The Darebin Art Prize is back in 2026 celebrating the outstanding work of contemporary Australian artists. The Darebin Art Prize is a national multi-medium acquisitive art prize awarding excellence in contemporary visual art. This leading exhibition brings together contemporary artwork across all media, from painting, drawing, photography, sculpture and craft, through to video art and more. The finalists from across Australia are represented in this major exhibition [...]

Campbelltown Arts Centre is an exhibition partner of the 25th Biennale of Sydney: Rememory, curated by 25th edition Artistic Director Hoor Al Qasimi. A means of revisiting, reconstructing, and reclaiming histories that have been erased or repressed, Rememory signifies the intersection of memory and history, where recollection becomes an act of reassembling fragments of the past—whether personal, familial, or collective. The 25th edition of the Biennale connects the delicate space [...]

Established in 1958, the Muswellbrook Art Prize is a now $70,000 acquisitive award spanning three categories: painting, works on paper, and ceramics. With medium as the sole thematic focus, the Prize showcases the diverse subjects and practices of contemporary artists working throughout Australia. 

Bunbury Regional Art Gallery presents South West Biennial 2026: Tracework, a landmark new exhibition that positions the South West as a vital centre for contemporary art. Anchored at BRAG and extending across six partner venues throughout the regions, the Biennial invites audiences to move through a connected cultural landscape shaped by place, memory and making. Conceived as both a map and a meeting point, Tracework brings together artists from across [...]

Affording Truth explores how we perceive and navigate truth in an era of global uncertainty, using the framework of affordances – the qualities of objects or environments that suggest or enable particular actions and interactions. Perceived, false or hidden, affordances are everywhere and key to how humans navigate the world. Featuring works by Alison Alder (NSW), Robert Andrew (QLD), Lorraine Connelly-Northey (NSW), Lauren Dunn (VIC), Honor Freeman (SA), [...]

Ruins in Reverse is a sculptural and sound-based installation by Carly Fischer inspired by the former Beechworth Asylum and her great-grandmother’s 50-year life spent institutionalised for ‘talking to the furniture’. The work explores the idea of shifting between realities, uncovering forgotten fragments that blur past and present.

New South Vol. 2 presents recent examples of sculpture and installation art from across Southern Australasia. Bringing together an intergenerational group of 17 artists, the exhibition offers a snapshot of current sculptural practice and the ideas shaping it today. A key theme of the exhibition is inter-relations, what happens between objects, materials, built environments and viewers. The artworks are presented together in shared space, allowing them to interact, [...]

Jeffrey Harris stands as one of New Zealand’s most distinguished and original painters – an artist whose decades-long practice has shaped a deeply personal yet widely resonant visual language. Since he first exhibited in 1969, Harris has created a body of work that draws on memory, lived experience and the enduring weight of human emotion, positioning him as a pivotal figure within New Zealand’s art history. His [...]

Maitland Regional Art Gallery (MRAG) presents Fire Scars, a powerful new solo exhibition by photographer Renae Saxby. Based on Wonnarua Country in Maitland, New South Wales, Saxby is an award-winning photographer recognised for her portraiture, live performance photography and remote landscapes. Across her practice, she maintains a sustained focus on the relationship between people, culture and the environment. In Fire Scars, Saxby turns the camera inward, drawing from deeply personal [...]

C*Town Conservatory reimagines the history and architecture of the conservatory — once a symbol of aristocratic prestige and colonial exploitation of the natural world — as a contemporary, inclusive space for community, reflection, and creative exchange. Confabulated by The ArtHITects (Gary Carsley and Ren Jie Teoh), this immersive installation transforms the glass-walled foyer of Campbelltown Arts Centre into a fantastical, illusionistic environment reflecting on its 20-year history of commissioning artwork. [...]

MOORE CONTEMPORARY presents ‘Relational Painting’, a solo exhibition by CAITLIN YARDLEY and her first comprehensive showing in Perth since 2015 exhibitions presented at PICA and Moana. Yardley’s practice is one of assembly – fragments brought into relation through alignment and misalignment. ‘Relational Painting’ is anchored by a work first exhibited at Maison Louis Carré in 2017 where Yardley ‘re-made’ Fritz Glarner’s absent Relational Painting No. 62 (1953) as one [...]

Fox Jensen McCrory presents A Long Thread of Attention, bringing together the work of New Zealand’s most acclaimed painter Colin McCahon alongside celebrated Australian painter Aida Tomescu. “Not in a million years could I have predicted a phenomenon like McCahon. In fact, I went to the Ivan Dougherty show on its last day, at the insistence of my friends. I went with zero expectations and that visit changed everything. [...]

This body of work by Christine James explores the upland wetland of Little Llangothlin on Banbai Country, tracing the artist’s encounters with its unique plant and bird life through intimate, layered paintings that reflect the fragile biodiversity of Australian wetlands. Moving between flora and avifauna, the series becomes a visual meditation on habitat, ecological change and the quiet complexity of this Ramsar-listed landscape.

Bett Gallery presents Kate McKenzie Lewis’s debut solo exhibition, Ember. This series examines bushfire-affected landscapes, capturing moments between destruction and renewal. The works reflect the dual nature of fire, balancing loss and transformation while celebrating nature’s resilience and ability to recover. Drawing on experience, observation, and research, Lewis weaves memories of smoke-filled skies, glowing horizons, and fire-impacted terrain with broader environmental themes, exploring how we perceive, remember, and [...]

The photographs in Tethered centre on the concept of relational gravity: the pull between people, places, and materials. They carry grief and love, and hold ideas of place and loss. Tethered is made through analogue processes using expired medium-format film alongside out-of-date FP-100C and 3000B instant film. Fogging, shifts in colour and density, uneven development, chemical marks, and occasional failure are part of the material outcome, carried on the photographic [...]

Void_Melbourne presents Basel Series, the second solo exhibition by Sydney-based artist Suzie Idiens. Originating from a set of small sketches made after visiting the Kunstmuseum Basel, the works pursue a precise idea: investigations into the formal consequences of a single intervention of a geometric form. One corner removed. A slice, a soft incision, cutting away at the edge. Each painting pursues this idea with precision and conviction: a [...]

New Ground brings together emerging First Nations artists connected to the APY Lands, regional South Australia, and Adelaide, presenting a diverse range of contemporary practices across painting, ceramics, sculpture, and mixed media. The exhibition highlights artists working within community art centres while expanding the material and conceptual boundaries of art centre practice today. The exhibition is curated by Ngarrindjeri artist Tiarnie Edwards, whose practice explores identity, culture, history, [...]

Cobi Cockburn’s solo exhibition Primary Lines considers light as material, reducing the visual language to two elemental forces: light and line. Shaped through encounter, the works unfold as perceptual fields rather than fixed objects. Light operates as an active agent – revealing and erasing in equal measure – producing fleeting moments of clarity while dissolving stable form. Line, traditionally a marker of direction and boundary, becomes contingent, shifting with [...]

Where Matter Breathes brings together artists Jenn Rowe and Jaimie Klum in a powerful exploration of body, land, material, and spirit. Through sculpture, installation, photography, and wall-based works, the exhibition traces how both inner and outer worlds are formed, transformed, and made visible through matter. Drawing on distinct yet complementary practices, Rowe and Klum use material as a way of thinking through connection, fragility, adaptation, and survival. Rowe, [...]