Artists from throughout Australia bring a lens on the concept of ‘earth’: our home, the environment, soil, land, fragility, strength or purpose; the need for its safe keeping and preservation, inclusive of all that lives within. This open exhibition has invited works to provoke awareness, dialogue, political activism, experimentation, thoughtfulness, playfulness, or deep contemplation.

Barbara Dawson’s work is a contemplation of senescence — ageing seen not as decline, but as a layered experience shaped by growth, memory, and renewal. Using the life cycles of plants as metaphor, she explores the human journey: its fragility, quiet strength, and continual transformation. These works trace the parallel landscapes of inner and outer worlds, finding beauty in both blossoming and fading, in change, endurance, and [...]

In Abstract Connotations, Hincksman explores human nature and our interactions with the natural environment., in the face of rapid changes due to the advancement of technology and social change. Hicksman’s practice allows the simplicity of everyday thoughts and experiences to inspire the paintings. The process can be quite dynamic between contemplation and the use of colour, form and tone, along with the fluidity of paint with various forms [...]

Focussing on line rather than tone, this exhibition features drawings on paper in a variety of media including pencil, crayons, ink, and watercolour. These are not necessarily drawings of things; they are abstract works but may evoke subjects. As clay dries, it hardens, and each stage creates a different engagement with the drawing process. Roper says, “Line drawing has been much on my mind of late as [...]

The National Art School (NAS) presents a major exhibition, The Neighbour at the Gate, curated by a guest curatorium led by Clothilde Bullen OAM (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar). Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies [...]

Petal as Pixel draws on an enduring fascination with Lawrence Alma-Tadema’s The Roses of Heliogabalus (1888), reimagining its themes of seduction, excess, and latent violence through a contemporary lens. Comprising over 80 works, the exhibition centres on a large suspended mobile of mirrored surfaces, chains, and collaged imagery, precariously assembled in situ. As elements shift, reflections fragment and multiply, enveloping the viewer in a disorienting visual field.

A group exhibition that invites us to look toward the soaring skies above. While Western Australia is well known for its vast blue horizons, this exhibition turns to the darker moments – luminous clouds thickening, rain pending, storms breaking without warning. Across painting, drawing, sculpture, photography and video, the artists consider the unfolding drama of shifting weather patterns and the moods they carry with them.

Balun Gawarima – River Story is a new exhibition by Indigenous artist Melody Popple, developed through her PhD project Moving Through Waters. Grounded in the waterways of Bundjalung Jagun, the exhibition explores the cultural, emotional, and ecological significance of water through bush dyeing, natural pigments, and visual story-mapping. Created in collaboration with Country, the works use native flora, found materials, and water gathered from local river systems to produce richly [...]

Jessie French’s exhibition, Material Conditions: Systems Beneath Surfaces, examines the industrial systems embedded within the materials that shape our inhabited spaces and their resultant environmental and ethical consequences. Established systems, optimised for efficiency, low cost, and standardisation, dictate how physical resources are produced, circulated, and utilised in our daily environments. Many of these materials rely on chemical additives including binders, stabilisers and coatings to enable their rapid manufacturing. [...]

Becoming Modern is a survey exhibition exploring the emergence of modernism in Australia during the twentieth century. Drawn largely from the Tasmanian State Collection, it features iconic Australian modernists alongside lesser-known works, many of which are exhibited for the first time. This large-scale exhibition brings together paintings, sculpture and works on paper, highlighting figuration, abstraction, and foregrounding works by Tasmanian women artists.