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X-WR-CALDESC:Events for PosterFactory - Online Poster Printing
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260529T080000
DTEND;TZID=Australia/Sydney:20260726T170000
DTSTAMP:20260610T152600
CREATED:20260522T033300Z
LAST-MODIFIED:20260522T033300Z
UID:10000068-1780041600-1785085200@posterfactory.com.au
SUMMARY:The Neighbour at the Gate
DESCRIPTION:The National Art School (NAS) presents a major exhibition\, The Neighbour at the Gate\, curated by a guest curatorium led by Clothilde Bullen OAM (Wardandi Noongar and Badimaya Yamatji)\, with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar). \nBringing together newly commissioned works by leading Australian artists Jacky Cheng\, Elham Eshraghian-Haakansson\, Dennis Golding (Kamilaroi/Gamilaraay)\, Jenna Mayilema Lee (Gulumerridjin (Larrakia)\, Wardaman\, KarraJarri)\, James Nguyen and James Tylor (Kaurna\, Thura-Yura language region)\, the exhibition reckons with the echoes of immigration policies and the legacies of colonialism in Australia\, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships. \nThe Neighbour at the Gate is a commissioned exhibition project for the National Art School\, proudly supported by the NSW Government through the Blockbusters Funding initiative. The exhibition will be accompanied by a publication\, learning and education framework and public programs.
URL:https://posterfactory.com.au/art-event-and-opening/the-neighbour-at-the-gate/
LOCATION:New England Regional Art Museum\, 106-114 Kentucky Street\, Armidale\, NSW\, 2350\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/100725_NATG-install_James-Nguyen_03_Peter-Morgan-small-file-size-2-scaled-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260530T080000
DTEND;TZID=Australia/Sydney:20260627T170000
DTSTAMP:20260610T152600
CREATED:20260522T033300Z
LAST-MODIFIED:20260522T033300Z
UID:10000067-1780128000-1782579600@posterfactory.com.au
SUMMARY:Grace Wood: Petal as Pixel
DESCRIPTION:Petal as Pixel draws on an enduring fascination with Lawrence Alma-Tadema’s The Roses of Heliogabalus (1888)\, reimagining its themes of seduction\, excess\, and latent violence through a contemporary lens. Comprising over 80 works\, the exhibition centres on a large suspended mobile of mirrored surfaces\, chains\, and collaged imagery\, precariously assembled in situ. As elements shift\, reflections fragment and multiply\, enveloping the viewer in a disorienting visual field.
URL:https://posterfactory.com.au/art-event-and-opening/grace-wood-petal-as-pixel/
LOCATION:LON Gallery\, 136a Bridge Road\, RICHMOND\, VIC\, 3121\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Faustina-Grace-Wood-2026-scaled-1.jpg
ORGANIZER;CN="LON Gallery":MAILTO:Adam@longallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260530T080000
DTEND;TZID=Australia/Sydney:20260704T170000
DTSTAMP:20260610T152600
CREATED:20260522T033259Z
LAST-MODIFIED:20260522T033300Z
UID:10000066-1780128000-1783184400@posterfactory.com.au
SUMMARY:Group exhibition: Stormy Weather
DESCRIPTION:A group exhibition that invites us to look toward the soaring skies above. \nWhile Western Australia is well known for its vast blue horizons\, this exhibition turns to the darker moments – luminous clouds thickening\, rain pending\, storms breaking without warning. Across painting\, drawing\, sculpture\, photography and video\, the artists consider the unfolding drama of shifting weather patterns and the moods they carry with them.
URL:https://posterfactory.com.au/art-event-and-opening/group-exhibition-stormy-weather/
LOCATION:Art Collective WA\, 565 Hay St\, Perth\, WA\, 6000\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Jeremy-Kirwan-Ward-On-a-Few-Fronts-1-2025-acrylic-on-canvas-95-x-90cm-scaled-1.jpg
ORGANIZER;CN="Art Collective WA":MAILTO:art@artcollectivewa.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260613T080000
DTEND;TZID=Australia/Sydney:20260711T170000
DTSTAMP:20260610T152600
CREATED:20260522T033259Z
LAST-MODIFIED:20260522T033259Z
UID:10000065-1781337600-1783789200@posterfactory.com.au
SUMMARY:Melody Popple: Balun Gawarima – River Story
DESCRIPTION:Balun Gawarima – River Story is a new exhibition by Indigenous artist Melody Popple\, developed through her PhD project Moving Through Waters. Grounded in the waterways of Bundjalung Jagun\, the exhibition explores the cultural\, emotional\, and ecological significance of water through bush dyeing\, natural pigments\, and visual story-mapping. \nCreated in collaboration with Country\, the works use native flora\, found materials\, and water gathered from local river systems to produce richly layered eco-printed textiles that carry the physical imprint of place. Water becomes both subject and collaborator – activating pigments\, shaping form\, and holding memory. \nResponding to the realities of a post-flood Bundjalung landscape\, the exhibition reflects on water as a force of both destruction and renewal. Through acts of returning\, listening\, gathering\, and making\, Popple’s practice becomes an offering back to Country – honouring connection\, healing\, reciprocity\, and the enduring stories carried by river systems.
URL:https://posterfactory.com.au/art-event-and-opening/melody-popple-balun-gawarima-river-story/
LOCATION:Lone Goat Gallery\, 28 Lawson Street\, Byron Bay\, NSW\, 2481\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Art-Collector_1-scaled-1.jpg
ORGANIZER;CN="Lone Goat Gallery":MAILTO:lonegoatgallery@byron.nsw.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260621T170000
DTEND;TZID=Australia/Sydney:20260621T230000
DTSTAMP:20260610T152600
CREATED:20260512T001246Z
LAST-MODIFIED:20260604T063002Z
UID:10000005-1782061200-1782082800@posterfactory.com.au
SUMMARY:Shedding
DESCRIPTION:After a long silence\, Nomads Collective returns with Shedding.\nA one-night art experience inside Machine Hall\, opening a conversation between tradition and contemporary art expressions. \nSet within a former power substation\, the event is amplified by the building itself: its history\, its industrial weight\, and the charge of a place once built to power the city. \nBuilt through performance\, music\, installation\, and visual work\, Shedding brings together artists drawn to experimentation\, enquiry\, transformation\, and release. \nAcross the night\, artists move through questions of exposure\, distortion\, memory and the surfaces we carry. At a time when the self is constantly watched\, performed\, and repeated\, Shedding looks toward what sits underneath. We circle the moment where something starts to give. \nLineup TBA.
URL:https://posterfactory.com.au/art-event-and-opening/shedding/
LOCATION:Machine Hall\, 185 clarence street\, Sydney\, NSW\, 2000\, Australia
CATEGORIES:Highlight
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/HUMANITIX_BANNER_2A-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260711T080000
DTEND;TZID=Australia/Sydney:20261011T170000
DTSTAMP:20260610T152600
CREATED:20260522T033314Z
LAST-MODIFIED:20260522T033314Z
UID:10000064-1783756800-1791738000@posterfactory.com.au
SUMMARY:Jessie French: Material Conditions: Systems Beneath Surfaces
DESCRIPTION:Jessie French’s exhibition\, Material Conditions: Systems Beneath Surfaces\, examines the industrial systems embedded within the materials that shape our inhabited spaces and their resultant environmental and ethical consequences. \nEstablished systems\, optimised for efficiency\, low cost\, and standardisation\, dictate how physical resources are produced\, circulated\, and utilised in our daily environments. Many of these materials rely on chemical additives including binders\, stabilisers and coatings to enable their rapid manufacturing. While engineered for efficiency and durability\, these materials are often impossible to repair or reintegrate into recycling or reuse cycles once they degrade. Over time\, these industrial systems have normalised the widespread use of materials that compromise human health and ecological stability. \nIn an era defined by environmental crisis and geopolitical tension over natural resources\, French positions material design as a critical cultural and environmental inquiry. By presenting functional materials as cultural artifacts\, Material Conditions invites us to look beyond the surface and consider the infrastructures\, responsibilities\, and possibilities embedded within the substances that surround us. \nThis project has been assisted by the Australian Government through Creative Australia\, its principal arts investment and advisory body.
URL:https://posterfactory.com.au/art-event-and-opening/jessie-french-material-conditions-systems-beneath-surfaces/
LOCATION:Warrnambool Art Gallery\, 26 Liebig St\, Warrnambool\, 3280\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Jessie-French.jpg
ORGANIZER;CN="Warrnambool Art Gallery":MAILTO:gallery@warrnambool.vic.gov.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20261031T080000
DTEND;TZID=Australia/Sydney:20261031T170000
DTSTAMP:20260610T152600
CREATED:20260512T001500Z
LAST-MODIFIED:20260512T001500Z
UID:10000004-1793433600-1793466000@posterfactory.com.au
SUMMARY:Becoming Modern – Mid-century Australian Art
DESCRIPTION:Becoming Modern is a survey exhibition exploring the emergence of modernism in Australia during the twentieth century. \nDrawn largely from the Tasmanian State Collection\, it features iconic Australian modernists alongside lesser-known works\, many of which are exhibited for the first time. \nThis large-scale exhibition brings together paintings\, sculpture and works on paper\, highlighting figuration\, abstraction\, and foregrounding works by Tasmanian women artists.
URL:https://posterfactory.com.au/art-event-and-opening/becoming-modern-mid-century-australian-art/
LOCATION:Tasmanian Museum and Art Gallery\, Dunn Pl\, Hobart\, TAS\, 7000\, Australia
ATTACH;FMTTYPE=image/jpeg:https://posterfactory.com.au/wp-content/uploads/2026/05/Patricia-giles-a-promise-of-life-after-fire.jpg
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