Mumkurla-nginyi-ma parrngalinyparla – from the darkness into the light. The Gurindji freedom banners are a collection of 10 hand-painted banners created in 2000 by the Gurindji to share the community’s version of the historic 1966 Wave Hill walk-off. The walk-off, or Gurindji strike, led by Gurindji man Vincent Lingiari was an important event in Australia’s land rights movement. Many of the 35 Gurindji people involved in the [...]

Step into the world of art conservation and discover the intricate process of preserving history. Restoring the Past unveils the meticulous treatments of three remarkable nineteenth-century paintings and their ornate frames, including the portraits of Thomas and Catherine Chapman and a landscape by John Glover. This captivating exhibition offers a rare behind-the-scenes look at the techniques and stories that bring Tasmania’s artistic heritage back to life. Whether you're [...]

The Darebin Art Prize is back in 2026 celebrating the outstanding work of contemporary Australian artists. The Darebin Art Prize is a national multi-medium acquisitive art prize awarding excellence in contemporary visual art. This leading exhibition brings together contemporary artwork across all media, from painting, drawing, photography, sculpture and craft, through to video art and more. The finalists from across Australia are represented in this major exhibition [...]

Experience Newcastle Art Gallery’s icons, loved favourites, and unexpected gems in our inaugural exhibition, Iconic Loved Unexpected. Across every space in the expanded Gallery, we celebrate our nationally renowned collection with a curated selection from more than 7,000 works of art by local, national and global artists. This multi-faceted display foregrounds First Nations art and traces the development of Australian art over more than 200 years, as well as [...]

Campbelltown Arts Centre is an exhibition partner of the 25th Biennale of Sydney: Rememory, curated by 25th edition Artistic Director Hoor Al Qasimi. A means of revisiting, reconstructing, and reclaiming histories that have been erased or repressed, Rememory signifies the intersection of memory and history, where recollection becomes an act of reassembling fragments of the past—whether personal, familial, or collective. The 25th edition of the Biennale connects the delicate space [...]

Bunbury Regional Art Gallery presents South West Biennial 2026: Tracework, a landmark new exhibition that positions the South West as a vital centre for contemporary art. Anchored at BRAG and extending across six partner venues throughout the regions, the Biennial invites audiences to move through a connected cultural landscape shaped by place, memory and making. Conceived as both a map and a meeting point, Tracework brings together artists from across [...]

Affording Truth explores how we perceive and navigate truth in an era of global uncertainty, using the framework of affordances – the qualities of objects or environments that suggest or enable particular actions and interactions. Perceived, false or hidden, affordances are everywhere and key to how humans navigate the world. Featuring works by Alison Alder (NSW), Robert Andrew (QLD), Lorraine Connelly-Northey (NSW), Lauren Dunn (VIC), Honor Freeman (SA), [...]

Ruins in Reverse is a sculptural and sound-based installation by Carly Fischer inspired by the former Beechworth Asylum and her great-grandmother’s 50-year life spent institutionalised for ‘talking to the furniture’. The work explores the idea of shifting between realities, uncovering forgotten fragments that blur past and present.

New South Vol. 2 presents recent examples of sculpture and installation art from across Southern Australasia. Bringing together an intergenerational group of 17 artists, the exhibition offers a snapshot of current sculptural practice and the ideas shaping it today. A key theme of the exhibition is inter-relations, what happens between objects, materials, built environments and viewers. The artworks are presented together in shared space, allowing them to interact, [...]

Maitland Regional Art Gallery (MRAG) presents Fire Scars, a powerful new solo exhibition by photographer Renae Saxby. Based on Wonnarua Country in Maitland, New South Wales, Saxby is an award-winning photographer recognised for her portraiture, live performance photography and remote landscapes. Across her practice, she maintains a sustained focus on the relationship between people, culture and the environment. In Fire Scars, Saxby turns the camera inward, drawing from deeply personal [...]

C*Town Conservatory reimagines the history and architecture of the conservatory — once a symbol of aristocratic prestige and colonial exploitation of the natural world — as a contemporary, inclusive space for community, reflection, and creative exchange. Confabulated by The ArtHITects (Gary Carsley and Ren Jie Teoh), this immersive installation transforms the glass-walled foyer of Campbelltown Arts Centre into a fantastical, illusionistic environment reflecting on its 20-year history of commissioning artwork. [...]

Fox Jensen McCrory presents A Long Thread of Attention, bringing together the work of New Zealand’s most acclaimed painter Colin McCahon alongside celebrated Australian painter Aida Tomescu. “Not in a million years could I have predicted a phenomenon like McCahon. In fact, I went to the Ivan Dougherty show on its last day, at the insistence of my friends. I went with zero expectations and that visit changed everything. [...]

This body of work by Christine James explores the upland wetland of Little Llangothlin on Banbai Country, tracing the artist’s encounters with its unique plant and bird life through intimate, layered paintings that reflect the fragile biodiversity of Australian wetlands. Moving between flora and avifauna, the series becomes a visual meditation on habitat, ecological change and the quiet complexity of this Ramsar-listed landscape.

Bett Gallery presents Kate McKenzie Lewis’s debut solo exhibition, Ember. This series examines bushfire-affected landscapes, capturing moments between destruction and renewal. The works reflect the dual nature of fire, balancing loss and transformation while celebrating nature’s resilience and ability to recover. Drawing on experience, observation, and research, Lewis weaves memories of smoke-filled skies, glowing horizons, and fire-impacted terrain with broader environmental themes, exploring how we perceive, remember, and [...]

It is with a view to capturing the totality of the pastoral influence upon remote Australia that Stockmen brings a range of visual ideas together, from dot painting to visionary landscapes. It is often said that contemporary art charts ideas of the future, while in this exhibition it is possible to envisage the fullness of the lived experience of a quickly receding past. These artists offer a sense of [...]

Can we use the talking cure to solve society’s ‘problem’ with women? The Interior invites audiences into an exaggerated consultation room, playfully furnished for psychoanalysis. Natalya Hughes’s immersive installation—combining sculptural seating, richly patterned soft furnishings, and uncanny objets d’art, nestled around a hand-painted mural—generates a stimulating space to unpack our collective and unconscious biases. Interested in the role of women and their historical absence from positions of power, [...]

Fragmented, divided—yet whole brings together recent works by Amanda Bennetts that use time as both material and metric for understanding the body. In Bennetts’ practice, time is not linear but lived. It is stretched, slowed, ruptured, and suspended by the realities of living in a body in flux that refuses normative rhythms and constantly requires new forms of understanding. Across these works, Bennetts moves between different geographies and [...]

Cobi Cockburn’s solo exhibition Primary Lines considers light as material, reducing the visual language to two elemental forces: light and line. Shaped through encounter, the works unfold as perceptual fields rather than fixed objects. Light operates as an active agent – revealing and erasing in equal measure – producing fleeting moments of clarity while dissolving stable form. Line, traditionally a marker of direction and boundary, becomes contingent, shifting with [...]

“Changing States builds on ideas developed during my 2024 Edith Cowan University and Western Australian Parliament Artist in Residence program, as well as my recent group exhibition Paper Thin, Skin Deep at Mundaring Arts Centre 2026 curated by Annette Peterson. The work explores what it means to inhabit a body—through material, metaphorical, and cultural layers of skin. With over thirty years of experience across Australasia, including a decade working in [...]

This exhibition brings together the artists of Iltja Ntjarra Many Hands Art Centre, Vanessa Inkamala, Kathy Inkamala, Dellina Inkamala and Raelene Inkamala (Western Arrernte), and Jordan Benson in a dialogue of tradition and innovation. Featuring artists from Iltja Ntjarra Many Hands Art Centre in Mparntwe (Alice Springs, NT), this exhibition celebrates the enduring watercolour legacy of Albert Namatjira alongside new works by Melbourne-based artist Jordan Benson, who [...]

Juno Gemes and Robert Adamson on the Hawkesbury River celebrates the powerful creative partnership of photographer Juno Gemes and poet Robert Adamson, whose intertwined practices reveal a shared artistic, intellectual, and activist life shaped by collaboration and place.

Where Matter Breathes brings together artists Jenn Rowe and Jaimie Klum in a powerful exploration of body, land, material, and spirit. Through sculpture, installation, photography, and wall-based works, the exhibition traces how both inner and outer worlds are formed, transformed, and made visible through matter. Drawing on distinct yet complementary practices, Rowe and Klum use material as a way of thinking through connection, fragility, adaptation, and survival. Rowe, [...]

For over three decades, Fiona Longhurst has cultivated a distinctive visual language grounded in pattern, repetition, and colour. A longstanding artist in the Arts Project Australia (APA) studio since 1991, her practice has evolved with quiet persistence, producing a compelling body of work. Her intricate fields of mark-making are animated by recurring motifs – floral forms, delicate compositional arrangements, and text. Through intuitive layering and patterning, Longhurst [...]

The Archibald, Wynne and Sulman Prizes delight and surprise audiences every year with fresh presentations of contemporary Australian painting and sculpture. At its heart, the Archibald Prize is about storytelling. Who are the people our artists have chosen to paint and what do their portraits reveal to us? In this exhibition, Australian and New Zealand artists use portraiture to share the beauty and complexity of our times. [...]

Presented alongside the Archibald, Wynne and Sulman Prizes 2026 at the Art Gallery of NSW, this salon-style wall features portraits of a different kind, not of people, but of other beings deserving of our affection – beloved pets, spirit guides and creature friends. Created by the artists of Little Orange Studio in Campbelltown, Pet Palace is a celebration of the unbreakable bonds (and knowing looks) between people and animals. For the [...]

Back in Five surveys twenty years of one of Aotearoa’s most bold and distinctive contemporary artists. Wayne Youle’s sculptural practice charts the passage of time not just as a theme but as a material that shapes, stretches, and reframes meaning. With his trademark playfulness and wit and working across a broad range of media, schoolboy pranks meet sharp cultural critique. Youle tackles big ideas—masculinity, fatherhood, colonial legacy, and [...]

Jeetje is an invitation to re-examine the work of Ans Westra (1936–2023), one of Aotearoa New Zealand’s most significant documentary photographers. Jeetje [pronounced YAY-chuh] is a Dutch expression of surprise — and, in this case, delight. It sets the tone for this selection drawn from Westra’s vast archive of funny, tender, and poignant photographs spanning the 1960s to the 1980s. From poetry readings in graveyards to spirited street protests, from competitive dog [...]

In the current issue of recently relaunched Art News magazine, writer Dina Jezdic observes that “to write a preview of [Alberto Garcia-Alvarez’s] show is to confront the particularity of a practice that rejects the very idea of the preview. No new body of work finished in preparation for exhibition. No theme declared in advance. Only this: 50 years in the same studio, sunk into the slope of a garden, [...]

Now in its second decade, D Lan Galleries flagship annual exhibition opens simultaneously across all three galleries, offering collectors rare access to historic and museum-quality paintings and sculpture by Australia’s most celebrated First Nations artists. At the foundation of this year’s exhibition is a selection of early Papunya paintings from the seminal 1971–72 period, including works by Kaapa Mbitjana Tjampitjinpa, Johnny Warangula Tjupurrula and Uta Uta Tjangala. [...]

Central Belonging Art Award is an art prize exhibition that represents the rich diversity of the artistic communities around and within the Central West region. The Award returns for its second year. It showcases established and emerging artists that are local to Cowra Shire and the surrounding areas. Artists from the following local government areas are part of the finalist exhibition: Bathurst, Bland, Blayney, Cabonne, Cowra, Forbes, Hilltops, [...]

COLLECT returns to The Lock-Up for its ninth year, this time bringing together 126 artists—from early career to established—in a bold, energetic snapshot of Newcastle and the Hunter’s creative ecology. A much-loved annual fundraising exhibition, COLLECT champions the region’s artistic talent while raising vital funds for The Lock-Up’s ongoing program as a not-for-profit, independent contemporary art space. This year, COLLECT includes nationally significant artists such as Michael Bell, Lottie Consalvo, James Drinkwater, Locust Jones, [...]

‘Some memory cannot be documented. Some memory lives in the body.’ — Dr Natalie Harkin, Archival-Poetics (Vagabond Press, 2019) My Blood Sings Old Songs gathers artists who capture what is not always said—but deeply felt. The works in this exhibition resonate over time, unraveling layers of the body and the quiet weight of being seen, where movement becomes a vessel for remembrance. Hovering between an ending and a beginning, each gesture [...]

Positioning themselves within the frame, these artists craft memories and autobiographical narratives to explore truth, identity, culture, ancestry, and politics. Through deeply personal cultural and familial histories, the works reflect on lived experience while highlighting the ongoing impacts of Australia’s colonial past on First Nations peoples. Featured artists include Hayley Millar Baker, Michael Cook, Jahkarli Felicitas Romanis, Damien Shen, Dr Christian Thompson AO, and Keemon Willams.

MARS presents Chun Yin Rainbow Chan’s inaugural exhibition, Continuum. Continuum brings together a selection of works that reimagine the bridal laments of Hong Kong’s 圍頭/Weitou women, to whom Chan has deep ancestral ties. Through silk paintings, experimental calligraphy and audiovisual works, she translates these culturally endangered songs into contemporary forms that preserve their subversive feminist voices while reflecting on loss, resilience and solidarity.

We all have an instinct to seek guidance and ask questions of the future, especially during periods of uncertainty. Throughout history, people have looked upward, outward, and inward for signs of what lies ahead. A GREAT AND WONDROUS SIGN inhabits that same space of questioning. Searching for answers and holding tension between hope and apprehension, faith and doubt. This is mirrored in materiality, combining the longevity and certainty of [...]

“The worlds are busy and carefully laid out, take a look around,” shares David Booth about the works in his latest exhibition Rearranging the Universe. Extending on his practice of world building, Booth has created a library of stamps which reshape, move and rearrange with each print and reconfiguration. About this new body of work, he shares: “I’ve been building a new practice of play and experimentation in the studio; [...]

Kerry McInnis has been painting and drawing the River for many decades. The focus of her renditions of a waterway, wet or dry, has always been to represent the interconnectedness between the river and the earth that shapes it – to investigate the rhythms of liquid and solid form, to layer in paint the inconstancy of the river in both its power and vulnerability. Moving away from [...]

Artists from throughout Australia bring a lens on the concept of ‘earth’: our home, the environment, soil, land, fragility, strength or purpose; the need for its safe keeping and preservation, inclusive of all that lives within. This open exhibition has invited works to provoke awareness, dialogue, political activism, experimentation, thoughtfulness, playfulness, or deep contemplation.

Barbara Dawson’s work is a contemplation of senescence — ageing seen not as decline, but as a layered experience shaped by growth, memory, and renewal. Using the life cycles of plants as metaphor, she explores the human journey: its fragility, quiet strength, and continual transformation. These works trace the parallel landscapes of inner and outer worlds, finding beauty in both blossoming and fading, in change, endurance, and [...]

In Abstract Connotations, Hincksman explores human nature and our interactions with the natural environment., in the face of rapid changes due to the advancement of technology and social change. Hicksman’s practice allows the simplicity of everyday thoughts and experiences to inspire the paintings. The process can be quite dynamic between contemplation and the use of colour, form and tone, along with the fluidity of paint with various forms [...]

Focussing on line rather than tone, this exhibition features drawings on paper in a variety of media including pencil, crayons, ink, and watercolour. These are not necessarily drawings of things; they are abstract works but may evoke subjects. As clay dries, it hardens, and each stage creates a different engagement with the drawing process. Roper says, “Line drawing has been much on my mind of late as [...]

Jenny Topfer makes paintings that operate in a world of whispers and patient disclosure. Their communicative intent is held — undemonstrative. Such discretion remains rare but for Topfer, consideration and judgement have quietly accumulated over a long arc of time. There is simultaneously much more and much less at stake in these recent paintings. Made on either side of calamitous fires in Tasmania, fire that took many of [...]

Skin after Successive Skin is born of a story of feminine transformation, rebirth and embodiment; a story that led Elle Wickens to imagine how they felt language of the body can be recorded through material, how sensation can paint, and how painting itself speaks of, from and to the body. In this exhibition, Wickens creates an environment that echoes her own sensory tones, a space where interpretation is embodied, co-produced, [...]

Alcaston Gallery presents a significant private collection of paintings from 2003-2007 by the esteemed Tiwi artist Timothy Cook. This collection of historical significance and provenance exemplifies a moment in time when the collector focused on the emerging artist and his career development at Jilamara Arts and Crafts in Milikapiti on Melville Island, north of Darwin in the Arafura Sea. Timothy Cook’s art practice is now celebrated worldwide [...]

Barkindji artist, Kent Morris, creates a new series of works starring a very small yellow flower with an incredibly powerful story. For thousands of years, the tubers of the murnong (yam daisy) were a staple food for First Peoples throughout the southeast of Australia, cultivated and harvested in the millions from abundant yellow fields. Following the forced introduction of European farming practices, the murnong almost became extinct and [...]

Michelle Anderson‘s Kanpala, presented in association with Spinifex Arts Project, brings together a new suite of paintings that depict her grandmother’s Country at Kanpa. “The old people would walk from rockhole to rockhole, collecting wild foods on the way. They knew the bush plants that were good to eat, how to make flour by grinding the small millet seeds they collected and then baking bread on the fire. [...]

Explore ‘Fragments of Urban Essence’, where the vibrant pulse of city life is revealed through a striking collection of works painted on repurposed plaster walls sourced from the artist’s urban explorations. Transforming discarded materials into textured surfaces, this exhibition reflects the shifting nature of our urban environment, inviting viewers to uncover layered histories in familiar streets and consider their connection to the evolving urban landscape.

At The Centre brings together artists from Central and Western Desert Art Centres, sharing stories both old and new from the heart of Central Australia. Drawing on their surroundings, the works depict lush bush medicine plants, vast desert landscapes, playful scenes of contemporary Town Camp life, and powerful Tjukurpa. Together, they reflect enduring connections to Ngura—home, place, and Country. Even across great distances, these works invite audiences to [...]

“Lottie Consalvo’s exhibition, Of the Night, is an invitation to cross between worlds. It is in the night, where the air has a different texture, one Consalvo says she can touch, that the space between the world we inhabit day-to-day and the spiritual world blurs. Her paintings animate that precipice and what lives beyond it — the effigy you reach for in the dark, the blurred image that [...]

THIS IS NO FANTASY presents In Between Forms, the first solo exhibition by Ara Dolatian since joining the gallery. The exhibition explores unstable states between human, animal and the monstrous, drawing on Mesopotamian female deities, queens and poetic traditions — particularly the voice of Enheduanna and The Exaltation of Inanna. Through sculpture, Dolatian reimagines ancient acts of invocation as contemporary forms of transformation. Influenced by feminist and queer readings of Mesopotamian [...]

The National Art School (NAS) presents a major exhibition, The Neighbour at the Gate, curated by a guest curatorium led by Clothilde Bullen OAM (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar). Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies [...]

Petal as Pixel draws on an enduring fascination with Lawrence Alma-Tadema’s The Roses of Heliogabalus (1888), reimagining its themes of seduction, excess, and latent violence through a contemporary lens. Comprising over 80 works, the exhibition centres on a large suspended mobile of mirrored surfaces, chains, and collaged imagery, precariously assembled in situ. As elements shift, reflections fragment and multiply, enveloping the viewer in a disorienting visual field.

A group exhibition that invites us to look toward the soaring skies above. While Western Australia is well known for its vast blue horizons, this exhibition turns to the darker moments – luminous clouds thickening, rain pending, storms breaking without warning. Across painting, drawing, sculpture, photography and video, the artists consider the unfolding drama of shifting weather patterns and the moods they carry with them.