emerging contemporary approaches. \nPresented in collaboration with the APY Art Centre Collective\, New Ground features artists from Tjala Arts\, Collective Art Centre\, Port Augusta Aboriginal Arts Mob\, and Umoona Community Art Centre. Together\, the works reflect cultural continuity\, experimentation\, and the strength of emerging Aboriginal voices shaping new ground in contemporary art.
URL:https://posterfactory.com.au/art-event-and-opening/apyacc-new-ground/
LOCATION:Martin Browne Contemporary\, 15 Hampden St\, Paddington\, NSW\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Christine-Lennon-2-25PA-acrylic-on-linen-154-x-122-cm.-Photo-by-Andy-Francis-courtesy-of-APYACC-scaled-1.jpeg
ORGANIZER;CN="Martin Browne Contemporary":MAILTO:info@martinbrownecontemporary.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260507T080000
DTEND;TZID=Australia/Sydney:20260606T170000
DTSTAMP:20260610T091804
CREATED:20260521T051802Z
LAST-MODIFIED:20260521T051802Z
UID:10000046-1778140800-1780765200@posterfactory.com.au
SUMMARY:Cobi Cockburn: Primary Lines
DESCRIPTION:Cobi Cockburn’s solo exhibition Primary Lines considers light as material\, reducing the visual language to two elemental forces: light and line. Shaped through encounter\, the works unfold as perceptual fields rather than fixed objects. \nLight operates as an active agent – revealing and erasing in equal measure – producing fleeting moments of clarity while dissolving stable form. Line\, traditionally a marker of direction and boundary\, becomes contingent\, shifting with light and the viewer’s position. Together\, they generate spatial conditions that resist resolution\, where meaning is not prescribed but discovered through experience.
URL:https://posterfactory.com.au/art-event-and-opening/cobi-cockburn-primary-lines/
LOCATION:Dominik Mersch Gallery\, 1/75 McLachlan Ave\, Rushcutters Bay\, NSW\, Australia
ATTACH;FMTTYPE=image/png:https://posterfactory.com.au/wp-content/uploads/2026/05/Screen-Shot-2026-04-08-at-1.53.43-pm-1.png
ORGANIZER;CN="Dominik Mersch Gallery":MAILTO:info@dominikmerschgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260507T080000
DTEND;TZID=Australia/Sydney:20260629T170000
DTSTAMP:20260610T091804
CREATED:20260521T051802Z
LAST-MODIFIED:20260521T051802Z
UID:10000047-1778140800-1782752400@posterfactory.com.au
SUMMARY:Jo Darvall: Changing States
DESCRIPTION:“Changing States builds on ideas developed during my 2024 Edith Cowan University and Western Australian Parliament Artist in Residence program\, as well as my recent group exhibition Paper Thin\, Skin Deep at Mundaring Arts Centre 2026 curated by Annette Peterson. The work explores what it means to inhabit a body—through material\, metaphorical\, and cultural layers of skin. \nWith over thirty years of experience across Australasia\, including a decade working in Singapore\, my practice examines my relationship to place within the Western Australian landscape. Originally from Melbourne\, where I studied at the Victorian College of the Arts and majored in Printmaking\, this exhibition marks a full-circle return—bringing together the journeys and experiences that have shaped my work internationally.” \n– Jo Darvall\, 2026
URL:https://posterfactory.com.au/art-event-and-opening/jo-darvall-changing-states/
LOCATION:Fox Galleries\, 63 Wellington Street\, Collingwood\, VIC\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Jo-Darvall-Brown-Stick-scaled-1.jpg
ORGANIZER;CN="Fox Galleries":MAILTO:admin@foxgalleries.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260507T080000
DTEND;TZID=Australia/Sydney:20260726T170000
DTSTAMP:20260610T091804
CREATED:20260521T051802Z
LAST-MODIFIED:20260521T051802Z
UID:10000049-1778140800-1785085200@posterfactory.com.au
SUMMARY:Group Exhibition: Through the Window
DESCRIPTION:This exhibition brings together the artists of Iltja Ntjarra Many Hands Art Centre\, Vanessa Inkamala\, Kathy Inkamala\, Dellina Inkamala and Raelene Inkamala (Western Arrernte)\, and Jordan Benson in a dialogue of tradition and innovation. \nFeaturing artists from Iltja Ntjarra Many Hands Art Centre in Mparntwe (Alice Springs\, NT)\, this exhibition celebrates the enduring watercolour legacy of Albert Namatjira alongside new works by Melbourne-based artist Jordan Benson\, who brings contemporary themes to traditional stained glass techniques. Together\, they explore light\, colour\, and transparency\, sharing skills and stories across mediums to offer fresh perspectives that honours culture while engaging with the present. Expanding on their collaboration for the National Indigenous Art Triennial at the National Gallery of Australia\, this exhibition deepens the dialogue between their practices. \nExhibition in partnership with Iltja Ntjarra Many Hands Art Centre and GLAAS Inc.
URL:https://posterfactory.com.au/art-event-and-opening/group-exhibition-through-the-window/
LOCATION:Canberra Glassworks\, 11 Wentworth Avenue\, Kingston\, ACT\, 2604
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/crash2-scaled-1.jpg
ORGANIZER;CN="Canberra Glassworks":MAILTO:contactus@canberraglassworks.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260508T080000
DTEND;TZID=Australia/Sydney:20260630T170000
DTSTAMP:20260610T091804
CREATED:20260521T051802Z
LAST-MODIFIED:20260521T051802Z
UID:10000051-1778227200-1782838800@posterfactory.com.au
SUMMARY:Juno Gemes and Robert Adamson on the Hawkesbury River
DESCRIPTION:Juno Gemes and Robert Adamson on the Hawkesbury River celebrates the powerful creative partnership of photographer Juno Gemes and poet Robert Adamson\, whose intertwined practices reveal a shared artistic\, intellectual\, and activist life shaped by collaboration and place.
URL:https://posterfactory.com.au/art-event-and-opening/juno-gemes-and-robert-adamson-on-the-hawkesbury-river/
LOCATION:Grace Cossington Smith Gallery\, 1666 Pacific Hwy\, Wahroonga\, NSW\, 2076\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Wordfly-image-Juno.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260509T080000
DTEND;TZID=Australia/Sydney:20260606T170000
DTSTAMP:20260610T091804
CREATED:20260521T051905Z
LAST-MODIFIED:20260521T051905Z
UID:10000054-1778313600-1780765200@posterfactory.com.au
SUMMARY:Jenn Rowe and Jaimie Klum: Where Matter Breathes
DESCRIPTION:Where Matter Breathes brings together artists Jenn Rowe and Jaimie Klum in a powerful exploration of body\, land\, material\, and spirit. Through sculpture\, installation\, photography\, and wall-based works\, the exhibition traces how both inner and outer worlds are formed\, transformed\, and made visible through matter. \nDrawing on distinct yet complementary practices\, Rowe and Klum use material as a way of thinking through connection\, fragility\, adaptation\, and survival. Rowe\, informed by her Trawlwoolway heritage and deep relationship to Country\, works with found and reclaimed natural materials – driftwood\, shells\, feathers\, bones\, and reeds – to create sculptural forms that evoke ecological and spiritual interconnection. Klum responds through industrial and synthetic materials\, shaping abstract forms that give expression to psychological and embodied states that are often felt but unseen. \nTogether\, their works create a dialogue between landscape and psyche\, nature and self. Across the exhibition\, material becomes alive with memory\, tension\, and transformation – inviting viewers to consider how we are shaped by what we hold\, lose\, and become.
URL:https://posterfactory.com.au/art-event-and-opening/jenn-rowe-and-jaimie-klum-where-matter-breathes/
LOCATION:Lone Goat Gallery\, 28 Lawson Street\, Byron Bay\, NSW\, 2481\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Art-Collector.jpg
ORGANIZER;CN="Lone Goat Gallery":MAILTO:lonegoatgallery@byron.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260509T080000
DTEND;TZID=Australia/Sydney:20260613T170000
DTSTAMP:20260610T091804
CREATED:20260521T051801Z
LAST-MODIFIED:20260521T051801Z
UID:10000052-1778313600-1781370000@posterfactory.com.au
SUMMARY:Fiona Longhurst: 5 7 3 Float Fall Petals 10 Trees
DESCRIPTION:For over three decades\, Fiona Longhurst has cultivated a distinctive visual language grounded in pattern\, repetition\, and colour. A longstanding artist in the Arts Project Australia (APA) studio since 1991\, her practice has evolved with quiet persistence\, producing a compelling body of work. \nHer intricate fields of mark-making are animated by recurring motifs – floral forms\, delicate compositional arrangements\, and text. Through intuitive layering and patterning\, Longhurst builds a personal visual lexicon. \nThis exhibition celebrates Longhurst’s enduring contribution to the APA studio and the broader contemporary art landscape\, offering insight into an artist whose evolving practice is defined by tenderness\, a nuanced use of colour\, and a quietly compelling sense of introspection. \nCurated by Jo Salt.
URL:https://posterfactory.com.au/art-event-and-opening/fiona-longhurst-5-7-3-float-fall-petals-10-trees/
LOCATION:Arts Project Australia\, Level 1\, Perry Street Building\, 35 Johnston St\, Collingwood\, Victoria\, 3066\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/AC_Fiona-Longhurst_Untitled_2017_FL17-0031-copy.jpg
ORGANIZER;CN="Arts Project Australia":MAILTO:gallery@artsproject.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260509T080000
DTEND;TZID=Australia/Sydney:20260816T170000
DTSTAMP:20260610T091804
CREATED:20260512T002426Z
LAST-MODIFIED:20260512T002426Z
UID:10000003-1778313600-1786899600@posterfactory.com.au
SUMMARY:Archibald\, Wynne and Sulman Prizes 2026
DESCRIPTION:The Archibald\, Wynne and Sulman Prizes delight and surprise audiences every year with fresh presentations of contemporary Australian painting and sculpture. \nAt its heart\, the Archibald Prize is about storytelling. Who are the people our artists have chosen to paint and what do their portraits reveal to us? In this exhibition\, Australian and New Zealand artists use portraiture to share the beauty and complexity of our times. \nThe Wynne Prize celebrates two major categories of art: Australian landscape painting and figurative sculpture. Diverse representations of our country appear alongside the variety and ingenuity of contemporary sculpture. The Sulman Prize is for subject painting\, genre painting or a mural project. \nEach year\, the trustees of the Art Gallery of New South Wales judge the Archibald and Wynne Prizes and invite a guest artist to judge the Sulman. In 2026 the Sulman will be judged by renowned artist Del Kathryn Barton. \nThis must-see annual exhibition of finalists and winners has become a fixture in our artistic calendar. A single ticket gives you access to see all three of these prestigious awards. \nHave your say by voting for your favourite portrait in the ANZ People’s Choice award for the chance to win $2000. \nDon’t miss Young Archie\, a free display in the Kaldor Hall on the ground level\, showcasing art by the next generation of artists\, aged 5 to 18. Plus\, grab a free self-guided children’s trail in the Archibald\, Wynne and Sulman Prizes 2026 exhibition.
URL:https://posterfactory.com.au/art-event-and-opening/archibald-wynne-and-sulman-prizes-2026/
LOCATION:The Art Gallery\, Art Road\, Sydney\, NSW\, 2000\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/archibald.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260509T080000
DTEND;TZID=Australia/Sydney:20260816T170000
DTSTAMP:20260610T091804
CREATED:20260521T051801Z
LAST-MODIFIED:20260521T051801Z
UID:10000053-1778313600-1786899600@posterfactory.com.au
SUMMARY:Little Orange Studio x AGNSW: Pet Palace
DESCRIPTION:Presented alongside the Archibald\, Wynne and Sulman Prizes 2026 at the Art Gallery of NSW\, this salon-style wall features portraits of a different kind\, not of people\, but of other beings deserving of our affection – beloved pets\, spirit guides and creature friends. Created by the artists of Little Orange Studio in Campbelltown\, Pet Palace is a celebration of the unbreakable bonds (and knowing looks) between people and animals. \nFor the Little Orange Studio artists – and for many of us – these relationships are a source of daily care\, companionship and reciprocal support. The mural includes distinguished portraits of pets who have crossed the rainbow bridge\, eldritch beings and animals in everyday life. Campbelltown’s parks and rivers appear as meeting places for dogs and ducks alike. \nFramed by the Grand Courts’ classical archways and set against a painted backdrop of sea and garden-inspired shapes\, Pet Palace is both a playful twist on historical portrait displays and a characterful homage to all those who guide\, comfort and walk beside us.
URL:https://posterfactory.com.au/art-event-and-opening/little-orange-studio-x-agnsw-pet-palace/
LOCATION:Campbelltown Arts Centre\, 1 Art Gallery Rd\, Campbelltown\, New South Wales\, 2560\, Australia
ATTACH;FMTTYPE=image/png:https://posterfactory.com.au/wp-content/uploads/2026/05/TEMPLATE_ADTW-18.png
ORGANIZER;CN="Campbelltown Arts Centre":MAILTO:artscentre@campbelltown.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260509T080000
DTEND;TZID=Australia/Sydney:20261018T170000
DTSTAMP:20260610T091804
CREATED:20260521T051801Z
LAST-MODIFIED:20260521T051801Z
UID:10000056-1778313600-1792342800@posterfactory.com.au
SUMMARY:Ans Westra: Jeetje
DESCRIPTION:Jeetje is an invitation to re-examine the work of Ans Westra (1936–2023)\, one of Aotearoa New Zealand’s most significant documentary photographers. Jeetje [pronounced YAY-chuh] is a Dutch expression of surprise — and\, in this case\, delight. It sets the tone for this selection drawn from Westra’s vast archive of funny\, tender\, and poignant photographs spanning the 1960s to the 1980s. From poetry readings in graveyards to spirited street protests\, from competitive dog shows to karate kids on skates\, these are scenes that feel as though they could have been captured yesterday. \nThe Dowse Art Museum shared a longstanding relationship with Westra\, from staging her first retrospective in 1972 to hosting her as an artist in residence. Jeetje extends this relationship\, revealing a side of Westra’s practice seldom seen by the public. Thanks to {Suite} Tirohanga and the Westra Estate.
URL:https://posterfactory.com.au/art-event-and-opening/ans-westra-jeetje/
LOCATION:The Dowse Art Museum\, 45 Laings Road\, Lower Hutt\, New Zealand
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Child-dressed-and-Donald-Duck-for-Art-Collector-listing.jpg
ORGANIZER;CN="The Dowse Art Museum":MAILTO:enquiries@dowse.org.nz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260509T080000
DTEND;TZID=Australia/Sydney:20261018T170000
DTSTAMP:20260610T091804
CREATED:20260521T051801Z
LAST-MODIFIED:20260521T051801Z
UID:10000055-1778313600-1792342800@posterfactory.com.au
SUMMARY:Wayne Youle: Back in Five
DESCRIPTION:Back in Five surveys twenty years of one of Aotearoa’s most bold and distinctive contemporary artists. \nWayne Youle’s sculptural practice charts the passage of time not just as a theme but as a material that shapes\, stretches\, and reframes meaning. With his trademark playfulness and wit and working across a broad range of media\, schoolboy pranks meet sharp cultural critique. Youle tackles big ideas—masculinity\, fatherhood\, colonial legacy\, and bicultural identity—while drawing on the humour and irreverence of his younger self. \nDeveloped in partnership with The Suter Art Gallery Te Aratoi o Whakatū.
URL:https://posterfactory.com.au/art-event-and-opening/wayne-youle-back-in-five/
LOCATION:The Dowse Art Museum\, 45 Laings Road\, Lower Hutt\, New Zealand
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/THEDOWSEARTMUSEUM-Wayne-Youle-Ill-be-the-one-wearing-the-pink-carnation-standing-in-the-corner-sweating-2017.-Courtesy-of-the-artist-and-SUITE-gallery.-Photo-by-Mark-Tantrum-2.jpg
ORGANIZER;CN="The Dowse Art Museum":MAILTO:enquiries@dowse.org.nz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260513T080000
DTEND;TZID=Australia/Sydney:20260606T170000
DTSTAMP:20260610T091804
CREATED:20260521T051800Z
LAST-MODIFIED:20260521T051800Z
UID:10000057-1778659200-1780765200@posterfactory.com.au
SUMMARY:Alberto Garcia-Alvarez: Nothing is Finished While I Am
DESCRIPTION:In the current issue of recently relaunched Art News magazine\, writer Dina Jezdic observes that “to write a preview of [Alberto Garcia-Alvarez’s] show is to confront the particularity of a practice that rejects the very idea of the preview. \nNo new body of work finished in preparation for exhibition. No theme declared in advance. Only this: 50 years in the same studio\, sunk into the slope of a garden\, light flooding in from high windows – and the continuous act of making that happens inside it.” \n“All my life is here”\, 98-year-old Alberto says\, when she asks about the way a work from the 1970s might appear alongside something made last week. \n“He means it structurally”\, Jezdic explains. \n“The experience of a life does not divide itself into periods\, does not respect the historian’s desire for chronology\, the collector’s desire for series\, the critic’s desire for development. A canvas begun in one decade may be taken up again in another because the thinking it holds has returned – changed\, deepened\, made strange by distance.”
URL:https://posterfactory.com.au/art-event-and-opening/alberto-garcia-alvarez-nothing-is-finished-while-i-am/
LOCATION:Tim Melville\, 4 Winchester Street\, Grey Lynn\, Auckland\, New Zealand
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Alberto_studio-2026.jpg
ORGANIZER;CN="Tim Melville":MAILTO:info@timmelville.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260514T080000
DTEND;TZID=Australia/Sydney:20260627T170000
DTSTAMP:20260610T091804
CREATED:20260521T051800Z
LAST-MODIFIED:20260521T051800Z
UID:10000058-1778745600-1782579600@posterfactory.com.au
SUMMARY:SIGNIFICANT
DESCRIPTION:Now in its second decade\, D Lan Galleries flagship annual exhibition opens simultaneously across all three galleries\, offering collectors rare access to historic and museum-quality paintings and sculpture by Australia’s most celebrated First Nations artists. \nAt the foundation of this year’s exhibition is a selection of early Papunya paintings from the seminal 1971–72 period\, including works by Kaapa Mbitjana Tjampitjinpa\, Johnny Warangula Tjupurrula and Uta Uta Tjangala. A second highlight is Djorra 2014–15\, a large-scale installation of 45 drawings and paintings by Nyapanyapa Yunupiŋu — the centrepiece of the artist’s 2020 survey at the Museum and Art Gallery of the Northern Territory. \nAlso on view: historic works by Rover Thomas\, Queenie McKenzie\, Albert Namatjira\, Emily Kam Kngwarray\, Shorty Lungkata Tjungurrayi\, Sally Gabori and Nonggirrnga Marawili.
URL:https://posterfactory.com.au/art-event-and-opening/significant/
LOCATION:D Lan Galleries\, 40 Exhibition Street\, Melbourne\, VIC\, 3000\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/73df8d9f-fff3-4245-a046-7fba61ff3b7a-l-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260515T080000
DTEND;TZID=Australia/Sydney:20260614T170000
DTSTAMP:20260610T091804
CREATED:20260521T051800Z
LAST-MODIFIED:20260521T051800Z
UID:10000059-1778832000-1781456400@posterfactory.com.au
SUMMARY:Central Belonging Art Award
DESCRIPTION:Central Belonging Art Award is an art prize exhibition that represents the rich diversity of the artistic communities around and within the Central West region. \nThe Award returns for its second year. It showcases established and emerging artists that are local to Cowra Shire and the surrounding areas. Artists from the following local government areas are part of the finalist exhibition: Bathurst\, Bland\, Blayney\, Cabonne\, Cowra\, Forbes\, Hilltops\, Lithgow\, Mid-Western Region\, Oberon\, Orange\, Parkes\, Upper Lachlan and Weddin. \nThe exhibition is an opportunity to explore the passions\, imagination and inspiration of the Central West creatives. It presents a range of disciplines and media\, including painting\, drawing\, photography\, sculpture\, ceramics\, textiles and printmaking. \nCentral Belonging Art Award celebrates what it means to be part of the vibrant “Cowra and beyond” artistic cohort.
URL:https://posterfactory.com.au/art-event-and-opening/central-belonging-art-award/
LOCATION:Cowra Regional Art Gallery\, 77 Darling St\, Cowra\, NSW\, 2794\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Nottingham-S.-While-all-the-worlds-asleep.-image-2-2026-assemblage.-45-x-80-x-45cm-1500x1135-1.jpg
ORGANIZER;CN="Cowra Regional Art Gallery":MAILTO:cowraartgallery@cowra.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260516T080000
DTEND;TZID=Australia/Sydney:20260705T170000
DTSTAMP:20260610T091804
CREATED:20260521T051759Z
LAST-MODIFIED:20260521T051759Z
UID:10000061-1778918400-1783270800@posterfactory.com.au
SUMMARY:COLLECT 2026
DESCRIPTION:COLLECT returns to The Lock-Up for its ninth year\, this time bringing together 126 artists—from early career to established—in a bold\, energetic snapshot of Newcastle and the Hunter’s creative ecology. A much-loved annual fundraising exhibition\, COLLECT champions the region’s artistic talent while raising vital funds for The Lock-Up’s ongoing program as a not-for-profit\, independent contemporary art space. This year\, COLLECT includes nationally significant artists such as Michael Bell\, Lottie Consalvo\, James Drinkwater\, Locust Jones\, Fiona Lee\, Bernard Ollis\, Izabela Pluta\, Wendy Sharpe and Khaled Sabsabi.
URL:https://posterfactory.com.au/art-event-and-opening/collect-2026/
LOCATION:The Lock-Up\, 90 Hunter Street\, Newcastle\, NSW\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/COLLECT_Opening_2025_010.jpg
ORGANIZER;CN="The Lock-Up":MAILTO:info@thelockup.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260516T080000
DTEND;TZID=Australia/Sydney:20260809T170000
DTSTAMP:20260610T091804
CREATED:20260521T051759Z
LAST-MODIFIED:20260521T051759Z
UID:10000060-1778918400-1786294800@posterfactory.com.au
SUMMARY:Jasper Knight: collage\, prints and works on paper
DESCRIPTION:Jasper Knight: collage\, prints and works on paper celebrates over twenty years of artmaking using paper-based methods of image making. Jasper\, who grew up close to Mosman Art Gallery on Sydney’s North Shore\, has long documented local landscapes. He came to prominence with his use of found materials and enamel house paint\, imbuing his landscapes with industrial aesthetics. Deeper looking at these works reveals an affection and reverence for these scenes\, often documented as surety against rapid regentrification.
URL:https://posterfactory.com.au/art-event-and-opening/jasper-knight-collage-prints-and-works-on-paper/
LOCATION:Mosman Art Gallery\, 1 Art Gallery Way\, Mosman\, NSW\, Australia
ORGANIZER;CN="Mosman Art Gallery":MAILTO:gallery@mosman.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260516T080000
DTEND;TZID=Australia/Sydney:20260809T170000
DTSTAMP:20260610T091804
CREATED:20260521T051759Z
LAST-MODIFIED:20260521T051759Z
UID:10000062-1778918400-1786294800@posterfactory.com.au
SUMMARY:Shireen Taweel: the trig point
DESCRIPTION:the trig point is an imagining of local sacred architecture and of embodied space\, a work of speculation\, participation\, and a vision of future making. Celestial and terrestrial spectral forms shimmer in their magnitude\, transitioning in space and time. Skeletal geometry draped in silk orbits Alpha Centauri A; the trig point is a house of seven circles\, filled with reverence for environment and perception of place\, and a sonic performance of celestial navigation\, migration and faith. \nThis project is supported by Creative Australia’s Visual Arts and Crafts Strategy (VACS) Major Commissioning Projects fund. the trig point is an iterative exhibition presented with pacing seven circles at Gertrude Contemporary (2026) and Dunedin Public Art Gallery (2027).
URL:https://posterfactory.com.au/art-event-and-opening/shireen-taweel-the-trig-point/
LOCATION:Mosman Art Gallery\, 1 Art Gallery Way\, Mosman\, NSW\, Australia
ORGANIZER;CN="Mosman Art Gallery":MAILTO:gallery@mosman.nsw.gov.au
END:VEVENT
END:VCALENDAR